"A wonderful introduction the Japanese tradition of jisei , this volume is crammed with exquisite, spontaneous verse and pity, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." — Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei , or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined—from the poems of longing of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.

God Is Alive, Magic Is Afoot is a poem/mantra from Cohen's second novel, Beautiful Losers. The piece is an extraordinary flash of optimism, of hope, of the celebration of a life force that is both God and Magic. It remains one of the most accessible pieces of writing from Leonard Cohen and is certainly one of his most beautiful works. The illustrations have been specially commissioned to complement the text, and the result is not only a beautiful book that every Cohen fan will want to own, but one that will surely bring him to an even wider audience.

A magnificent compilation of sacred writings from all traditions and the perfect companion to Stephen Mitchell's poetry collection, The Enlightened Heart , and the bestselling Tao Te Ching .

Presenting more than three hundred beautiful and inspirational works from all eras of Sufism, from thousand-year-old prayers to contemporary Sufi poetry, this beautiful collection embraces the full diversity of a rich tradition and reveals the heart of Islamic mysticism.

In the second of two volumes of this magnificently illustrated cultural history--the tie-in to the PBS and BBC series The Story of the Jews--Simon Schama details the story of the Jewish people, spanning from their expulsion from Spain in the Inquisition across six hundred years to the present day. It is a story like no other: an epic of endurance against destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life against the steepest of odds. It spans the centuries and the continents--from the Iberian Peninsula and the collapse of "the golden age" to the shtetls of Russia to the dusty streets of infant Hollywood. Its voices ring loud and clear, from the philosophical musings of Spinoza to the poetry written on slips of paper in concentraion camps. Within these pages, the Enlightenment unfolds, a great diaspora transforms a country, a Viennese psychaiatrist forever changes the conception of the human mind. And a great story unfolds. Not--as often imagined--of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians, from the Soviets to America. Which makes the story of the Jews everyone's story, too.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Whether we're aware of it or not, we spend much of our time in this globalised world in the act of translation. Language is a big part of it, of course, as anyone who has fumbled with a phrasebook in a foreign country will know, but behind language is something far more challenging to translate: culture. As a traveller, a mistranslation might land you a bowl of who - knows - what when you think you asked for noodles, and mistranslations in international politics can be a few steps from serious trouble. But translation is also a way of entering new and exciting worlds, and forging links that never before existed. Linda Jaivin has been translating from Chinese for more than thirty years. While her specialty is subtitles, she has also translated song lyrics, poetry and fiction, and interpreted for ABC film crews, Chinese artists and even the English singer Billy Bragg as he gave his take on socialism to some Beijing rockers. In Found in Translation she reveals the work of the translator and considers whether different worldviews can be bridged. She pays special attention to China and the English - speaking West, Australia in particular, but also discusses French, Japanese and even the odd phrase of Maori. This is a free - ranging essay, personal and informed, about translation in its narrowest and broadest senses, and the prism - occasionally prison - of culture.

"One day in Heaven, a long time ago God summoned three angels before Him. He told them to sing of the birth of His son And to take Him three gifts to adore Him." So starts The Three Gifts, a gentle narrative poem that tells the story of the Angel messengers sent by the Lord to deliver three special gifts in celebration of the birth of the Baby Jesus. The last and most exceptional of the gifts contains a secret that holds a moving message for us all. Inspired by the Angel Blocks ornament collaboration between Kathie Lee and Michael Storrings, the well-known designer of highly collectible Christmas ornaments, this beautifully illustrated book is a perfect holiday gift for all ages.

"According to the Hebrew Bible, God made the world with words. God just spoke and the world became reality. (The Aramaic for 'I create as I speak' is avara k'davara, or in magician's language, abracadabra.) ... This does not protect words from the numbing effects of overuse in any religious tradition.... We need to dust off the words, shake away the accretions, wonder again about what they originally might have meant and enable ourselves to live in the word." --from the Introduction With creativity and poetry (and occasional heresy) Kushner dusts off thirty classical Hebrew words, shakes them free of the effects of generations of overuse, "re-translates" them and liberates their ancient holy power. The result is a contemporary spiritual guide for your personal religious life. According to the Hebrew Bible, God made the world with words. God just spoke and the world came into being. Words therefore are not merely sounds signifying something else; they are instruments of creation, primary reality itself. They need only to be read, spoken and interpreted. And to know them is to know reality itself. Kushner has designed the book himself, seamlessly blending graphics and content. In doing so he evokes the aesthetics of an ancient manuscript and a vision of our power to shape the future. Each finely crafted chapter begins with a Hebrew word and Kushner's provocative English translation. At the bottom of the page is a transliteration of the Hebrew along with its more customary English rendering. In addition to his own intriguing definition, he includes a biblical citation anchoring the word, along with a more recent text showing the word's evolution. Finally, we are offered a personal, meditative exercise designed to enable you to "live in the word."

