"For much of his thirties, Jesse Bering thought he was probably going to kill himself. He was a successful psychologist and writer, with books to his name and bylines in major magazines. But none of that mattered. The impulse to take his own life remained. At times it felt all but inescapable. Bering survived. And in addition to relief, the fading of his suicidal thoughts brought curiosity. Where had they come from? Would they return? Is the suicidal impulse found in other animals? Or is our vulnerability to suicide a uniquely human evolutionary development? In Suicidal, Bering answers all these questions and more, taking us through the science and psychology of suicide, revealing its cognitive secrets and the subtle tricks our minds play on us when we’re easy emotional prey. Scientific studies, personal stories, and remarkable cross-species comparisons come together to help readers critically analyze their own doomsday thoughts while gaining broad insight into a problem that, tragically, will most likely touch all of us at some point in our lives. But while the subject is certainly a heavy one, Bering’s touch is light. Having been through this himself, he knows that sometimes the most effective response to our darkest moments is a gentle humor, one that, while not denying the seriousness of suffering, at the same time acknowledges our complicated, flawed, and yet precious existence. Authoritative, accessible, personal, profound—there’s never been a book on suicide like this. It will help you understand yourself and your loved ones, and it will change the way you think about this most vexing of human problems." --

Suicide haunts our literature and our culture, claiming the lives of ordinary people and celebrities alike. It is now the third leading cause of death for fifteen- to twenty-four-year-olds in the United States, raising alarms across the nation about the rising tide of hopelessness seen in our young people. It is a taboo subtext to our successes and our happiness, a dark issue that is often euphemized, avoided, and little understood. In our century, psychology and psychiatry alike have attempted to understand, prevent, and medicalize these phenomena. But they have failed, argues Dr. Edwin Shneidman, because they have lost sight of the plain language, the ordinary everyday words, the pain and frustrated psychological needs of the suicidal individual. In The Suicidal Mind, Dr. Shneidman has written a groundbreaking work for every person who has ever thought about suicide or knows anybody who has contemplated it. The book brims with insight into the suicidal impulse and with helpful suggestions on how to counteract it. Shneidman presents a bold and simple premise: the main cause of suicide is psychological pain or "psychache." Thus the key to preventing suicide is not so much the study of the structure of the brain, or the study of social statistics, or the study of mental diseases, as it is the direct study of human emotions. To treat a suicidal individual, we need to identify, address, and reduce the individual's psychache. Shneidman shares with the reader his knowledge, both as a clinician and researcher, of the psychological drama that plays itself out in the suicidal mind through the exploration of three moving case studies. We meet Ariel, who set herself on fire; Beatrice, who cut herself with the intent to die; and Castro, a young man who meant to shoot his brains out but survived, horribly disfigured. These cases are presented in the person's own words to reveal the details of the suicidal drama, to show that the purpose of suicide is to seek a solution, to illustrate the pain at the core of suicide, and to isolate the common stressor in suicide: frustrated psychological needs. Throughout, Shneidman offers practical, explicit maneuvers to assist in treating a suicidal individual--steps that can be taken by concerned friends or family and professionals alike. Suicide is an exclusively human response to extreme psychological pain, a lonely and desperate solution for the sufferer who can no longer see any alternatives. In this landmark and elegantly written book, Shneidman provides the language, not only for understanding the suicidal mind, but for understanding ourselves. Anyone who has ever considered suicide, or knows someone who has, will find here a wealth of insights to help understand and to prevent suicide.

" The human race is the only one that knows it must die, and it knows this only through its experience. " - Voltaire A timeless study of the 'Experience of Death' by a thinker who was to die early in a German concentration camp. He writes with a freshness and vitality rarely met with in works of philosophy. Also includes "The Moral Problem of Suicide". One of the great masterpieces of 20th Century philosophy, its investigation and analysis of the "Experience of Death" is as searching and significant as that of Martin Heidegger in 'Being and Time'. For many years unavailable and therefore underestimated, this publication includes the two works by Landsberg that accompany each other the best: 'The Experience of Death' and 'The Moral Problem of Suicide'. Editor Edouard d'Araille here presents a revised version of Margaret Kerr's accurate translation. Paul-Louis Landsberg was a philosopher who was closely associated with the group of Parisian thinkers embracing Jean-Paul Sartre, Albert Camus, Simone de Beauvoir, Emmanuel Mounier and others. He has been classified as an Existentialist thinker, due both to the subject matter of his work and realistic, humanistic approach he takes. However, it should be borne in mind that Landsberg is Christian in faith, and he approaches the topics of death and suicide both from a Christian and a secular point-of-view. It is especially interesting to see how he tackles the controversial issue of suicide from the standpoint of Christianity - an act seen by some branches of that religion as a mortal sin, making its agent unworthy of Christian burial. FEATURES - This Living Time(TM) Press edition of Paul-Louis Landsberg's masterpiece includes: The Complete Texts of these key works - ' The Experience of Death ' and ' On the Moral Problem of Suicide ' A Biographical Sketch of Paul-Louis Landsberg Textual Annotations to both works, included at the end of the volume A Select Bibliography of his philosophical works B&W illustration as a frontispiece to the work (relating to the ' Intermezzo in the Bull Ring ') The core contents of the two philosophical essays are as follows: The Experience of Death I. The State of the Question II. The Limitations of Scheler's Answer III. Individualism and the Experience of Death IV. The Death of a Friend, and the Experience of "Repetition" V. The Ontological Basis VI. The Death of a Friend, according to the Fourth Book of the Confessions of St. Augustine VII. The Forms of Experience of Death VIII. Intermezzo in the Bull Ring IX. The Christian Experience of Death The Moral Problem of Suicide 1. Traditional Arguments 2. A Personal View Though both of these works are deeply personal and it is true that Landsberg is a Christian by denomination, in no way does he implore the reader to take up his own faith and he presents ideas and perspectives that are of equal interest to the atheist. The reader will find it valuable to read Heidegger's analysis of death in 'Being and Time' alongside this book, as it presents a wholly atheistic existential analysis that contrasts interestingly with this one. " What is the meaning of death to the human being as a person? The question admits of no conclusion, for we are dealing with the very mystery of man, taken from a certain aspect. Every real problem in philosophy contains all the others in the unity of mystery. It is necessary, therefore, to set a limit and seek a basis in experience for any possible answer: there are always problems of the utmost importance left on one side. Our enquiry would seem inevitable in the present state of philosophy, for we are far from having a metaphysics of death, as we have of life. " - Paul-

"Duncan Wheeler is a successful architect who savors the quotidian pleasures in life until a car accident leaves him severely paralyzed and haunted by the death of his young assistant. Now, Duncan isn't sure what there is left to live for, when every day has become a broken series of unsuccessful gestures. Duncan and his wife, Laura, find themselves in conflict as Duncan's will to live falters. Laura grows desperate to help him. An art conservator who has her own relationship to the repair of broken things, Laura brings home a highly trained helper monkey - a tufted capuchin named Ottoline - to assist Duncan with basic tasks. Duncan and Laura fall for this sweet, comical, Nutella-gobbling little creature, and Duncan's life appears to become more tolerable, fuller, and funnier. Yet the question persists: Is it enough?"--Publisher description.