The collected works of the Pulitzer Prize and National Book Critics Circle Award-winning writer explores her transfigured landscapes and offers insight into her unique form created to reflect the human drive to release the past in order to realize the yet-unimagined

Winner of the Pulitzer Prize in 1995 Written in a voice that moves between elegy and prayer, The Simple Truth contains thirty-three poems whose aim is to weave a complex tapestry of myth, history (both public and private), family, memory, and invention in a search for truths so basic and universal they often escape us all.

A collection of poems written between 1950 and 1962 by the Pulitzer Prize-winning poet, including the complete texts of two earlier volumes, as well as a selection of previously uncollected works.

From the winner of the Pulitzer Prize and the Ruth Lilly Prize The poems in Carl Dennis’s new collection Another Reason assume that our efforts to reason with ourselves and with others about what matters to us are necessary to escape the purely private point of view, to provide the houses we live in with doors and windows. These poems enact a drama of attempted persuasion, as the poet confers with himself, with intimates, and with strangers, if only in the hope that by defining differences more precisely one may be drawn into a genuine dialogue. As the poet asserts and questions his own authority, encountering a wide range of competing claims from other voices, we find ourselves included in a conversation that deepens our notion of the human community.

From the winner of the Pulitzer Prize and the Ruth Lilly Prize Carl Dennis has become one of the most important American poets writing today. Unknown Friends , his tenth book, is about separation and connection, about actual friends we can never know fully and friends never met who are summoned into existence through the efforts of an imagination that insists on dialogue. While accepting our ignorance as inevitable, the poems work to expand the notion of what it means to be part of a community larger than any we can comprehend, both a community given to us by history and one outside of history through which the world of experience is nurtured and sustained.

In this new selection of poems by Karl Shapiro, master literary craftsman John Updike provides a long-overdue reassessment of the Pulitzer Prize–winning poet who first rose to prominence with his poems about war. Updike’s great personal respect and affection for Shapiro’s work resonate throughout the essay he wrote to introduce the volume: “Karl Shapiro’s tone is breezy, surly, rapturous as the mood rapidly shifts. The last lines often stub our toes and invite us to reread. The concreteness can seem defiant. . . . His feet planted on the substantive, he could be modest and casual but also bold, with the boldness of truth personally verified.” In the poems he’s assembled, Updike selected broadly from the entire span of Shapiro’s writing life, and his introduction establishes an enduring place in American literature for the poet whose pungency and vast range of subjects have helped define American poetry of the postwar period. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

Richard Howard has been writing stylish, deeply informed commentary on modern culture and literature for more than four decades. Here is a selection of his finest essays, including some never before published in book form, on a splendid range of subjects--from American poets like Emily Dickinson and Marianne Moore to French artists such as Rodin and Michel Delacroix. Also included are considerations of modern sculpture and of the photography of the human body. Howard's intense familiarity with modern poetry is seen to excellent effect in essays on the "poetry of forgetting," on the causes and effects of experimental poetry, and on the first books of poets whose work he helped introduce--among them, J. D. McClatchy, Frank Bidart, and Cynthia MacDonald. Of course, Howard brings to his consideration of French literature a rare wisdom drawn from his celebrated work as a translator of Stendhal and Gide, Barthes and Cocteau, Yourcenar and Gracq. Hilton Kramer once wrote that Richard Howard "performs the essential critical service. He shows us the extent of the terrain. He points out its essential features. And he gives us a very vivid sense of its ethos as well as of its esthetics." Howard, now in his seventy-fifth year, continues his adroit, inventive commentary, which enriches us all. Richard Howard is a poet, scholar, teacher, critic, and translator. The author of more than a dozen books, including "Inner Voices: Selected Poems, 1963-2003," he is the recipient of both the Pulitzer Prize for Poetry and the National Book Award for translation. He teaches at Columbia University and is poetry editor of "The Paris Review." Richard Howard has been writing stylish, deeply informed commentary on modern culture and literature for more than four decades. His earlier work "Alone with America: Essays on the Art of Poetry in the United States Since 1950" has long been hailed as a landmark in literary criticism. "Paper Trail" is a selection of his finest essays, including some never before published in book form, on a splendid range of subjects--from American poets such as Emily Dickinson and Marianne Moore to French artists such as Rodin and Michel Delacroix. Also included are considerations of modern sculpture and of the photography of the human body. Howard's intense familiarity with modern poetry is seen to excellent effect in essays on "the poetry of forgetting," on the cause and effects of experimental poetry, and on the first books of poets whose work he helped introduced. Of course, Howard brings to his consideration of French literature a rare wisdom drawn from his celebrated work as a translator of Stendhal and Gide, Barthes and Cocteau, Yourcenar an Gracq. Hilton Kramer once wrote that Richard Howard "performs the essential critical service. He shows us the extent of the terrain. He points out its essential features. And he gives us a very vivid sense of its ethos as well as of its esthetics." Howard, now in his seventy-fifth year, continues his adroit, inventive commentary, which enriches us all. "If Richard Howard were not a poet at all, he would stand out nevertheless as a translator, an editor, a teacher of poets, and a critic of French, English, and American literature. "Paper Trail" collects his arrestingly elaborate essays on all three, as well as Howard's writings on visual art . . . The essays in "Paper Trail" offer language at least as intricate as that of Howard's verse, and information in even greater abundance: They can teach what the poems assume we know. Howard's preference for mannered abstractions, which can hinder the poems, assists the essays, making them more ambitious, and more daring, than most; even when their particular judgments do not convince, their general propositions enlighten."--Stephen Burt, "The Washington Post Book World" "While the essays range from Emily Dickinson to Robert Mapplethorpe to Claude Simon, they constitute an intimate autobiography . . . "Paper Trail" is something much larger than an argument about the shape of American poetry."--James Longenbach, "Boston Review" "[Howard is] a formidable man of letters: a brilliant poet, pioneering translator, revered champion of emerging poets, and learned, far-ranging critic. In this dazzling essay collection, a true landmark volume, Howard exemplifies the benefits of the life of the mind, which for him is a veritable fountain of youth. Over the course of nearly four decades, he has never lost the intellectual vivaciousness of his earlier works even as experience and growing knowledge have deepened his perspective. Howard writes with equal zest and insight about the minutiae of grammar and the grandness of worldviews, the eccentricities of writers and the great sweep of literature . . . Drolly witty, discerning, and wielding a vocabulary and syntax to die for, Howard makes each of his chosen subjects worthy of the reader's most avid attention."--Donna Seaman, "Booklist" "Well-crafted essays, forewords, and afterwords on poets and poetry by the critic, translator, editor, and poet . . . The collection opens with a sparkling essay, from 1973, on Emily Dickinson, who was just then being rediscovered and needed her champions in a rhymeless time. Howard's consideration is highly illuminating, and it well illustrates his magpie technique of turning up glittering oddments . . . Elsewhere the noted translator of Baudelaire and other French writers turns his attention to Francophone literature, and especially on writers who are not much read today, such as Marguerite Yourcenar, Claude Simon, and even the irreplaceable Stendhal. These admiring pieces . . . ought to awaken interest in those writers, which would be a grand service to them. Elsewhere still Howard praises then-new poets such as J. D. McClatchy, the writings of Brassaioch, the power of storytelling, and kindred matters, giving variety to an altogether satisfactory collection. [The book will be] of interest to Howard's admirers and students."--"Kirkus Reviews"

