Yehuda Amichai (1924-2000) was Israel's most popular poet, as well as a literary figure of international reputation. In this collection, renowned translators Chana Bloch and Stephen Mitchell have selected Amichai's most beloved poems, including forty poems from his later work. A new foreword by C.K. Williams, written especially for this edition, addresses Amichai’s enduring legacy and sets his poetry in the context of the new millennium.

"A stunning, unclassifiable work by one of the 20th century's greatest thinkers and writers, this book is an inspiring amalgam of letters, poetry, and profound musings on everything from Caravaggio to the nature of time itself. 'Those who read or listen to our stories see everything as though through a lens. This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless ...In our brief mortal lives, we are grinders of these lenses'. When John Berger wrote this apparently unclassifiable book, it was to become a sensation, translated into nine languages and indelible from the minds of those who read it. This stunning work is a shoebox filled with delicate love letters containing poetry and thoughts on mortality, art, love, and absence, capturing moments in time that hover above Berger's surprising landscapes. From his lyrical description of the works of Caravaggio and profound explorations of death and immigration to the sight of some lilac at dusk in the mountains, this is a beautiful and most intimate response to the world around us"-- Provided by publisher.

Sleeping with Cats is the intimate memoir of acclaimed author and poet, Marge Piercy whose bestselling novels include Woman on the Edge of Time, Body of Glass and Braided Lives. Focusing on her emotional life, rather than her literary or political adventures, here she reveals the life behind her poems and novels, and the origins of her remarkable literary career. Piercy includes several of her memorable poems and revisits the people, the circumstances, and the actions which inspired her to write them, laying bare the origins of both her fiction and poetry. Throughout her life are her cats, steadfast companions who remain while the people in her life come and go. Always honest and thoroughly compelling, Sleeping with Cats is a fascinating account of this extraordinary and complex woman's life.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A new collection of stories by Scotiabank Giller Prize finalist Gary Barwin that puts the fab in fabulist. Scandal at the Alphorn Factory: New and Selected Short Fiction, 1984-2024 couples brand new and uncollected stories with selections of the most playful and ambitious of Barwin's previous collections, including Cruelty to Fabulous Animals , Big Red Baby , Doctor Weep and Other Strange Teeth , and I, Dr. Greenblatt, Orthodontist, 251-1457 . Barwin's prose kicks against short fiction's more traditional forms: these are pieces that flirt with poetry and playwriting. Whole stories--and worlds--are packed into single compact paragraphs. There are narrators and fleas and lists and imperatives and Hitler's moustache and radiant happiness. Known as a "whiz-bang storyteller" who can deliver magical, dream-like sequences and truisms about the human condition in the same paragraph, Barwin's trademark brilliance, wit, and originality are on display in this can't-miss collection of short fiction.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book "" The Janitor's Boy, and Other Poems "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

A collection of poetry pieces.

A Bilingual Edition Romanian poet Paul Celan (1920–1970) is celebrated for his late works in German: Breathturn (1967), Threadsuns (1968), and Lightduress (1970, all published by Green Integer). Less known are his writings in Romanian, written before his arrival in Vienna in 1947. The famously melancholic poet characterizes these early years as being touched with euphoria. "Paul Celan… has become the raw material of so much critical processing, it has become difficult to read him without hearing the voices of the commentators. The continual buzzing of the interpretive chorus around Celan’s poetry has nearly added another layer of pain to work that is already written at the synapses of raw nerves. I say 'nearly,' because happily there is Julian Semilian and Sanda Agalidi, who translate the poetry as if there are only two entities in the room: Psyche and Echo. Celan would have been proud to be thus refreshed." — Poet/critic Andrei Codrescu on Romanian Poems

