Twenty-four essays range over the entire spectrum of Dr. Bettelheim's concerns, from the Holocaust, the sexual revolution, to schizophrenia and totalitarianism.

First published in 1955, with a revised edition appearing five years later, H. G. Adler's Theresienstadt, 1941-1945 is a foundational work in the field of Holocaust studies. As the first scholarly monograph to describe the particulars of a single camp - the Jewish ghetto in the Czech city of Terezin - it is the single most detailed and comprehensive account of any concentration camp. Adler, a survivor of the camp, divides the book into three sections: a history of the ghetto, a detailed institutional and social analysis of the camp, and an attempt to understand the psychology of the perpetrators and the victims. A collaborative effort between the United States Holocaust Memorial Museum and the Terezin Publishing Project makes this authoritative text on Holocaust history available for the first time in the English language, with a new afterword by the author's son Jeremy Adler.

First published in 1955, with a revised edition appearing five years later, H. G. Adler's Theresienstadt, 1941-1945 is a foundational work in the field of Holocaust studies. As the first scholarly monograph to describe the particulars of a single camp - the Jewish ghetto in the Czech city of Terezin - it is the single most detailed and comprehensive account of any concentration camp. Adler, a survivor of the camp, divides the book into three sections: a history of the ghetto, a detailed institutional and social analysis of the camp, and an attempt to understand the psychology of the perpetrators and the victims. A collaborative effort between the United States Holocaust Memorial Museum and the Terezin Publishing Project makes this authoritative text on Holocaust history available for the first time in the English language, with a new afterword by the author's son Jeremy Adler.

Presents reproductions of art works (mainly paintings but also in other media) related to the Holocaust, accompanied by explanatory texts about the Holocaust in general and the artists in particular. Pt. I (pp. 1-26), "Art in the Holocaust", presents artists who experienced the Holocaust directly; those who perished include Bertolan Gondor, who produced cartoon depictions of a Hungarian labor camp in 1944; an anonymous artist who depicted Bergen-Belsen; and Liesel Felsenthal, who kept an illustrated diary in the Gurs internment camp in 1941. Pt. II (pp. 27-45), "Historical Perspective", discusses Nazi oppression of Jewish artists and the role of art in Nazi ideology. Pt. III (pp. 47-102), "Artists' Retrospectives: Responses", presents 27 (mostly American) artists - survivors, children of survivors, and others - who express the influence of the Holocaust in various styles. Pt. IV (pp. 103-113), "Living Memorials and Educational Institutions", deals with memorializing the Holocaust in museums in the USA.