Herman Wouk Full Length, Drama Characters:19 male (6 non-speaking) Simple set The Pulitzer Prize-winning novel about a court martial has been adapted by the author into suspenseful evening of theatre. A young lieutenant is relieved his captain of command in the midst of a typhoon on the grounds that the captain, Queeg is a psychopath in crisis and commanded the ship and its crew to destruction. Naval tradition is against him, but testimony eventually reveals a devastating picture of Queeg's mental disintegration. "Enormously exciting. It is the modern stage at its best." -N.Y. Daily News

Product Description Both an enhanced digital edition―the first edited specifically for undergraduates―and a handsome print volume, The Norton Shakespeare, Third Edition, provides a freshly edited text, acclaimed apparatus, and an unmatched value. The attractive print and digital bundle offers students a great reading experience at an affordable price in two ways―a hardcover volume for their dorm shelf and lifetime library, and a digital edition ideal for in-class use. Students can access the ebook from their computer, tablet, or smartphone via the registration code included in the print volume at no additional charge. As one instructor summed it up, “It’s a long overdue step forward in the way Shakespeare is taught.” Book Description with The Norton Shakespeare Digital Edition registration card About the Author Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including Tyrant, The Rise and Fall of Adam and Eve: The Story that Created Us, The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters. Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present. Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy. Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; an

WINNER OF THE PULITZER PRIZE In the bustling streets of early 20th-century New York City, the stoop of a nondescript brownstone serves as the central stage for the intricate dramas and poignant narratives that unfold in Elmer Rice's seminal work, "Street Scene." Premiering in 1929 at the Playhouse Theatre in New York City, this evocative play offers a profound exploration of the human condition amidst the backdrop of a gritty urban landscape. At the heart of the narrative are the Maurrant family—Anna, Rose, and Frank—whose lives intertwine with those of their neighbors in profound and often tumultuous ways. Anna Maurrant, a woman grappling with issues of infidelity and disillusionment in her marriage, finds herself entangled in a web of secrets and desires. Her daughter, Rose, struggles to navigate the demands of her job and the oppressive presence of her father, Frank, whose domineering and sometimes abusive behavior casts a shadow over their household. Against this backdrop of familial strife, the character of Sam Kaplan emerges as a beacon of empathy and compassion. A Jewish neighbor deeply in love with Rose, Sam serves as both a confidant and a source of solace amidst the chaos of their urban existence. His unwavering devotion to Rose illuminates the complexities of love and longing in a world marked by social and economic divides. As the action unfolds entirely on the front stoop of the brownstone and in the adjacent streets, Rice skillfully captures the rhythm and pulse of city life, infusing each scene with a palpable sense of immediacy and authenticity. From the colorful array of neighbors and passersby to the bustling energy of the urban milieu, "Street Scene" paints a vivid portrait of a community teetering on the brink of despair yet resilient in the face of adversity. Recipient of the prestigious Pulitzer Prize for Drama in 1929, "Street Scene" remains a timeless testament to the enduring power of theater to illuminate the complexities of the human experience. Through its rich tapestry of characters and its evocative portrayal of urban life, Rice's play invites audiences to reflect on themes of love, longing, and the indomitable spirit of the human soul against the backdrop of a mean quarter of New York City.