For decades -- and especially now in these times of crisis -- people around the world have found guidance, humor, and unity in Gloria Steinem's gift for creating quotes that inspire action and create hope. From her early days as a journalist and feminist activist, up to today, Steinem's words have helped generations to empower themselves and work together. Gloria sees quotes as 'the poetry of everyday life,' so she also has included a few favorites from friends, including bell hooks, Flo Kennedy, Michelle Obama, and more, in this anthology of quotes that will make you want to laugh, march, and create some of your own. At the end of the book, there is a special space for each reader to add their own quotes and others they've found. Covering topics from relationships ('Many are looking for the right person. Too few are looking to be the right person.') to patriarchy ('Men are liked better when they win. Women are liked better when they lose. This is how patriarchy is enforced every day.') and activism ('Change, like a tree, grows from the bottom up.'), plus an introduction and essays by Steinem, this is the definitive collection of her words on many of the topics that matter most today. The Truth Will Set You Free, But First It Will Piss You Off! is both timeless and timely. It is a gift of hope from Gloria to readers, that they will want to share with friends.

Through a wide range of poetic pieces, Adrienne Rich explores in this collection the intricacies of being white, female, lesbian, Jewish, and a U.S. citizen, both at this time of her life and through the lens of her past.

From the Hardcover "We stormed every classroom, inscribed our slogans on the blackboard . . . Never had mayhem brought more peace. All our lives we had been taught the virtues of behaving, and now we were discovering the importance of misbehaving. Too much fear had tainted our days. Too many afternoons had passed in silence, listening to a fanatic's diatribes. We were rebelling because we were not evil, we had not sinned, and we knew nothing of the apocalypse. . . . This was 1979, the year that showed us we could make our own destinies. We were rebelling because rebelling was all we could do to quell the rage in our teenage veins. Together as girls we found the courage we had been told was not in us." In Journey from the Land of No Roya Hakakian recalls her childhood and adolescence in prerevolutionary Iran with candor and verve. The result is a beautifully written coming-of-age story about one deeply intelligent and perceptive girl's attempt to i¬?nd an authentic voice of her own at a time of cultural closing and repression. Remarkably, she manages to re-create a time and place dominated by religious fanaticism, violence, and fear with an open heart and often with great humor. Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusion of youth that Royadescribes her discovery of a swastika--"a plus sign gone awry, a dark reptile with four hungry claws"--painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing. Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. At her loneliest, Roya discovers the consolations of writing while sitting on the rooftop of her house late at night. There, "pen in hand, I led my own chorus of words, with a melody of my own making." And she discovers the craft that would ultimately enable her to find her own voice and become her own person. A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and marks the debut of a stunning new talent.

Jamaica Kincaid's new novel is the haunting, deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, daughter of a Carib mother and a half-Scottish, half-African father, was delivered to his laundress as an infant, bundled up like his clothes. The Autobiography of My Mother is a story of love, fear, loss, and the forging of a character, an account of one woman's inexorable evolution evoked in startling and magical poetry.

Fragile, raw, daring, brilliant...Sandra Bernhard rocks. The actress, philospher, comedian, and cult goddess is definitely back -- and feeling fabulous -- with a labor of love that'll knock her followers off their feet and draw new ones to her like a magnet. Stage, film, music, television -- in every performance, Bernhard has shocked and amused, titillated and broken every rule. With her first two books, Confessions of a Pretty Lady and Love, Love, and Love Bernhard's electrifying talent took to the page and burned it up with flashes of true brillance -- the kind of writing that separates the powerful from the good. And now, in this new book, Sandra returns with a deeply personal collection of spicy tales, fiercely witty riffs, and sweet doses of wisdom. Here is Sandy as we know and love her -- and as we've never quite seen her before: heartrenderingly honest, with the mouth of a diva, the soul of a fighter, and the insight of a girl who has lived life big. Like a whisper in your ear, Sandy opens up her world: from her friendship with her loyal housepainter to her imagined history as as one of Jack Kennedy's lovers; from the sensual streets of Mogador to the comfort of her pristine L.A. bungalow; from her own poetry of romantic yearning and reflective prayer to dead-on truths brought to light in the heartbreaking and hilarious glow of fashion, celebrity, rock and spirituality. There is nothing Sandra Bernhard offers that doesn't deliver a pungent snap of truth and the surprise of unexpected emotion in this, her most revealing and entertaining book yet.

