The first major piece of unpublished work by Leo Strauss to appear in more than thirty years, Leo Strauss On Plato's "Symposium" offers the public the unprecedented experience of encountering this renowned scholar as his students did. Given as a course in autumn 1959 under the title "Plato's Political Philosophy," at the University of Chicago, these transcripts previously had circulated in samizdat fashion, passed down from one generation of students to the next. They show Strauss at his best, in his subtle and sometimes indirect style of analysis, which has attracted almost as much commentary as has the content of his thought. Strauss presents a coherent and complete interpretation of the Symposium, proceeding by a meticulous reading from beginning to end. Operating on the once common hypothesis that commentary is an excellent method of expounding the truth, Strauss sheds light not only on the meaning of the dialogue and its place in the Platonic corpus, but also on a host of important topics, including the nature of eros and its place in the overall economy of human life; the perennial quarrel between poetry and philosophy, and the relation of both to piety, politics, and morality; the character of Socrates and the questions of his trial; and many other matters. As provocative as they were a half century ago, these important lectures will be welcomed by students of classics, philosophy, politics, psychology, and political philosophy.

“The name: What does one call thus? What does one understand under the name of name? And what occurs when one gies a name? What does one give then? One does not offer a thing, one delivers nothing, and still something comes to be, which comes down to giving that which one does not have, as Plotinus said of the Good. What happens, above all, when it is necessary to sur-name, renaming there where, precisely, the name comes to be found lacking? What makes the proper name into a sort of sur-name, pseudonym, or cryptonym at once singular and singularly untranslatable?” Jacques Derrida thus poses a central problem in contemporary language, ethics, and politics, which he addresses in a liked series of the three essays. Passions: “An Oblique Offering” is a reflection on the question of the response, on the duty and obligation to respond, and on the possibility of not responding—which is to say, on the ethics and politics of responsibility. Sauf le nom (Post Scriptum) considers the problematics of naming and alterity, or transcendence, raised inevitably by a rigorous negative theology. Much of the text is organized around close readings of the poetry of Angelus Silesius. The final essay, Khora, explores the problem of space or spacing, of the word khora in Plato’s Tmaeus . Even as it places and makes possible nothing less than the whole world, khora opens and dislocates, displaces, all the categories that govern the production of that world, from naming to gender. In addition to readers in philosophy and literature, Khora will be of special interest to those in the burgeoning field of “space studies”(architecture, urbanism, design).

An insightful commentary on Plato’s Laws , his complex final work. The Laws was Plato’s last work, his longest, and one of his most difficult. In contrast to the Republic, which presents an abstract ideal, the Laws appears to provide practical guidelines for the establishment and maintenance of political order in the real world. Classicist Seth Benardete offers a rich analysis of each of the twelve books of the Laws , which illuminates Plato’s major themes and arguments concerning theology, the soul, justice, and education. Most importantly, Benardete shows how music in a broad sense, including drama, epic poetry, and even puppetry, mediates between reason and the city in Plato’s philosophy of law. Benardete also uncovers the work’s concealed ontological dimension , explaining why it is hidden and how it can be brought to light. In establishing the coherence and underlying organization of Plato’s last dialogue, Benardete makes a significant contribution to Platonic studies.