A provocative, unprecedented anthology featuring original short stories on what it means to be an American from thirty bestselling and award-winning authors with an introduction by Pulitzer Prize–winning author Viet Thanh Nguyen: “This chorus of brilliant voices articulating the shape and texture of contemporary America makes for necessary reading” (Lauren Groff, author of Fates and Furies ). When Donald Trump claimed victory in the November 2016 election, the US literary and art world erupted in indignation. Many of America’s preeminent writers and artists are stridently opposed to the administration’s agenda and executive orders—and they’re not about to go gentle into that good night. In this “masterful literary achievement” (Kurt Eichenwald, author of Conspiracy of Fools) , more than thirty of the most acclaimed writers at work today consider the fundamental ideals of a free, just, and compassionate democracy through fiction in an anthology that “promises to be both a powerful tool in the fight to uphold our values and a tribute to the remarkable voices behind it” (Anthony D. Romero, executive director of the ACLU). With an introduction by Pulitzer Prize-winning author, Viet Thanh Nguyen, and edited by bestselling author Jonathan Santlofer, this powerful anthology includes original, striking art from fourteen of the country’s most celebrated artists, cartoonists, and graphic novelists, including Art Spiegelman, Roz Chast, Marilyn Minter, and Eric Fischl. Transcendent, urgent, and ultimately hopeful, It Occurs to Me That I Am America takes back the narrative of what it means to be an American in the 21st century.

From the Pulitzer prize-winning author of Glengarry Glen Ross. These essays cover all aspects of David Mamet's personal, private, public and professional life.

Memorable Stories From a Half Century of Sports Journalism For the last half century, Pulitzer Prize–winning sportswriter Ira Berkow has been at the center of some of the most memorable moments in sports history. From the World Series, NBA Finals, and Super Bowl, to Heavyweight Title Fights, the Olympics, and The Masters, he has seen and covered them all. After fifty years covering sports, with more than twenty-five as a journalist for the New York Times , How Life Imitates Sports shares how these events—and their participants—have significantly shaped how we as a nation have come to understand and perceive our culture (and even our politics). They are a historical record of one significant sphere of our life and times: sports. From Muhammad Ali to Mike Tyson, Michael Jordan to LeBron James, Jackie Robinson to Derek Jeter, Billie Jean King to Tonya Harding, O. J. Simpson to Tiger Woods and beyond, this collection is a historical record of our times over this past half century, in terms of society, race and gender, politics, legal issues, and the fabric of our sports passions and human condition, ranging from pathos to humor, from introspection to perception. Including additional commentary on when these events first occurred and how they have impacted us today, Berkow shares the knowledge of someone who sat ringside, in the press box, and on the sidelines for some of the most notable moments in our history. So whether you’re a fan of baseball and basketball, or tennis and soccer, How Life Imitates Sports shows you our history from someone who witnessed it first-hand; a worthy collection for anyone who appreciates the highest quality sports journalism.

In this rich and savvy collection of commentaries on the events, people and issues that shape and define our world, Pulitzer Prize-winning columnist and "New York Times" bestselling author Ellen Goodman cuts to the heart of the stories and controversies that helped to define our times. For over twenty-five years, nationally syndicated columnist Ellen Goodman has been training her lens on contemporary American life. A marvelously direct writer with keen insight into what makes the average American tick, laugh and occasionally boil with rage, Goodman takes her measure of the national psyche in a voice that is at once perceptive, witty and deeply humane. "Paper Trail," her first collection in more than ten years, journeys through an era that has been golden in its advances and bleak in its disappointments. In a voice both reasoned and impassioned, she makes sense of the cultural debates that have captured our attention and sometimes become national obsessions. She wrestles with the close-to-the-bone issues of abortion, working mothers and gay marriage, the struggles for civil liberties and equal rights, and the moral complexity of assisted suicide and biotech babies. As she wends through the era of the Clinton scandals and the "amBushing" of America, the dot-com boom and bust, the horrors of September 11 and the War on Terrorism, Goodman pauses to celebrate some of our lost icons, including Jackie Onassis, Princess Diana and Doctor Spock. She reminds us as well of the fleeting fame of such instant celebrities as Elian Gonzalez and Lorena Bobbitt. The lines that separate public and private life dissolve under Goodman's scrutiny as she shows us how Washington politics, SiliconValley technology and the national media culture infiltrate our jobs, relationships and minds. With the trademark clarity that readers count on, she walks us through the dilemmas posed by new technologies that range from cloning to cell phones and makes us laugh at the vagaries of Viagra and Botox and unreality TV. And in a world that sometimes seems to be stuck on fast forward, she holds on to values as timeless as a family Thanksgiving and a summer porch in Maine. Including more than 160 of Ellen Goodman's lively and stylish columns, this timely collection walks us along the paper trail in a voice that is both crystal clear and original.