Lila Abu-Lughod lived with a community of Bedouins in the Western Desert of Egypt for nearly two years, studying gender relations and the oral lyric poetry through which women and young men express personal feelings. The poems are haunting, the evocation of emotional life vivid. But her analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of a system of social hierarchy. What begins as a puzzle about a single poetic genre becomes a reflection on the politics of sentiment and the relationship between ideology and human experience.

This is the story of a rare sort of American genius, who grew up in grinding poverty in Camden, Maine. Nothing could save the sensitive child but her talent for words, music, and drama, and an inexorable desire to be loved. When she was twenty, her poetry would make her famous; at thirty she would be loved by readers the world over. Edna St. Vincent Millay was widely considered to be the most seductive woman of her age. Few men could resist her, and many women also fell under her spell. From the publication of her first poems until the scandal over Fatal Interview twenty years later, gossip about the poet's liberated lifestyle prompted speculation about who might be the real subject of her verses. Using letters, diaries, and journals of the poet and her lovers that have only recently become available, Daniel Mark Epstein tells the astonishing story of the life, dedicated to art and love, that inspired the sublime lyrics of Edna St. Vincent Millay.

"These wonderful poems open a world of sensation and memory. But it is a world revealed by language, never just controlled. The voice that guides the action here is openhearted and open-minded--a lyric presence that never deserts the subject or the reader. Syntax, craft and cadence add to the gathering music from poem to poem with--to use a beautiful phrase from the book, 'each note tethering sound to meaning.'"--Eavan Boland Haunting, alarming, transformative, and elusive, these poems bridge together the gaps between development stages: from girl, to woman, and then mother. With the complexities that intertwine them, can you be all three at once? Who shapes our identity, and who is in control here? How do we recognize, acknowledge, and honor the changing of who we are? Little Soul Little soul--kind, wandering-- body's host and guest, look how you've lowered yourself, moving in a world of ice, washed of colour. My girl, what compelled you once is no more. Originally from Kingston, Jamaica, Shara McCallum is the author of four previous books of poetry. Recognition for her poetry includes a Witter Bynner Fellowship and a National Endowment for the Arts Poetry Fellowship. Her poems and personal essays have been published in literary magazines, anthologies, and textbooks in the United States, United Kingdom, Caribbean, Latin America, and Israel and have been translated into Spanish, French, and Romanian. Since 2003, McCallum has been the Director of the Stadler Center for Poetry and a Professor of creative writing and literature at Bucknell University.

Over the past decade over 350 women around the city of Juárez, Mexico, have been raped and murdered. The remains of these brutalized young women continue to be found scattered in the parched desert, vacant city lots, and roadside ditches. Others are never found. In Secrets In The Sand , Agosin through her words and images invites her readers to bear witness to the reality that the grieving families of the disappeared and murdered young women face every day. As a poet and human rights activist Marjorie Agosin has dedicated her life's work to the search for justice and human dignity.

Columns, essays & poetry reveal how women connect "self, others & community" to develop coherent lives as societal roles change. Includes conversations & bibliography about recent research on adult & women's development. Invites readers to "continue the conversation" through own insights & life experiences. Reviewsrs say, "great GIFT book," "poignant," "integrative," "transforming," "made me cry", "personal", "EXCELLENT reader for WOMEN'S STUDIES & WORKSHOPS." Author well-known national leader in higher education, workforce development & women's organizations. Order: EMG & ASSOC., 6725 So. Adams Way, Littleton, CO 80122, FAX 303-771-2235.

