A masterful poetic exploration of the impact of Matthew Shepard's murder on the world. On the night of October 6, 1998, a gay twenty-one-year-old college student named Matthew Shepard was kidnapped from a Wyoming bar by two young men, savagely beaten, tied to a remote fence, and left to die. Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew's murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard's life. Back matter includes an epilogue, an afterword, explanations of poetic forms, and resources.

"Forgive my bluntness, but... Goddamn, Sam Sax can write some poems. Devastating, comic, inventive, weird, dangerous, smart as hell. I could talk about the diction sometimes glass and sometimes bouquet. Or the syntax jagged here, balletic there. Or the metaphors, good lord. But the bottom line is that when reading the poems in A GUIDE TO UNDRESSING YOUR MONSTERS, one after the next, I kept saying to myself, probably twisting my face a little bit or squirming in my seat, 'Goddamn, Sam Sax can write some poems.'"-Ross Gay

Poetry. LGBT Studies. From his first appearance on the page, "we knew he was bound for something unsolvable." But a little thing like futility can't stop our hero from holding up a magnifying glass to a world "so bright it's impossible to understand." In this searching, provocative collection of coming-of-age sonnets, the sad boy detective listens close, collects the evidence, and reimagines the strange landscapes of a life, a body, a boy, a self. Through a questioning, fervent lens, sam sax's SAD BOY / DETECTIVE reminds us how deeply bizarre and at times undecipherable all this existence stuff truly is. "Sam Sax's SAD BOY / DETECTIVE uses the unholy sonnet in ways that would make Jarman marvel and sigh. The entirety of this volume destabilizes our ideas of what it means to write the coming of age novel, what it means to be undetectable. And Sax is forever fighting the fight of a poet who is made aware of his separation from the world by the fact that he is-in sorrow, sex, danger, or celebration--moored to all he sees because his seeing is a searchlight."--Jericho Brown "The SAD BOY / DETECTIVE of this book is on the case of his biggest mystery yet: the strangeness of existence itself. Reading these cleverly serialized sonnets is like pressing your ear to a door full of wonders you're unsure you're prepared to inherit. The book enacts a powerful awakening. Sam Sax is a terrific emerging poet. Like a sleuth with a magnifying glass, you're going to want to follow him everywhere."--Dobby Gibson

A formally brilliant and powerful volume from "one of the most extraordinary innovative poets writing today" (Carol Muske-Dukes, Los Angeles Times ). Moving from Paris to Beirut and back, Calligraphies is a tribute to exiles and refugees, the known and unknown, dead and living, from the American poet Marie Ponsot to the Syrian pasionaria Fadwa Suleiman. Award-winning poet Marilyn Hacker finds resistance, wit, potential, and gleaming connection in everyday moments--a lunch of "standing near the fridge with / labneh, two verbs, and a spoon"--as a counterweight to the precarity of existence. With signature passion and agility, Hacker draws from French, Arabic, and English to probe the role of language in identity and revolution. Amid conversations in smoky cafes, personal mourning, and political turmoil, she traces the lines between exiles and expats, immigrants and refugees. A series of "Montpeyroux Sonnets" bookends the volume, cataloguing months in 2021 and 2022 in which the poet observes a village "in pandemic mode" and reflects on her own aging. In a variety of tones and formal registers, from vivid crowns of sonnets to insistent ghazals to elegiac pantoums and riffs on the renga, Calligraphies explores a world opened up by language.

A sexual tour of Egyptian and classical mythology, in which the sphinx is a symbol of Wilde's homosexuality. The sphinx's erotic exploits are described with alternating exuberance and shame which give a unique glimpse into Wilde's inner conflicts. He worked on the poem for 11 years and published it in 1894, one year before his trial, in a gesture of defiant Gay pride. The poem is a masterpiece of decadence: like Wagner's operas, it is of overpowering richness and beauty, and occasionally hilariously kitsch.