An unprecedented glimpse into the formation of the legendary talent of Leonard Cohen. Before the celebrated late-career world tours, before the Grammy awards, before the chart-topping albums, before 'Hallelujah' and 'So Long, Marianne' and 'Famous Blue Raincoat', the young Leonard Cohen wrote poetry and fiction and yearned for literary stardom. [Bokinfo]

Countless school children have recited the opening line of Poe's The Raven: "Once upon a midnight dreary, while I pondered, weak and weary..." But Poe is valued not only for his poetry. He was also a prolific writer of short stories, the creator of two literary forms that readers everywhere enjoy--the detective story and the horror thriller.

An “extremely funny...brilliantly alive” ( The New York Times Book Review ) social satire of the highest order from bestselling author Sam Lipsyte, centered around an unwitting mindfulness guru and the phenomenon he initiates. In an America convulsed by political upheaval, cultural discord, environmental catastrophe, and spiritual confusion, so many of us find ourselves anxious and distracted, searching desperately for peace, salvation, and—perhaps most immediately—just a little damn focus. Enter Hark Morner, a failed stand-up comic turned mindfulness guru whose revolutionary program is set to captivate the masses. But for Fraz and Tovah, a middle-aged couple slogging through a very rough patch, it may take more than the tenets of Hark’s “Mental Archery” to solve the riddles of love, lust, work, and parenthood on the eve of civilizational collapse. And given the sudden power of certain fringe players, including a renegade Ivy League ethicist, a gentle Swedish kidnapper, a social media tycoon with an empire on the skids, and a mysteriously influential (but undeniably slimy) catfish, it just might be too late. But what’s the point of a world, even a blasted-out post-apocalyptic world, if they don’t try with all their might to keep their marriage alive? In this “awfully funny...tartly effective sendup of 21st-century America” ( Star Tribune , Minneapolis) Sam Lipsyte reaches new peaks of daring in a novel that revels in contemporary absurdity and the wild poetry of everyday language while exploring the emotional truths of his characters. “Recommended reading” ( Vanity Fair ), in which “every line feels as thrillingly charged as a live wire” ( O, The Oprah Magazine ), Hark is a smart, incisive look at men, women, and children seeking meaning and dignity in a chaotic, ridiculous, and often dangerous world.

From Pulitzer Prize–winner Mark Strand comes an exquisitely witty and poignant series of prose poems. Sometimes appearing as pure prose, sometimes as impure poetry, but always with Strand’s clarity and simplicity of style, they are like riddles, their answers vanishing just as they appear within reach. Fable, domestic satire, meditation, joke, and fantasy all come together in what is arguably the liveliest, most entertaining book that Strand has yet written.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The unofficial bible of the French Symbolist movement, admired by Mallarmé, Jarry and Gide, in a new translation When Marcel Schwob published The Book of Monelle in French in 1894, it immediately became the unofficial bible of the French Symbolist movement, admired by such contemporaries as Stéphane Mallarmé, Alfred Jarry and André Gide. A carefully woven assemblage of legends, aphorisms, fairy tales and nihilistic philosophy, it remains a deeply enigmatic and haunting work more than a century later, a gathering of literary and personal ruins written in a style that evokes both the Brothers Grimm and Friedrich Nietzsche. The Book of Monelle was the result of Schwob's intense emotional suffering over the loss of his love, a "girl of the streets" named Louise, whom he had befriended in 1891 and who succumbed to tuberculosis two years later. Transforming her into the innocent prophet of destruction, Monelle, Schwob tells the stories of her various sisters: girls succumbing to disillusionment, caught between the misleading world of childlike fantasy and the bitter world of reality. This new translation reintroduces a true fin-de-siècle masterpiece into English. A secret influence on generations of writers, from Guillaume Apollinaire and Jorge Luis Borges to Roberto Bolaño, Marcel Schwob (1867-1905) was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom he translated into French). Paul Valéry and Alfred Jarry both dedicated their first books to him, and he was the uncle of Surrealist photographer Claude Cahun.

Deborah Eisenberg is nearly unmatched in her mastery of the short story form. Now, in her newest collection, she demonstrates once again her virtuosic abilities in precisely distilled, perfectly shaped studies of human connection and disconnection. From a group of friends whose luck in acquiring a luxurious Manhattan sublet turns to disaster as their balcony becomes a front-row seat to the catastrophe of 9/11; to the Roman holiday of a schoolteacher running away from the news of her ex-husband's life-threatening illness, and her unlikely guide, a titled art scout in desperate revolt against his circumstances and aging; to the too painful love of a brother for his schizophrenic sister, whose tragic life embitters him to the very idea of family, Eisenberg evokes, in brooding passionate and brilliant prose, a brutally honest portrait of our lives today, showing us truths which are both poetic and deeply political. 'Like Alice Munro, virtually her only equal in the field, Deborah Eisenberg seems incapable of writing a bad short story . . . Eisenberg's writing at times approaches the beauty of a line of poetry. She manipulates her readers with a master's blend of humor and poignancy. Her stories are wondrous' San Francisco Chronicle

"To all those who have for several years sought to discredit the new American literature, Lawrence Ferlinghetti has just dealt a most powerful blow," wrote French critic Pierre Lepape in 1961 when Her was published in France as La Quatrième Personne du Singulier. Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-rêve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor. Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.