"The bardo of waking life is a meditation on the Tibetan Buddhist bardo realm, which is viewed as the bridge between lives, the state people enter after death and before rebirth. This book examines waking life and its history and language as if it were a bardo state rather than ultimate reality. Bardo is at once prose poetry, intimate memoir, and anthropological inquiry"--Provided by publisher.

Walter Rinder has had the courage to be the voice for the feelings so many people find so hard to express. With the same courage, and with deep conviction, he now speaks of another natural love-men sharing loving relationships with men. WHERE WILL I BE TOMORROW? breaks a link in the chain that shackles all men's emotions, allowing tenderness, an easing of ancient cultural bonds.

Experience the living taste of prayer in your heart, the deep and gentle glow of prayer in your soul. "Many who live their lives as Jews, even many who pray every day, live on a wrapped and refrigerated version of prayer. We go to synagogue dutifully enough. We rise when we should rise, sit when we should sit. We read and sing along with the cantor and answer 'Amen' in all the right places. We may even rattle through the prayers with ease. We sacrifice vitality for shelf-life, and the neshomeh, the Jewish soul, can taste the difference." --from the Introduction This fresh approach to prayer is for all who wish to appreciate the power of prayer's poetry and song, jump into its ceremonies and rituals, and join the age-old conversation that Jews have had with God. Reb Zalman, one of the most important Jewish spiritual teachers in contemporary American Judaism, offers you new ways to pray, new channels for communicating with God and new opportunities to open your heart to God's response. With rare warmth and authenticity, Reb Zalman shows you: How prayer can engage not just spirit, but mind, heart and body Meditations that open the door to kavanah, the focus or intention with which we pray How to understand the underlying "deep structure" of our prayer services How to find and feel at home in a synagogue How to sing and lead niggunim, the simple, wordless tunes that Jews sing to get closer to God and more

"Beginning with Walt Whitman singing hymns at a wounded soldier's bedside during the Civil War, this surprising and vivid anthology ranges straight through to the twenty-first century to end with Francine Prose crying tears of complicated joy at the sight of Whitman's words in Zuccotti Park during the brief days of the Occupy movement. The first anthology of its kind, Radiant Truths gathers an exquisite selection of writings by both well-known and forgotten American authors and thinkers, each engaged in the challenges of writing about religion, of documenting "things unseen." Their contributions to the genre of literary journalism-the telling of factual stories using the techniques of fiction and poetry-make this volume one of the most exciting anthologies of creative nonfiction to have emerged in years. Jeff Sharlet presents an evocative selection of writings that illuminate the evolution of the American genre of documentary prose. Each entry may be savored separately, but together the works enrich one another, engaging in an implicit and continuing conversation that reaches across time and generations. Including works by: Walt Whitman - Henry David Thoreau - Mark Twain - Meridel Le Sueur - Zora Neale Hurston - Mary McCarthy - James Baldwin - Norman Mailer - Ellen Willis Anne Fadiman - John Jeremiah Sullivan - Francine Prose - Garry Wills - "and many others"--

These psalms grow out of a decades-long fascination with the biblical psalms, particularly the Davidic psalms, which portray the tempestuous, sometimes awful intimacy of the Divine-human relationship. In the lightning-shot Psalm-space where Divine meets human, time shatters, splits, leaps like a river, and so does the soul of the speaker, now hunting God, now hunted, now languishing in despair, now reclining in quiet triumph against the pillars of Heavens. These contemporary psalms attempt to create a corollary to that biblical psalm space, a space narrowed to a single room in which God and the speaker have no choice but to face and struggle toward one another through the whirlwind of pain and love.

