"The long-hidden diary of a young Polish woman's last days during the Holocaust, translated for the first time into English, with a foreword from American Holocaust historian Deborah Lipstadt. Renia Spiegel was a young girl from an upper-middle class Jewish family living on an estate in Stawki, Poland, near what was at that time the border with Romania. In the summer of 1939, Renia and her sister Elizabeth (née Ariana) were visiting their grandparents in Przemysl, right before the Germans invaded Poland. Like Anne Frank, Renia recorded her days in her beloved diary. She also filled it with beautiful original poetry. Her diary records how she grew up, fell in love, and was rounded up by the invading Nazis and forced to move to the ghetto in Przemsyl with all the other Jews. By luck, Renia's boyfriend Zygmund was able to find a tenement for Renia to hide in with his parents and took her out of the ghetto. This is all described in the Diary, as well as the tragedies that befell her family and her ultimate fate in 1942, as written in by Zygmund on the Diary's final page. Renia's Diary is a significant historical and psychological document. The raw, yet beautiful account depicts Renia's angst over the horrors going on around her. It has been translated from the original Polish, with notes included by her surviving sister, Elizabeth Bellak"--

Bill Bryson meets Thomas Frank in this deeply insightful, unexpectedly hilarious story of how politicians hijacked American democracy and how we can take it back The democracy you live in today is different--completely different--from the democracy you were born into. You probably don't realize just how radically your republic has been altered during your lifetime. Yet more than any policy issue, political trend, or even Donald Trump himself, our redesigned system of government is responsible for the peril America faces today. What explains the gap between what We, the People want and what our elected leaders do? How can we fix our politics before it's too late? And how can we truly understand the state of our democracy without wanting to crawl under a rock? That's what former Obama speechwriter David Litt set out to answer. Poking into forgotten corners of history, translating political science into plain English, and traveling the country to meet experts and activists, Litt explains how the world's greatest experiment in democracy went awry. (He also tries to crash a party at Mitch McConnell's former frat house. It goes poorly.) The result of Litt's journey is something you might not have thought possible: a page-turner about the political process. You'll meet the Supreme Court justice charged with murder, learn how James Madison's college roommate broke the Senate, encounter a citrus thief who embodies what's wrong with our elections, and join Belle the bill as she tries to become a law (a quest far more harrowing than the one in Schoolhouse Rock!). Yet despite his clear-eyed assessment of the dangers we face, Litt remains audaciously optimistic. He offers a to-do list of bold yet achievable changes--a blueprint for restoring the balance of power in America before it's too late.

How did the Virgin Mary, about whom very little is said in the Gospels, become one of the most powerful and complex religious figures in the world? To arrive at the answers to this far-reaching question, one of our foremost medieval historians, Miri Rubin, investigates the ideas, practices, and images that have developed around the figure of Mary from the earliest decades of Christianity to around the year 1600. Drawing on an extraordinarily wide range of sources—including music, poetry, theology, art, scripture, and miracle tales—Rubin reveals how Mary became so embedded in our culture that it is impossible to conceive of Western history without her. In her rise to global prominence, Mary was continually remade and reimagined by wave after wave of devotees. Rubin shows how early Christians endowed Mary with a fine ancestry; why in early medieval Europe her roles as mother, bride, and companion came to the fore; and how the focus later shifted to her humanity and unparalleled purity. She also explores how indigenous people in Central America, Africa, and Asia remade Mary and so fit her into their own cultures. Beautifully written and finely illustrated, this book is a triumph of sympathy and intelligence. It demonstrates Mary’s endless capacity to inspire and her profound presence in Christian cultures and beyond.

Recreates the legend of the demi-god Sumerian king Gilgamesh, slayer of monsters and master of unsurpassed treasures, who searches for the key to immortality.

The influence of gays and lesbians on language, literature, theater, poetry, dance, music, and the arts is unmeasurable. In the era before AIDS, gay and lesbian culture had a defining, if unrecognized, influence on American life, an influence that is only now being acknowledged. This reissue of the classic anthology, Lavender Culture , serves as a provocative, dynamic, and wide-ranging reminder of American gay and lesbian culture in the days before the status of gay people received widespread attention in the media, religion, and politics, before Newsweek saw it fit to feature a cover story on LESBIANS, and before gays and lesbians took center stage in America's cultural landscape. Here we find the young, assertive voices of such activists, authors, and artists as Rita Mae Brown, Barbara Grier, John Stoltenberg, Julia Penelope, Andrea Dworkin, Andrew Kopkind, Jane Rule, Arthur Bell, Charlotte Bunche, and dozens more. Including essays on such diverse subjects as gay bath houses, the gay male image in classical ballet, images of gays in rock music, Judy Garland, lesbian humor, sports and machismo, the growing business of women's music, and the Cleveland bar scene in the 1940s, Lavender Culture, with new introductory essays by the editors and Cindy Patton, offers a panoply of gay and lesbian life, tracing the current influence and visibility of gay and lesbian culture back to its origins.

