Edward Hopper's paintings are icons of American culture. His representations of gas stations, storefronts, cafeterias and hotel rooms embody the solitude of travel and adult life in the America of the thirties, forties and fifties. Because of the familiarity of his subject matter, Hopper has been pigeon-holed both historically, as an American realist, and thematically, as an artist of alienation. Mark Strand, recent poet laureate and writer of many books of award-winning poetry, approaches Hopper's work with a fresh eye, exploring the aesthetic principles behind the paintings. Strand, whose poems move through a terrain similar to that portrayed by Hopper, possesses a unique and powerful understanding of what makes the paintings so moving and memorable. He writes with his distinctive clarity and grace, examining twenty-three of Hopper's most important works. He cites aesthetic reasons for Hopper's continuing ability to deeply move people in an America that has grown considerably more complex both politically and socially since mid-century.

Aram Saroyan's "minimal" poems of the 1960s demonstrated a completely unprecedented handling of words--often single words--that combined astounding economy with palpable textural warmth. Untitled poems that read in their entirety "eyeye" and "lobstee" evinced a pleasure in words that everybody could recognize--except Senator Jesse Helms, who publicly objected to Saroyan's poem "lighght" when its author received an NEA award--but which nobody else (except perhaps Gertrude Stein) had quite nailed until Aram Saroyan came along. In every one of Saroyan's page acts, the sound of typewriter keys inscribing blank paper are as audible to the mind's ear as the words themselves. Coffee Coffee was published as a mimeograph edition by Vito Acconci and Bernadette Mayer's 0 To 9 imprint in 1967, and was one of Saroyan's earliest collections, containing such gems as "guarantee," "added" and "rinse." Acconci has since recorded his admiration for these works: "In the late sixties, when I called myself a poet, Aram was the poet I envied."