WHAT ARE THESE GRACEFUL VISITORS TO OUR SKIES? WE NOW KNOW THAT THEY BRING BOTH LIFE AND DEATH AND TEACH US ABOUT OUR ORIGINS. Comet begins with a breathtaking journey through space astride a comet. Pulitzer Prize-winning astronomer Carl Sagan, author of Cosmos and Contact, and writer Ann Druyan explore the origin, nature, and future of comets, and the exotic myths and portents attached to them. The authors show how comets have spurred some of the great discoveries in the history of science and raise intriguing questions about these brilliant visitors from the interstellar dark. Were the fates of the dinosaurs and the origins of humans tied to the wanderings of a comet? Are comets the building blocks from which worlds are formed? Lavishly illustrated with photographs and specially commissioned full-color paintings, Comet is an enthralling adventure, indispensable for anyone who has ever gazed up at the heavens and wondered why. "SIMPLY THE BEST." *The Times of London "FASCINATING, EVOCATIVE, INSPIRING." *The Washington Post "COMET HUMANIZES SCIENCE. A BEAUTIFUL, INTERESTING BOOK." *United Press International "MASTERFUL . . . SCIENCE, POETRY, AND IMAGINATION." *The Atlanta Journal & Constitution

"Weinberg takes us across centuries from ancient Miletus to medieval Baghdad and Oxford, from Plato's Academy and the Museum of Alexandria to the cathedral school of Chartres and the Royal Society of London. He shows that the scientists of ancient and medieval times not only did not understand what we understand about the world--they did not understand what there is to understand, or how to understand it. Yet over the centuries, through the struggle to solve such mysteries as the curious backward movement of the planets and the rise and fall of the tides, the modern discipline of science eventually emerged"--Amazon.com ; Presents a commentary on the history of science that examines historic clashes and collaborations between science and the competing realms of religion, technology, poetry, mathematics, and philosophy

Jacob Bronowski truly educated an enormous number of members of that diffuse population usually referred to, with a hint of condescension, as "educated laymen" through his widely shared television series on the concepts of science and through such highly regarded books as The Identity of Man and The Ascent of Man. This volume extends the process to a further level of insight, and it may be more than suggestive that its final essay is entitled "The Fulfillment of Man." Bronowski was an extraordinary teacher precisely because he did not condescend to his audience. He did not talk down to them; he knew how to talk them up to something near his own level, however briefly. He felt that if human beings are taken seriously, they can be led to respond to serious and difficult subjects that relate to the deepest aspects of nature, both beyond and within themselves. A Sense of the Future succeeds brilliantly in this respect, in part because it is a collection of essays that can be read independently as self-contained, delimited presentations; and in part because the book is more than the sum of these individual essays—it is a unified whole in which Bronowski's most abiding concerns are interrelated, juxtaposed, and tested for consistency in various intellectual contexts. The major unifying theme of the work is the intensely creative and human nature of the scientific enterprise—its kinship, at the highest levels of individual achievement, with comparable manifestations of the artistic imagination, and its ethical imperatives, evolved within the community of scientists over the centuries, which both embody and forge the values of civilized life at large. Still, the book's diversity of topics is as striking as the unity of its aim. Among the subjects within the realm of Bronowski's mind that are presented here are the limitations of formal logic and experimental methods, the epistemology of science, the distinctive nature of human language and the human mind, and the bases of biological and cultural evolution. Bronowski also contrasts the findings of science as the "here and now" of man's understanding with the ongoing activity of science as the open-ended search for truth, and he undertakes to demonstrate that the factual, individual is and the ethical, societal ought can be derived each from the other. A mathematician by training, Bronowski published poetry as well as books on literature and intellectual history. In addition to those mentioned above, The Common Sense of Science and Science and Human Values are among the most widely read of his books. Before his death in 1974, he was for many years a Senior Fellow at the Salk Institute for Biological Studies, where his formal area of research was concerned with the questions of human specificity and uniqueness. Clearly, his interests ranged far beyond this area, and in many directions.

In More Things in Heaven and Earth, Levy argues the fundamental unity of the arts and the sciences, pointing out the poetry that is in astronomy and the scientific references to the night sky found in many of the great poets. He illustrates his arguments with spectacular colour photographs of comets and eclipses and also with extensive quotation of and commentary on Chaucer, Shakespeare, Milton, Donne, Keats, Tennyson, Hopkins and Frost. For him the collision of the comet bearing his name with the planet Jupiter, the greatest cataclysm in the history of astronomy, is an opportunity to get a whole new generation excited about our universe in a way that has not been possible since the 1969 Moon landing.

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In this retrospective of Gerald Weissmann's best-known essays, the reader is treated to his unique perspective on what C. P. Snow once dubbed "the Two Cultures"-art and science. In Darwin's Audubon, Weissmann examines the powerful influence that the two exert over one another and how they have helped each other evolve. From listening to the scientists who gather ever year to sing at the Woods Hole Cantata Consort to looking at the influence of Audubon's watercolors on Darwin's On the Origin of Species; from comparing William Carlos Williams's poetry to his unedited case books to watching Oliver Wendell Holmes grow as doctor and as poet, Weissmann weaves a rich tapestry that will delight fans and newcomers alike.

Su"ender and catch: give so you can receive, where the giving is your whole self, in a total experience. This is scarcely new on the American scene, and it is ancient knowledge, East and West. The fears of total surrender, the fears of self-revelation and of total abandon, although genuine, are likewise not new. Yet Kurt H. Wolff does attempt something new here, an epistemologi cal essay with the help of this old idea: his subtitle is 'experience and inquiry today'. He tries to formulate an integrated view which incorporates in the theory of total experience not only the accepted component- esthetics, religion, the recent American experience - but also a metaphysics, a phenomenology, a theory of perception, a social philosophy and a methodology of the social sciences, even a philosophy of history and psychopathology. Phenomenology (especially Alfred Schutz), the critical Frankfurt school (especially Adorno and Marcuse), sociology (especially Georg Simmel), and existentialism (especially Camus) are tied in together. It all looks topsy-turvy at first. We have here scraps of a diary, fragments of correspondence, a stray adolescent love letter, notes on notes on field work, and notes and comments on tutorial seminars plus long excerpts from students' essays, a stray paper in a learned journal summarizing the core of the book, comments piled on comments and a web of self-references, literary criticisms, and pieces of poetry, plus a rich scholarly apparatus.

First printing. "First edition" appears on the title page with no indication of a later printing. The pages are clean and unmarked. The binding/spine is tight and straight. The corners are sharp/unbumped. Unfortunately age or production paste deterioration have caused the spine and the board edges near it to appear stained or foxed. Similar discoloration appears along the near-spine edges of the pastedowns and front endpapers. The top text block is foxed. The jacket is in "good" condition. The bends are age discolored. There are some small abrasions along the spine, and there are three tears along the bottom edge, the longest two of which are about an inch long. There is light residue from a price sticker that was removed from the front flap where the original price of $3.50 appears.

Book by Jean Starr Untermeyer