Whereas many books look at how women's bodies are represented in different religions and cultures around the world, this work explores the site of a woman's voice and identity, her head. The female head threatens to disrupt the classic gender distinctions that link men to speech, identity, and mind while relegating women to silence, anonymity, and flesh. The contributors to this collection argue that the objectification of women as sexual and reproductive bodies results in their symbolic beheading. Decapitation occurs symbolically in myths as well as in actual practices such as veiling, head covering, and cosmetic highlighting, which by sexualizing a woman's face turns it into an extension of her body. The essays explore how similar treatments of the female head find their unique articulation in diverse religious traditions and cultures: in Hindu myths of beheading, in Buddhist and Tantric practices and poetry about the hair of female nuns, in the resistance to veiling by early Christian women at Corinth, in contemporary veiling practices in a Turkish village, in the eroticization of the female mouth in ancient Judaism, and in Greek and Roman cosmetic practices. Together these essays show how the depiction of the female head is critical for an understanding of gender and its influence on other fundamental religious and cultural issues. -- Back cover

Opening with a powerful cycle of elegies for her long-distant, half-brother, this major new collection by one of our bestselling poets then goes on to include both serious and funny poems about women and poems about the precarious balance of nature, ending with the beautiful, life-affirming "The Art of Blessing the Day." 160 pp.

A new volume of fluidly feminist verse by the author of Presentation Piece who continues to display a command of poetic technique and structure as well as a richly ripening vision

"Aptheker 'weaves together the voices of women survivors of the Holocaust and of the U.S. concentration camps for Japanese Americans, Chicana cannery workers and southern cotton-mill girls, older lesbians and elderly Jews, Afro-American women in slavery and contemporary Afro-American writers, and others, in order to explore women's ways of seeing. Her analyses of oral histories, novels, legends, poetry, and art show how we can use these records of women's and men's lives" -- Sandra Harding, Women's Review of Books.

"Judith Arcana's remarkable feat in Hello. This is Jane. is to paint, tile by tile, a complex mosaic of compelling linked stories- children's playgrounds and adult tattoo parlors, ill-advised lovers and underground abortion activists. In the mainstream and on the edges, you'll feel the urgency of the struggle for reproductive justice as you turn these pages." -Cindy Cooper, Founding Director of Words of Choice and The Reproductive Freedom Festival, Judith Arcana has taught and written about motherhood and reproductive justice for decades. The prose and poetry of Our Mothers' Daughters, Every Mother's Son, and What if your mother are feminist classics. The stories in this new collection, rooted in her experience as a Jane in Chicago's pre-Roe v. Wade underground abortion service, were written as the United States has moved relentlessly into constraining motherhood and denying reproductive justice. By necessity, these stories reach from the past into the future, offering history and hope. "I'm profoundly grateful to Judith Arcana for writing these vital, electrifying stories. With abortion rights in America being stripped away-state by state, clinic by clinic-we need to hear from those who've fought this battle before. Arcana is a Jane; her work in the pre-Roe abortion underground has provide the seeds for her fiction, stories rooted in essential history to spark action in our terrifying present." -Leni Zumas, Author of Red Clocks

Book by

Collection of Nancy Keesing poems which had previously been unpublished and were found in her papers held in the manuscripts section of the Mitchell Library, NSW. Nancy Keesing's husband directed the first Nancy Keesing Fellow of the State Library of NSW, Meg Stewart, to undertake the research and edit the collection. She provides a detailed introduction outlining bibliographic details and also provides information about the poems selected. Nancy Keesing was a prominent figure in the Australian Literary world, and achieved distinction as a poet, writer, critic and editor. She died in 1993. The editor, Meg Stewart is a writer, film director and the author of 'Autobiography of My Mother'.

Poetry. Alison Stone's sixth collection deals with the myths, both classic and contemporary, that shape our psyches and our world. From Caligula and Medusa to Gabby Douglas and Ivanka Trump, these speakers illuminate the timeless struggles for power and love that play a central role in literature and art. Stone's speakers tell their stories in poems that both transcend culture and time and illuminate this particular historical moment.