Edward Hopper's paintings are icons of American culture. His representations of gas stations, storefronts, cafeterias and hotel rooms embody the solitude of travel and adult life in the America of the thirties, forties and fifties. Because of the familiarity of his subject matter, Hopper has been pigeon-holed both historically, as an American realist, and thematically, as an artist of alienation. Mark Strand, recent poet laureate and writer of many books of award-winning poetry, approaches Hopper's work with a fresh eye, exploring the aesthetic principles behind the paintings. Strand, whose poems move through a terrain similar to that portrayed by Hopper, possesses a unique and powerful understanding of what makes the paintings so moving and memorable. He writes with his distinctive clarity and grace, examining twenty-three of Hopper's most important works. He cites aesthetic reasons for Hopper's continuing ability to deeply move people in an America that has grown considerably more complex both politically and socially since mid-century.

Tracking Cuban history from 1492 to the present, The Cuba Reader includes more than one hundred selections that present myriad perspectives on Cuba's history, culture, and politics. The volume foregrounds the experience of Cubans from all walks of life, including slaves, prostitutes, doctors, activists, and historians. Combining songs, poetry, fiction, journalism, political speeches, and many other types of documents, this revised and updated second edition of The Cuba Reader contains over twenty new selections that explore the changes and continuities in Cuba since Fidel Castro stepped down from power in 2006. For students, travelers, and all those who want to know more about the island nation just ninety miles south of Florida, The Cuba Reader is an invaluable introduction.

"Weinberg takes us across centuries from ancient Miletus to medieval Baghdad and Oxford, from Plato's Academy and the Museum of Alexandria to the cathedral school of Chartres and the Royal Society of London. He shows that the scientists of ancient and medieval times not only did not understand what we understand about the world--they did not understand what there is to understand, or how to understand it. Yet over the centuries, through the struggle to solve such mysteries as the curious backward movement of the planets and the rise and fall of the tides, the modern discipline of science eventually emerged"--Amazon.com ; Presents a commentary on the history of science that examines historic clashes and collaborations between science and the competing realms of religion, technology, poetry, mathematics, and philosophy

Countless school children have recited the opening line of Poe's The Raven: "Once upon a midnight dreary, while I pondered, weak and weary..." But Poe is valued not only for his poetry. He was also a prolific writer of short stories, the creator of two literary forms that readers everywhere enjoy--the detective story and the horror thriller.

From Pulitzer-Prize-nominated author Susan Griffin comes an unprecedented, provocative look at the dazzling world of the West’s first independent women, whose lively liaisons brought them unspoken influence, wealth, and freedom. While they charmed some of Europe’s most illustrious men honing their social skills as well as their sexual ones, the great courtesans gained riches, power, education, and sexual freedom in a time when other women were denied all of these. From Imperia of sixteenth-century Rome, who personified the Renaissance ideal of beauty; Mme. de Pompadour, the arbiter of all things fashionable in eighteenth-century Paris and Versailles; Liane de Pougy, known in France during the Belle Epoque as “Our National Courtesan”; to Sarah Bernhardt, who, following in her mother’s footsteps, supported herself in her early career with a second profession, The Book of the Courtesans tells the life stories and intricacies of the lavish lifestyles of these women. Unlike their geisha counterparts, courtesans neither lived in brothels nor bent their wills to suit their suitors. They were strong- willed, autonomous, and plucky. An open secret, their presence can be felt throughout our culture. The muses who enflamed the hearts and imaginations of our most celebrated artists, they were also artists in their own right. They wrote poetry and novels, invented the cancan at the Moulin Rouge, and presented celebrated acts at the Folies Bergères. They helped to influence and shape the sensibility of modern literature, painting, and fashion. When Greek sculptor Praxiteles wanted to depict Venus he used a famous courtesan as a model, as in later centuries Titian, Veronese, Raphael, Giorgione, and Boucher did when they painted goddesses. When Marcel Proust was a young man it was the courtesan Laure Hayman who took him under her wing, introducing him to the right people, and providing inspiration for one of literature’s greatest masterpieces. And they often had considerable political influence too. When King Louis XV needed advice on foreign affairs or appointments of state he turned to Jeanne du Barry as well as Pompadour. In her witty and insightful prose, as Griffin celebrates these alluring and fascinating women, she restores a lost legacy of women’s history. She gives us the stories of these amazing women who, starting from impoverished or unimpressive beginnings, garnered chateaux, fine coaches, fabulous collections of jewelry, and even aristocratic titles along the way. And through a brilliant exploration of their extraordinary abilities, skills, and talents which Griffin playfully categorizes as their virtues "Timing, Beauty, Cheek, Brilliance, Gaiety, Grace, and Charm" her book explains how, while helping themselves, through their often outrageous, always entertaining examples, the great courtesans not only enriched our cultural heritage but helped to liberate women from the social, sexual, and economic strictures that confined them. Intensively researched and beautifully crafted, The Book of the Courtesans delves into scintillating but often hidden worlds, telling stories gleaned from many sources, including courtesans’ memoirs, presented along with stunning rare photographs to create memorable portraits of some of the most pivotal figures in women’s history.