George Oppen's New Collected Poems gathers in one volume all of the poet's books published in his lifetime (1908-84), as well as his previously uncollected poems and a selection of his unpublished work. Oppen, whose writing was championed by Ezra Pound when it was first published by The Objectivist Press in the 1930s, has become one of America's most admired poets. In 1969 he won a Pulitzer Prize for his collection Of Being Numerous, which The New Yorker recently said is "unmatched by any book of American poetry since." The New Collected Poems is edited by Michael Davidson of the University of California at San Diego, who also writes an introduction about the poet's life and work and supplies generous notes that will give interested readers an understanding of the background of the individual books as well as keys to references in the poems. The award-winning essayist and translator Eliot Weinberger offers a personal remembrance of the poet in his preface, "Oppen Then." This newly revised paperback edition also includes a generous CD of the poet reading from each of his poetry collections.

Few poets have so artfully confronted American life as Louis Simpson. Persona speakers struggle with everyday issues against a backdrop of larger forces, the individual’s maladjustment to a culture of materialism and brutal competition, the failure of marriage under the pressures of such a society, the failure of the American dream. Simpson wages a lover’s quarrel with the world. "Louis Simpson has perfect pitch. His poems win us first by their drama, their ways of voicing our ways . . . of making do with our lives. Then his intelligence cajoles us to the brink of a cliff of solitude and we step over into the buoyant element of true poetry."—Seamus Heaney Educated at Munro College (West Indies) and at Columbia University, Louis Simpson has taught widely, most recently at the State University of New York at Stony Brook. He is the author of seventeen books of poetry and ten works of prose. He has received fellowships from the Academy of American Poetry, the Hudson Review, the Guggenheim Foundation, and received the Pulitzer Prize for Poetry.

The Wild Card is that gem among books: a selection of those enduring works that will definitively represent the poet as one of the major artists of our time. Karl Shapiro, who won the Pulitzer Prize in Poetry in 1945 for his second collection, V-Letter and Other Poems, is an American poetic treasure and an acknowledged master of lyrical poetry whose subjects have ranged from commonplace objects and occurrences to biting political commentary to open celebrations of the "necessary contradictions" in humanity's moral nature.

Throughout her career, Pulitzer Prize–winning poet Maxine Kumin has been at the vanguard of discussions about feminism and sexism, the state of poetry, and our place in the natural world. The Roots of Things gathers into one volume her best essays on the issues that have been closest to her throughout her storied career. Divided into sections on "Taking Root," "Poets and Poetry," and "Country Living," these pieces reveal Kumin honing her views within a variety of forms, including speeches, critical essays, and introductions of other writers’ work. Whether she is recollecting scenes from her childhood, ruminating on the ups and downs of what she calls "pobiz" (for "poetry business"), describing the battles she’s fought on behalf of women, or illuminating the lives of animals, Kumin offers insight that can only be born of long and closely observed experience.

Pulitzer Prize-winning poet Louis Simpson’s newest volume of poetry, "Searching for the Ox," heralds a literary event of the highest order. The poems here all have a strong narrative structure, and at the same time they are beautifully lyrical, evocative of times, places and moods as strikingly different as the 1930s in tropical Kingston harbor and windy, wintry afternoons on postwar Riverside Drive. Like the masters of Zen, Simpson celebrates the everyday things that give the world color, shape, form and reason; he conveys the essence of an experience through his observation of small details. "Searching for the Ox" is divided into four parts. As Simpson observes in the Preface, "The first two parts describe the life of a young man coming from a background similar to my own. Poems in the third part are more meditative; they are about a way of life. And the concluding section is made up of poems rising out of my interests as a writer."