This new edition of poems draws from poems published during and shortly after the First World War by Siegfried Sassoon. Also included are several early poems showing his early naïve ignorance of the terrible reality of war, prior to the death of his brother in 1915 and his experiences at the front, and later Sassoon's A Soldier's Declaration, which marks his break with the military authorities. Such was the uproar caused by his statement, which was read aloud in parliament and published in The Times in 1917, that he was afterwards diagnosed with shell shock and incarcerated in a hospital, where he continued to write and met Wilfred Owen. Poems included in this edition are:AbsolutionA Letter HomeThe HeroThe Poet as HeroThe GeneralAttackCounter-AttackThe Rear-GuardWirersThe Humbled HeartPrelude: The TroopsDreamersHow to dieThe EffectA Soldier's DeclarationThe FathersLamentationsSuicide in the trenchesDoes it matter?Fight to a finishEditorial ImpressionGlory of womenTheir frailtyThe Hawthorn TreeThe InvestitureTrench DutyBreak of dayTo any dead officerSick leaveBanishmentSong-books of the warThrushesAutumnInvocationRepression of war experienceThe TriumphJoy BellsRemorseDead MusiciansThe DreamIn BarracksConscriptsTogetherSurvivorsEveryone SangThe book also includes a new introduction by Kenneth Grant introducing the reader to Sassoon's world and tracing the progress of his poetry from naive patriotism on the eve of war to something darker.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Nineteenth Century Collections Online: European Literature, 1790-1840: The Corvey Collection includes the full-text of more than 9,500 English, French and German titles. The collection is sourced from the remarkable library of Victor Amadeus, whose Castle Corvey collection was one of the most spectacular discoveries of the late 1970s. The Corvey Collection comprises one of the most important collections of Romantic era writing in existence anywhere -- including fiction, short prose, dramatic works, poetry, and more -- with a focus on especially difficult-to-find works by lesser-known, historically neglected writers. The Corvey library was built during the last half of the 19th century by Victor and his wife Elise, both bibliophiles with varied interests. The collection thus contains everything from novels and short stories to belles lettres and more populist works, and includes many exceedingly rare works not available in any other collection from the period. These invaluable, sometimes previously unknown works are of particular interest to scholars and researchers. European Literature, 1790-1840: The Corvey Collection includes: * Novels and Gothic Novels * Short Stories * Belles-Lettres * Short Prose Forms * Dramatic Works * Poetry * Anthologies * And more Selected with the guidance of an international team of expert advisors, these primary sources are invaluable for a wide range of academic disciplines and areas of study, providing never before possible research opportunities for one of the most studied historical periods. Additional Metadata Primary Id: B0961903 PSM Id: NCCOF0063-C00000-B0961903 DVI Collection Id: NCCOC0062 Bibliographic Id: NCCO021038 Reel: 8177 MCODE: 4UVC Original Publisher: Printed for T. Cadell and W. Davies Original Publication Year: 1807 Original Publication Place: London Original Imprint Manufacturer: G. Sidney, printer; W. Flint, printer Subjects English fiction -- 19th century

Amy Levy(1861-89) was born in London to a relatively wealthy Anglo-Jewish family. At the age of 15 she was sent to Brighton High School and later attended Cambridge University where she was the first Jewish student at Newnham College. She left Cambridge without taking her degree but became a prolific writer of poetry, essays and articles and in 1888 published her first novel The Romance of a Shop. The central theme of Reuben Sachs, also published in 1888, is the relationship between Reuben and Judith Quixano, but some understanding of the history of the Jewish community in England is necessary for a full appreciation of this deeply moving novel. Much progress had been made and economic prosperity achieved since Jews returned to England in the 1650s, having been expelled by Edward 1 in 1290. A significant theme of the novel is the difference between the so-called Sephardi Jews (from Spain via Amsterdam) and Ashkenzi Jews (from Poland and Eastern Europe). Reuben Sachs is Ashkenazi while Judith Quixano is Sephardi. Amy Levy did not shrink from criticising some features of the Jewish community, which she consistently refers to in Reuben Sachs as ‘the tribe’. He frankness led to her being accused by some of anti-semitism. She in turn was openly critical of what she considered to be an inaccurate and over-romanticised view of British Jews as portrayed in the novel Daniel Deronda published by George Elliott in 1876. She was particularly critical of Elliot’s portrayal of Jews as orientals yearning for a return to Palestine

A beautifully written prose work, Tsing is a multi-layered narrative that combines a wholly fictional novel-within-a-novel with an episodic chronicle of the narrator's present as a traveler to and visiting writer in the United States. Much more than an "ordinary" postmodern text, Tsing is a quiet and moving paean to the narrator's deceased father. Beginning with a series of imagined vignettes involving a father and a daughter, Albahari weaves both real and imagined narrative fragments together with considerable skill. As Albahari's fragments - simple stories about persons approaching each other, spending some time together, and eventually going their separate ways - accumulate, his deft combination of paradox and poetry provides a kaleidoscopic view of memory, love, and loneliness.

Cardinal Points Literary Journal. The Literary Journal of the Slavic Studies Department, Brown University. Volume 9. Issue editor: Boris Dralyuk. Editors: Boris Dralyuk, Irina Mashinski, Robert Chandler. New York: StoSvet Press, 2018 www.StoSvet.net. Founding director of the Cardinal Points/StoSvet Literary Project : Oleg Woolf (1954-2011) Editor-in-chief: Irina Mashinski.In this issue: Prose by Artyom Vesyoly, Yuri Nagibin; essays by D.S. LIkhachev, Alexander Nakhimovsky, Tatyana Apraksina; poetry by Osip Mandelstam, Anna Prismanova, Genrikh Sapgir, Taras Shevchenko, Tatyana Apraksina, Alexander Gorodnitsky, as well as a personal anthology of contemporary Russian poetry selected and translated by Philip Nikolayev; essay on the art of translation by Edythe Haber, Peter France, and more.