In the second of two volumes of this magnificently illustrated cultural history--the tie-in to the PBS and BBC series The Story of the Jews--Simon Schama details the story of the Jewish people, spanning from their expulsion from Spain in the Inquisition across six hundred years to the present day. It is a story like no other: an epic of endurance against destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life against the steepest of odds. It spans the centuries and the continents--from the Iberian Peninsula and the collapse of "the golden age" to the shtetls of Russia to the dusty streets of infant Hollywood. Its voices ring loud and clear, from the philosophical musings of Spinoza to the poetry written on slips of paper in concentraion camps. Within these pages, the Enlightenment unfolds, a great diaspora transforms a country, a Viennese psychaiatrist forever changes the conception of the human mind. And a great story unfolds. Not--as often imagined--of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians, from the Soviets to America. Which makes the story of the Jews everyone's story, too.

From the Hardcover "We stormed every classroom, inscribed our slogans on the blackboard . . . Never had mayhem brought more peace. All our lives we had been taught the virtues of behaving, and now we were discovering the importance of misbehaving. Too much fear had tainted our days. Too many afternoons had passed in silence, listening to a fanatic's diatribes. We were rebelling because we were not evil, we had not sinned, and we knew nothing of the apocalypse. . . . This was 1979, the year that showed us we could make our own destinies. We were rebelling because rebelling was all we could do to quell the rage in our teenage veins. Together as girls we found the courage we had been told was not in us." In Journey from the Land of No Roya Hakakian recalls her childhood and adolescence in prerevolutionary Iran with candor and verve. The result is a beautifully written coming-of-age story about one deeply intelligent and perceptive girl's attempt to i¬?nd an authentic voice of her own at a time of cultural closing and repression. Remarkably, she manages to re-create a time and place dominated by religious fanaticism, violence, and fear with an open heart and often with great humor. Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusion of youth that Royadescribes her discovery of a swastika--"a plus sign gone awry, a dark reptile with four hungry claws"--painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing. Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. At her loneliest, Roya discovers the consolations of writing while sitting on the rooftop of her house late at night. There, "pen in hand, I led my own chorus of words, with a melody of my own making." And she discovers the craft that would ultimately enable her to find her own voice and become her own person. A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and marks the debut of a stunning new talent.

A book for every patriotic American kid! Never before has the riveting American saga of "The Star-Spangled Banner" been so beautifully and thoroughly presented. This info-packed story of our national anthem includes: ★ Illustrated lyrics ★ The fascinating history of the War of 1812 and the battle that inspired Francis Scott Key to pen the words ★ Musical notation ★ Historical images ★ A reproduction of Key's original manuscript Caldecott Medalist Peter Spier's magnificent tribute takes readers from our anthem's turbulent origins at the Battle of Baltimore through the flag's significance in modern-day America. It's a must-have for every American family's library.

Magda Herzberger is a force of nature. To meet Magda is to encounter a bundle of energy whose indefatigable spirit and beauty both inside and out belies her being witness to one of the darkest chapters in human history. From her riveting autobiography "Survival" to the published collections of her captivating poetry, she has guided us into a world that seems almost unimaginable-its highs, its lows, its mysteries, its contradictions. And in the process she provides us with insights that make all us all richer. Now she takes those life experiences and provides us with a compelling blueprint, both spiritual and practical, in how to tackle life's unpredictable and at times tortuous challenges. In the stress of our twentieth century world, we face a drug culture that seeks escapism because the pain of reality is just too great or the high of a dangerous, temporary fix is too irresistible to pass up. Even among the more mainstream population, we have become accustomed to treatments and medications that promise to help us tackle physical and mental challenges and often a sense of hopelessness and being overwhelmed by the challenges of life. In America alone it is estimated that we spend close to half a trillion dollars each year to find ways to treat our psychological frailties. In "Surviving Hard Times," Magda shares with us the lessons of an extraordinary life that combines her story of hard grit and her relentless sense of purpose. The hard times she experienced are raw and unvarnished, and now she wants to pass on her insights to all of us.

