"A Pulitzer Prize-winning historian and journalist explains, with electrifying clarity, why some of her contemporaries have abandoned liberal democratic ideals in favor of strongman cults, nationalist movements, or one-party states. Across the world today, from the U.S. to Europe and beyond, liberal democracy is under siege while different forms of authoritarianism are on the rise. In Twilight of Democracy, prize-winning historian Anne Applebaum argues that we should not be surprised by this change: There is an inherent appeal to political systems with radically simple beliefs, especially when they benefit the loyal to the exclusion of everyone else. People are not just ideological, she contends in this captivating extended essay; they are also practical, pragmatic, opportunist. The authoritarian and nationalist parties that have arisen within modern democracies offer new paths to wealth or power for their adherents. Describing politicians, journalists, intellectuals, and others who have abandoned democratic ideals in the UK, U.S., Spain, Poland, and Hungary, Applebaum reveals the patterns that link the new advocates of illiberalism and charts how they use conspiracy theory, political polarization, social media, and nostalgia to change their societies"-- Provided by publisher.

From the Pulitzer-prize winning, New York Times bestselling author, an alarming account of how autocracies work together to undermine the democratic world, and how we should organize to defeat them We think we know what an autocratic state looks like: There is an all-powerful leader at the top. He controls the police. The police threaten the people with violence. There are evil collaborators, and maybe some brave dissidents. But in the 21st century, that bears little resemblance to reality. Nowadays, autocracies are underpinned not by one dictator, but by sophisticated networks composed of kleptocratic financial structures, surveillance technologies, and professional propagandists, all of which operate across multiple regimes, from China to Russia to Iran. Corrupt companies in one country do business with corrupt companies in another. The police in one country can arm and train the police in another, and propagandists share resources and themes, pounding home the same messages about the weakness of democracy and the evil of America. International condemnation and economic sanctions cannot move the autocrats. Even popular opposition movements, from Venezuela to Hong Kong to Moscow, don't stand a chance. The members of Autocracy, Inc, aren't linked by a unifying ideology, like communism, but rather a common desire for power, wealth, and impunity. In this urgent treatise, which evokes George Kennan's essay calling for "containment" of the Soviet Union, Anne Applebaum calls for the democracies to fundamentally reorient their policies to fight a new kind of threat.

INSTANT NEW YORK TIMES BESTSELLER After a decade abroad, the National Book Award – and Pulitzer Prize – winning writer Evan Osnos returns to three places he has lived in the United States—Greenwich, CT; Clarksburg, WV; and Chicago, IL—to illuminate the origins of America’s political fury. Evan Osnos moved to Washington, D.C., in 2013 after a decade away from the United States, first reporting from the Middle East before becoming the Beijing bureau chief at the Chicago Tribune and then the China correspondent for The New Yorker . While abroad, he often found himself making a case for his home country, urging the citizens of Egypt, Iraq, or China to trust that even though America had made grave mistakes throughout its history, it aspired to some foundational moral commitments: the rule of law, the power of truth, the right of equal opportunity for all. But when he returned to the United States, he found each of these principles under assault. In search of an explanation for the crisis that reached an unsettling crescendo in 2020—a year of pandemic, civil unrest, and political turmoil—he focused on three places he knew firsthand: Greenwich, Connecticut; Clarksburg, West Virginia; and Chicago, Illinois. Reported over the course of six years, Wildland follows ordinary individuals as they navigate the varied landscapes of twenty-first-century America. Through their powerful, often poignant stories, Osnos traces the sources of America’s political dissolution. He finds answers in the rightward shift of the financial elite in Greenwich, in the collapse of social infrastructure and possibility in Clarksburg, and in the compounded effects of segregation and violence in Chicago. The truth about the state of the nation may be found not in the slogans of political leaders but in the intricate details of individual lives, and in the hidden connections between them. As Wildland weaves in and out of these personal stories, events in Washington occasionally intrude, like flames licking up on the horizon. A dramatic, prescient examination of seismic changes in American politics and culture, Wildland is the story of a crucible, a period bounded by two shocks to America’s psyche, two assaults on the country’s sense of itself: the attacks of September 11, 2001, and the storming of the U.S. Capitol on January 6, 2021. Following the lives of everyday Americans in three cities and across two decades, Osnos illuminates the country in a startling light, revealing how we lost the moral confidence to see ourselves as larger than the sum of our parts.

