In his powerful bestseller The Soul's Code, James Hillman brilliantly illuminated the central importance of character to our spiritual and emotional lives. Now, in this magnificent new book, Hillman completes his exploration of character with a profound and revolutionary reflection on life's second half. "Character requires the additional years," declares Hillman. "The last years confirm and fulfill character." Far from blunting or dulling the self, the accumulation of experience concentrates the essence of our being, heightening our individual mystery and unique awareness of life. Drawing on his grounding in Jungian psychology, Hillman explains here the archetypes and myths that govern the self's realignment in our final years. The Force of Character follows an enriching journey through the three stages of aging--lasting, the deepening that comes with longevity; leaving, the preparation for departure; and left, the special legacy we each bestow on our survivors. Along the way the book explores the meanings and often hidden virtues of characteristic physical and emotional changes, such as loss of memory, alterations in sleep patterns, and the mysterious upsurge in erotic imagination. Steeped in the wisdom of a lifetime, radiant with Hillman's reading in philosophy, poetry, and sacred texts, charged with a piercing clarity, The Force of Character is a book that will change--and affirm--the lives of all who read it.

This reinterpretation of the full sweep of English and American romantic poetry offers close readings of poems of Blake, Wordsworth, Shelley, Keats, Tennyson, Browning, Whitman, Yeats, and Stevens. It also reviews the crucial ideas of Emerson, Nietzsche, and in particular Freud, whose psychoanalytic theory of repression and defense Bloom undertakes to revise for purposes of literary criticism. "Bloom offers a fully defined alternative to the principal modes of contemporary criticism, from Freudian literary criticism (which he insists is neither Freudian nor literary criticism) to the New Criticism and structuralist and archetypal approaches. It is an original, vigorous, and passionate study which is both compelling and provocative."-The British Studies Monitor "Show me but one paragraph of Bloom's approaches to texts, and I'm hooked. . . . I find sheer delight in his ingenious ways."-Kenneth Burke "Bloom has made a remarkable contribution to poetic theory."-Phoebe Pettingell, The New Leader

"In this published version of the Lord Northcliffe Lectures in Literature, delivered at University College London in Spring 1975, Professor Heller is concerned with the imaginative mediation between life and art which is a major theme in the work of the four writers he discusses. The profound process by which a great work of literary art ('poem' in the title is used in a sense close to the German 'Dichtung') may grow out of a situation in life, mirror, and yet transcend it is illustrated by Goethe in Marienbad, Nietzsche in the 'Waste Land', Rilke in Paris and Thomas Mann in Venice." -- Goodreads

Sigmund Freud and Josef Breuer on hysteria, J.A. Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford and Joseph Conrad, The Waste Land of T.S. Eliot (and Ezra Pound), even the Lyrical Ballads of Wordsworth and Coleridge: men making books together. Wayne Koestenbaum's startling interpretation of literary collaboration focuses on homosexual desire: men write together, he argues, in order either to express or to evade homosexual feelings. Their writing becomes a textual intercourse, the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies seem to represent. Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores - works of psychoanalysis, sexology, fiction, and poetry - emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality at the end of the last century, and open up a deeper understanding of connections today between the erotic and the literary. Drawing upon the work of feminist critics, Koestenbaum connects male collaboration and the exchange of women within patriarchy: he peers into both medical texts and imaginative literature, disturbing our ready acceptance of the co-authored work. This strong and unsettling book transforms our understanding of the creative process, providing a new sense of what both collaborative and solitary artistry mean.

This book explores the intertwining of myth, dream, and everyday reality, which mark the prose and poetry of both. It focuses on psychic reality, with psychoanalysis and Kabbalah tools in this great enterprise of learning to work with ourselves.