Who says summer reading means a lurid potboiler or sleazy celeb tell-all? Not "Tin House." Renowned for its beautiful design as well as its compelling content, the award-winning "Tin House" is a multisensory delight, as popular with critics as it is with readers. Each issue features the best writers of the day alongside a new generation of talent who are poised to become the most important voices of the future. Its summer issue offers an eclectic collection of short stories, profiles, author interviews, poetry, and essays, as well as unique departments such as Lost and Found, reviews of overlooked or underrated books, and Blithe Spirits and "Readable Feast, which present tales and recipes for drinks and food in a literary way. Breezy, sunny, funny, and always thought-provoking, "Tin House Summer Reading 2009" is beach reading for the smart set."

"The Fairy Green" is an ancient Children's poetry story book written by Rose Fyleman. This amazing story comes within the delusion and fairy story genres, taking young readers on a fable adventure through a wonderful the world complete of fairies, goblins, and other terrific animals. Fyleman's fabulous writing and ingenious storytelling take site visitors to the inexperienced lands of the Fairy Green, wherein wooded area sprites dance below the whole moon and depraved elves play tricks on unsuspecting vacationers. Each of the poems in the collection is a little works of art, full with shiny imagery and charming characters that pique the curiosity and excite the senses. "The Fairy Green" is a ways greater than a collection of poems; it's far a gateway to the lovely women of nature and the strength of the thoughts. Fyleman's eternal memories remind visitors of the importance of marvel and enchantment in some surroundings wherein humans are all too frequently distracted through the commonplace. Through its whimsical appealing people and ageless enchantment, "The Fairy Green" has charmed readers of each technology, motivating destiny generations to trust within the magic that exists simply backstage of fact.

Many writers and artists have undertaken the difficult task of recreating the image of Lenin for their contemporaries and future generations. The Blue Notebook by the well-known Soviet author Emmanuil Kazakevich (1913-1962) has become one of the most popular books about Lenin. A notebook in a blue cover actually did exist. In it Lenin jotted down notes for his famous book State and Revolution which he worked on in the difficult days preceding the Great October Socialist Revolution. At the time Lenin was in hiding at Razliv Station, from where he directed the preparations for the armed uprising. "He was a passionate traveler, a hunter, a crack shot, a top-notch driver, the life of the party, witty and full of fun... Moreover, he was a truly courageous soldier." This portrait of Kazakevich was drawn by his contemporary and colleague, the writer Alexander Tvardovsky. During the Second World War Kazakevich, commander of a platoon, was asked to join the staff of the brigade newspaper. After working on the paper for a short while he asked to be transferred back to the front lines. "The front lines are important to me not only as a patriot, but as a writer," he said. Emmanuil Kazakevich was born in the Ukraine in 1913, the son of a teacher. His first book, a volume of poetry, was published in 1932. He translated the works of Pushkin, Lermontov, and Mayakovsky into Yiddish. Kazakevich's first prose work, The Star, is a harsh, yet sensitive war story which gained him world fame. This was followed by Spring on the Oder, Heart of a Friend, Two in the Steppe, The House on the Square, By the Light of Day and The Blue Notebook, the author's last work. Kazakevich was twice awarded the State Prize for Literature.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Book by Seidel, Frederick

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

First published in 1933, Matisse Picasso and Gertrude Stein contains three prose pieces written in the stream-of-consciousness style that Stein was famous for. A modernist classic not to be missed by fans and collectors of Stein's seminal work. Gertrude Stein (1874-1946) was an American poet, novelist, art collector, and playwright who famously hosted a Paris salon frequented by the likes of F. Scott Fitzgerald, Pablo Picasso, and Ernest Hemingway. Before she was a patron to "The Lost Generation" artists, Stein was an esteemed author who influenced many 20th-century writers with her innovative and experimental prose. Other notable works by this author include: Three Lives (1909), White Wines (1913), and An Exercise in Analysis (1917). Featuring an introduction by Sherwood Anderson, this volume is an essential read for fans of Gertrude Stein's work and those with an interest in Jazz Age literature.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Powerful . . . Fiction of a very high order . . . Frederick Busch at his best." -- Los Angeles Times Book Review "[These] provocative tales center around relationships gone awry, families grappling with loss, and lonely men and women struggling with remnants of love . . . . What Busch ultimately serves is a heady and rewarding brew made up of people as real as ourselves, groping for and sometimes even discovering the comforts of love." -- USA Today "Memorable . . . [The] stories leap off the page with astonishing resilience and vigor. . . . Busch is a chronicler of domestic manners whose insights into family hierarchies transcend the factual to attain poetry and truth." -- The Boston Globe

With some hesitation I have included literal versions of six poems (three of the "Seventeen Old Poems," "Autumn Wind," "Li Fu jen," and "On the Death of his Father") already skilfully rhymed by Professor Giles in "Chinese Poetry in English Verse." They were too typical to omit; and a comparison of the two renderings may be of interest. Some of these translations have appeared in the "Bulletin of the School of Oriental Studies," in the "New Statesman," in the "Little Review" (Chicago), and in "Poetry" (Chicago).

1998 Houghton Mifflin hardcover, David Leavitt (The Two Hotel A Novel). A young man wants nothing more than to play piano and an affair with a prominent piano player changes his life forever