A New York Times BestsellerThomas L. Friedman won his third Pulitzer Prize for his clarity of vision, based on extensive reporting, in commenting on the worldwide impact of the terrorist threat after the attacks of September 11, 2001. Longitudes & Attitudes is made up of the columns Friedman has published about September 11, as well as a diary of his private experiences and reflections as he travels from Afghanistan to Israel to Europe to Indonesia to Saudi Arabia reporting on the post-September 11 world.

The collected works of the Pulitzer Prize and National Book Critics Circle Award-winning writer explores her transfigured landscapes and offers insight into her unique form created to reflect the human drive to release the past in order to realize the yet-unimagined

"The stagnation of living standards for most Americans over the past few decades has been the defining trend of modern life in the United States. Wealth and educational attainment have all slowed to a crawl in the twenty first century, while life expectancy has declined, economic inequality has soared, and the Black-White wage gap is as large as it was when Harry Truman was president. How did this happen in the world's most powerful country? Drawing from decades of writing about the economy for the New York Times, as well as years spent digging through archives, Pulitzer Prize-winning writer David Leonhardt tells the story of the past century of the American economy, starting with the Great Depression and the invention of the term "American dream." UNTITLED explains how the United States built the most prosperous mass economy in history after the Depression, then examines how that economy unraveled after our postwar boom. Its central argument is that three forces, above all, have dictated the economy's rise and fall: political power through grass-roots movement, culture, and investment in making life better for the future. Filled with the clear, lucid writing for which Leonhardt is known, UNTITLED is an enlightening economic history, featuring the unforgettable figures who helped shape the American dream: Frances Perkins, Eisenhower, Cesar Chavez, Betty Friedan, Robert Kennedy, Grace Hopper, Paul Hoffman, and more"--

The landmark exposé of the most powerful and secretive vice president in American history Barton Gellman shared the Pulitzer Prize in 2008 for a keen-edged reckoning with Dick Cheney's domestic agenda in The Washington Post . In Angler , Gellman goes far beyond that series to take on the full scope of Cheney's work and its consequences, including his hidden role in the Bush administration's most fateful choices in war: shifting focus from al Qaeda to Iraq, unleashing the National Security Agency to spy at home, and promoting cruel and inhumane methods of interrogation. Packed with fresh insights and untold stories, Gellman parts the curtains of secrecy to show how the vice president operated and what he wrought. An inspiration for the film Vice, starring Christian Bale, Amy Adams, and Steve Carrell.

"Edward Snowden chose three journalists to tell the stories in his Top Secret trove of NSA documents: Barton Gellman of The Washington Post, Glenn Greenwald of The Guardian and filmmaker Laura Poitras, all of whom would share the Pulitzer Prize for Public Service. Poitras went on to direct the Oscar-winning Citizenfour. Greenwald wrote an instant memoir and cast himself as a pugilist on Snowden's behalf. Gellman took his own path. Snowden and his documents were the beginning, not the end, of a story he had prepared his whole life to tell. More than 20 years as a top investigative journalist armed him with deep sources in national security and high technology. New sources reached out from government and industry, making contact on the same kinds of secret, anonymous channels that Snowden had used. Gellman's reporting unlocked new puzzles in the NSA archive. And as Snowden's revelations faded somewhat from the public consciousness, the machinations he exposed continue still, with many policies unaltered despite societal outrage. Dark Mirror is a true-life spy tale that touches us all, told with authority and an inside view of extraordinary events. Within it is a chilling personal account of the obstacles facing the author, beginning with Gellman's discovery of his own name in Snowden's NSA document trove. Google notifies him that a foreign government is trying to compromise his account. A trusted technical adviser finds anomalies on his laptop. Sophisticated impostors approach Gellman with counterfeit documents, attempting to divert or discredit his work. Throughout Dark Mirror, the author wages an escalating battle against unknown digital adversaries who force him to mimic their tradecraft in self-defense. With the vivid and insightful style that marked Gellman's bestselling Angler, Dark Mirror is an inside account of the surveillance-industrial revolution and its discontents, fighting back against state and corporate intrusions into our most private spheres. Along the way, and with the benefit of hindsight, it tells the full story of a government leak unrivaled in drama since All the President's Men"--