An inspiring memoir about love, race, identity, and contested narratives told with unflinching mettle. Through her childhood spent in 1940s New York being raised by two mothers, her work with the Student Nonviolent Coordinating Committee during the Civil Rights Movement, and raising her own children in the coalfields of West Virginia, Faith S. Holsaert has been defined by the intertwined forces of race, activism, and family. As a young woman on the front line of the Civil Rights Movement, she learned the power of contested narratives and came to understand her whiteness, her queer identity, and her stakes in overturning racism. Later in life, she confronted sexual abuse and mental illness across three generations of women in her family to find that these painful histories have played a significant role in the development of her identity as a woman, activist, and mother. Through a lifetime laid bare in prose and poetry, Holsaert beautifully quilts memoir, social history, and historic events into a gripping and inspirational narrative. This powerful and structurally innovative work lends new categories of meaning to those who would strive to find their place, hope, and sense of belonging in efforts to fight against systemic racism and lead lives characterized by openness and love.

The photographer Richard Avedon and the writer Doon Arbus began collaborating on this book thirty years ago. The photographs and interviews they did then remain faithful to what was, like the contents of a time capsule. Meeting somebody and balling them means something, but it doesn't mean near as much as it used to. --Janis Joplin, September 1969 In a society where there is institutionalized oppression, the thing is to catch government and business in the grass--actually humping. --Florynce Kennedy, August 1969 I was so afraid of being bad and being caught at it. --Dr. Benjamin Spock, September 1969 The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the structuring of this book, with its own peculiar version of a beginning, a middle, and an end.

"The words of Jesus can be as mysterious as they are familiar. For those seeking greater understanding of the Gospels through storytelling and poetry comes this book by Andrew Klavan, who chronicles his own inspiring, late-in-life journey to achieve a fresh perspective and deep connection to Jesus's most well-known and complex biblical passages"--

Double Agent is a watershed in the recent revival of interest in the role of the public critic and intellectual who writes about culture, politics, and the arts for an intelligent general audience. Offering acute portraits of critics both famous and neglected, Dickstein traces the evolution of cultural criticism over the last century from Matthew Arnold to New Historicism. He examines the development of practical criticism, the rise and fall of literary journalism, and the growth of American Studies, and rereads the work of critics like Arnold, Walter Pater, I.A. Richards, Roland Barthes, Edmund Wilson, R.P. Blackmur, Lionel Trilling, Alfred Kazin, and George Orwell. In essays and books that are themselves works of literature, these writers made criticism central to the public sphere, balancing social and literary values, politic commitment and aesthetic judgment. Though marginalized or ignored by academic histories of criticism, their example has proved immensely valuable for younger critics eager to find a personal voice and reach a wider public. Dickstein concludes with a lively and provocative dialogue that weighs the claims of recent literary theory and the importance of renewing public culture.

A dramatic account of life in Czechoslovakia's great capital during the Nazi Protectorate With this successor book to Prague in Black and Gold, his account of more than a thousand years of Central European history, the great scholar Peter Demetz focuses on just six short years--a tormented, tragic, and unforgettable time. He was living in Prague then--a "first-degree half-Jew," according to the Nazis' terrible categories--and here he joins his objective chronicle of the city under German occupation with his personal memories of that period: from the bitter morning of March 15, 1939, when Hitler arrived from Berlin to set his seal on the Nazi takeover of the Czechoslovak government, until the liberation of Bohemia in April 1945, after long seasons of unimaginable suffering and pain. Demetz expertly interweaves a superb account of the German authorities' diplomatic, financial, and military machinations with a brilliant description of Prague's evolving resistance and underground opposition. Along with his private experiences, he offers the heretofore untold history of an effervescent, unstoppable Prague whose urbane heart went on beating despite the deportations, murders, cruelties, and violence: a Prague that kept its German- and Czech-language theaters open, its fabled film studios functioning, its young people in school and at work, and its newspapers on press. This complex, continually surprising book is filled with rare human detail and warmth, the gripping story of a great city meeting the dual challenge of occupation and of war.

A dramatic account of life in Czechoslovakia's great capital during the Nazi Protectorate With this successor book to Prague in Black and Gold , his account of more than a thousand years of history in the great Central European capital, Peter Demetz focuses on the six years that Prague was under German occupation in World War II: from the bitter morning of March 15, 1939, when Hitler arrived from Berlin to set his seal on the Nazi takeover of the Czechoslovak government, until the liberation of Bohemia in April 1945. Demetz was a boy living in Prague then, and here he joins his objective chronicle of the city under Nazi control with his personal memories of that period, expertly interweaving a superb account of the German authorities' diplomatic, financial, and military machinations with a brilliant description of Prague's evolving resistance and underground opposition. The result is a complex, continually surprising book filled with rare human detail and warmth, the gripping story of a great city meeting the dual challenge of occupation and of war.