In this pioneering scholarly work on occult symbols in literature, the reader is offered a vivid look into how W.B. Yeats, T.S. Eliot, and Franz Kafka-three masters of symbolic expression-utilized Tarot cards in their poetry and prose. Focusing on the Tarot's ancient associations with divine knowledge, its pictorial representation of both the Jewish and Christian Cabala, and the Tarot's more recent pedestrian affiliation with the occult, June Leavitt skillfully demonstrates how Yeats, Eliot, and Kafka align themselves in their uniquely individual ways with the Tarot symbols' mapping of reality. Paying close attention to the mystical nuances of the Tarot, Ms. Leavitt shows how Tarot symbols allow for radically new readings of the texts in which they are situated, and play a transformative role in the three writers' search for God. This search remained indecisive for Kafka, resulted in Eliot's conversion to Anglo-Catholicism, and went hand in hand with Yeats' passion for pagan gods and angels. Visit the author's website at http://www.spiritualityteaching.com.

In this important study Ernst Cassirer analyzes the non-rational thought processes that go to make up culture. He demonstrates that beneath both language and myth there lies an unconscious "grammar" of experience, whose categories and canons are not those of logical thought. He shows that this prelogical "logic" is not merely an undeveloped state of rationality, but something basically different, and that this archaic mode of thought still has enormous power over even our most rigorous thought, in language, poetry and myth. The author analyzes brilliantly such seemingly diverse (yet related) phenomena as the metaphysics of the Bhagavat Gita, the Melanesian concept of Mana, the Naturphilosophie of Schelling, modern poetry, Ancient Egyptian religion, and symbolic logic. He covers a vast range of material that is all too often neglected in studies of human thought. These six essays are of great interest to the student of philosophy or the philosophy of science, the historian, or the anthropologist. They are also remarkably timely for students of literature, what with the enormous emphasis placed upon "myth" in modern literary speculation. This book is not superficial speculation by a dabbler, but a penetrating study by one of the most profound and sensitive philosophic minds of our time.

These two essays by Raïssa Maritain-"Sense and Non-Sense in Poetry" and "Magic, Poetry, and Mysticism"-comprise an often forgotten but significant contribution to Catholic letters. Maritain considers the way true poetry always transcends its "logical sense" in order to convey a "poetic sense." Poetry is a human thing, but it stirs the human beyond mere "logic" in the direction of the divine. In his introduction, James Matthew Wilson explains that, "Poetry is the fruit of a contact of the spirit with reality, which is in itself ineffable, and with the source of reality, which we believe to be God himself in that movement of love which causes him to create images of his beauty." While the poet might be prayerful and the mystic might wax poetic, there is a "fundamental difference which separates the poetic experience from the mystical experience: while the poet progresses toward the Word, the mystic tends toward Silence." As Raïssa Maritain expounds, mystics may be moved to describe their heightened experiences, but for them this "expression is not a means of completing the experience." For the furnishing of her interior castle, a mystic like St. Teresa of Avila needs no speech; her talk, the record she left us of the "prayer of quiet," is "only a result of superabundance, a generous attempt at communication." The poet, on the contrary, cannot do without words. They are the vital stuff of his service to the world. Albert Béguin corroborates Maritain's conclusion, contending that "whatever value one attributes to the poetic act, it remains an act submitted to the necessity of form. It ends at the word." On the other hand, the poetic word points beyond language, ever striving for a fuller communion with reality and its Maker. Inhabiting the tensions between sense and nonsense, poetry and mysticism, articulation and its absence, Maritain manifests the hidden mysteries at the heart of all poetry worthy of the name.

All the spells you'll ever need for any occasion. There is always an occasion, a reason, or an event that calls for magic. Easy Enchantments will give you the tools and the power to make things go your way. Whether you're looking for a spell to guarantee your lover's fidelity, banish negativity, make a job interview go well, find an apartment, or pick lucky lotto numbers, Lexa Roséan tells you what you need to do. Each spell calls for common items easily found in a supermarket, and has simple instructions as well as intriguing lore about the spell's origin. Simple, easy, and effective, Easy Enchantments can help you get what you want, meet who you want, and make any occasion magical.

Lisa leads us through the spiritual journey of her life with poignant reflections on family, love, fears, hopes and dreams. Audrey Copeland, Professor UAF Lisa Miller forges a lean and sinewy poetry that is at once reflective and raw, invoking both the head and the heart. Millers free-verse wends its way along peaks and valleys of the human journey, and the author is as steadfast before lifes inevitable pains and she is sanguine amid its myriad delights. This is a collection of sincere and insightful glimpses from a fellow sojourner. Paul Korchin, Ph.D. Professor of Religion, University of Alaska, Fairbanks