Pulitzer Prize-winning economics journalist Steven Pearlstein argues that our thirty year experiment in unfettered markets has undermined core values required to make capitalism and democracy work. Thirty years ago, 'greed is good' and 'maximizing shareholder value' became the new mantras woven into the fabric of our business culture, economy, and politics. Although, around the world, free market capitalism has lifted more than a billion people from poverty, in the United States most of the benefits of economic growth have been captured by the richest 10%, along with providing justification for squeezing workers, cheating customers, avoiding taxes, and leaving communities in the lurch. As a result, Americans are losing faith that a free market economy is the best system. In Can American Capitalism Survive', Pulitzer Prize-winning journalist Steven Pearlstein chronicles our descent and challenges the theories being taught in business schools and exercised in boardrooms around the country. We're missing a key tenet of Adam Smith's wealth of nations: without trust and social capital, democratic capitalism cannot survive. Further, equality of incomes and opportunity need not come at the expense of economic growth. Pearlstein lays out bold steps we can take as a country: a guaranteed minimum income paired with universal national service, tax incentives for companies to share profits with workers, ending class segregation in public education, and restoring competition to markets. He provides a path forward that will create the shared prosperity that will sustain capitalism over the long term ; Thirty years ago, 'greed is good' and 'maximizing shareholder value' became the new mantras woven into the fabric of our business culture, economy, and politics. Pearlstein argues that our thirty year experiment in unfettered markets has undermined core values required to make capitalism and democracy work. He challenges the theories being taught in business schools and in boardrooms, believing that we're missing a key tenet of Adam Smith's wealth of nations: without trust and social capital, democratic capitalism cannot survive. -- adapted from jacket

In this timely book, a Pulitzer Prize-winning reporter trains an autobiographical lens on a moment of remarkable transition in American journalism. Just a few years ago, the mainstream press was wrestling with whether labeling waterboarding as torture violated important norms of neutrality and objectivity. Now, major American newspapers regularly call the president of the United States a liar. Clearly, something has changed as the old rules of "balance" and "two sides to every story" have lost their grip. Is the change for the better? Will it last? In Just a Journalist, Linda Greenhouse--who for decades covered the U.S. Supreme Court for The New York Times--tackles these questions from the perspective of her own experience. A decade ago, she faced criticism from her own newspaper and much of journalism's leadership for a speech to a college alumnae group in which she criticized the Bush administration for, among other things, seeking to create a legal black hole at Guantánamo Bay--two years after the Supreme Court itself had ruled that the detainees could not be hidden away from the reach of federal judges who might hear their appeals. One famous newspaper editor expressed his belief that it was unethical for a journalist to vote, because the act of choosing one candidate over another could compromise objectivity. Linda Greenhouse disagrees. Calling herself "an accidental activist," she raises urgent questions about the role journalists can and should play as citizens, even as participants, in the world around them.--

From Pulitzer Prize-winning Washington Post reporter Eli Saslow, a powerful portrait of a country grappling with the pandemic, told through voices of people from all across America The Covid-19 pandemic was a world-shattering event, affecting everyone in the nation. From its first ominous stirrings, renowned journalist Eli Saslow began interviewing a cross-section of Americans, capturing their experiences in real time: An exhausted and anguished EMT risking his life in New York City; a grocery store owner feeding his neighborhood for free in locked-down New Orleans; an overwhelmed coroner in Georgia; a Maryland restaurateur forced to close his family business after forty-six years; an Arizona teacher wrestling with her fears and her obligations to her students; rural citizens adamant that the whole thing is a hoax, and retail workers attacked for asking people to wear masks; patients struggling to breathe and doctors desperately trying to save them. Through Saslow's masterful, empathetic interviewing, we are given a kaleidoscopic picture of a people dealing with the unimaginable. These deeply personal accounts make for cathartic reading, as we see Americans at their worst, and at their resilient best.

A former Newsweek senior writer tells the story behind the scandal of Jayson Blair, a mediocre former Times reporter who had made up stories, faked datelines, and plagiarized on a massive scale, rocked the Times to its core and revealed fault lines in a fractious newsroom that was already close to open revolt. Staffers were furious about the shoddy reporting that was infecting the most revered newspaper in the world, and the executive editor who had helped lead the paper to a record six Pulitzer Prizes had been forced out of his job. The profound implications of the scandal will shape how we understand and judge the media for years to come.

"Philip Roth (1933-2018) is one of the most celebrated American writers of his age. Born in Newark, New Jersey -- where his short stories and thirty-one books were often set -- he wrote with immense ambition and drive, along with a keen awareness of what must be done to produce great literature. Yet despite rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances, he viewed himself as socially withdrawn, living much like an "unchaste monk" (his words). In this original and lucid biography, Steven J. Zipperstein captures Roth's complex life and the astonishing range of his self-reflective writings-from "Goodbye, Columbus" and "Portnoy's complaint" to the Pulitzer Prize-winning "American pastoral" and "The plot against America." Employing extensive archival research and well over one hundred interviews, including conversations with Roth himself, Zipperstein provides an intimate and probing look at one of the twentieth century's most influential authors, placing his work in the context of Jewishness, freedom, and sexuality in America"-- Provided by publisher.

"Jerry Saltz, current senior art critic for "New York Magazine" and former senior art editor at "The Village Voice" for almost ten years, as well as a two-time finalist for the Pulitzer Prize in Criticism, popular teacher, and coast-to-coast lecturer surveys the good, the bad, and the very bad in contemporary art. Saltz doesn't only address art objects in these essays, he considers the art world as an ever-mutating organism. He signals out mismanaged museums, out-of-control auction houses, misguided artists, the gossip pages of Artforum, and the tent-city casinos known as Art Fairs. Saltz has an unsparing eye, a deep love of the art world, respect for artists, self-deprecating humor, sweet skepticism, and one of the easiest writing styles of any critic working today. Tracking the most recent all-out orgy of art and money, Saltz considers what this did to art and asks, now that the money is gone, how might art and the art world put their house in order? Don't miss the twists and turns as he sorts out the answers. If books had credos, the one affixed to "Seeing Out Louder" would be: Art First. All Else Follows." --Book Jacket.

From the winner of the Pulitzer Prize and the Ruth Lilly Prize The poems in Carl Dennis’s new collection Another Reason assume that our efforts to reason with ourselves and with others about what matters to us are necessary to escape the purely private point of view, to provide the houses we live in with doors and windows. These poems enact a drama of attempted persuasion, as the poet confers with himself, with intimates, and with strangers, if only in the hope that by defining differences more precisely one may be drawn into a genuine dialogue. As the poet asserts and questions his own authority, encountering a wide range of competing claims from other voices, we find ourselves included in a conversation that deepens our notion of the human community.

"Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath's Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America's definitive Philip Roth edition. Here is Roth's selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and "Explanations," a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are "My Uchronia," an account of the genesis of The Plot Against America, a novel grounded in the insight that "all the assurances are provisional, even here in a two-hundred-year-old democracy"; "Errata," the unabridged version of the "Open Letter to Wikipedia" published on The New Yorker's website in 2012 to counter the online encyclopedia's egregious errors about his life and work; and "The Ruthless Intimacy of Fiction," a speech delivered on the occasion of his eightieth birthday that celebrates the "refractory way of living" of Sabbath's Theater's Mickey Sabbath. Also included are two lengthy interviews given after Roth's retirement, which take stock of a lifetime of work."--Amazon.