Guest editor Dick Schaap shares this pleasure by presenting THE BEST AMERICAN SPORTS WRITING 2000. As the series' tenth birthday approaches, it is at the top of its game. In the past decade it has been hailed as "a must for any sports fan" and "a venerable institution" and has showcased promising new talents along with Pulitzer Prize winners such as David Halberstam, Richard Ford, and John McPhee. With the 2000 edition, Schaap, a best-selling author and Emmy Award-winning sports journalist, continues this tradition of excellence by bringing together the finest sports writing to appear in the past year. These pieces will delight fans of all athletic endeavors, from football to fishing, from basketball to birdwatching. From more than 350 publications, Schaap has chosen essays that reach beyond the scores to the people and emotions behind the game.

Richard Hofstadter, the distinguished historian and twice winner of the Pulitzer Prize, brilliantly assesses the ideas and contributions of the three major American interpretive historians of the twentieth Frederick Jackson Turner, Charles A. Beard and V.L. Parrington. These men, whose views of history were shaped in large part by the political battles of the Progressive era, provided the Progressive movement with a usable past and the American liberal mind with a historical tradition. The Progressive Historians is at once a critique of historical thought during this decisive period of American development and an account of how these three writers led American historians into the controversial political world of the twentieth century. Turner, in developing his idea that American democracy is the outcome of the experience of frontier expansion and the settlement of the West, introduced his fellow historians to a set of new concepts and methods, and in doing so doing re-drew the guidelines of American historiography. Beard insisted upon the elitist origins of the Constitution, crusaded for the economic interpretation of history, and ultimately staked his historical reputation on an isolationist view of recent American foreign policy. Parrington emphasized the moral and social functions of literature, and read the history of literature as a history of the national political mind. In recent years, the tide has run against the Progressive historians, as one specialist after another has taken issue with their interpretations. The movement of contemporary historical thought has led to a rediscovery of the complexity of the American past. Although he cannot share the faith of the Progressive historians in the sufficiency of American liberalism as a guide to the modern world, Richard Hofstadter believes we have much to learn about ourselves from a reconsideration of their insights.

The very best writing from one of America's most groundbreaking literary magazines. When Creative Nonfiction debuted in 1994, the literary genre it championed was largely the target of skepticism or downright ridicule. But at a time when few editors were interested in the personal essay, the magazine doggedly explored new ideas and fresh modes of expression, and over the next three decades, its contributors pioneered what would come to be known as the "fourth genre." The thirty-two essays collected here bring together some of the finest work Creative Nonfiction published over its seventy-eight issues. Read Pulitzer Prize-winner Charles Simic's boyhood remembrances of the bombing of Belgrade, Carolyn Forche's haunting, lyric catalog of her daily life as she faced down a cancer diagnosis, and John Edgar Wideman's meditation on the photo of a murdered boy his same age--Emmett Till--and how the image haunted him forever. Here, you'll find work by such luminaries as Adrienne Rich and John McPhee, but also essays from more contemporary voices like Brian Broome, Elizabeth Fortescue, and Anne McGrath. With an introduction by Lee Gutkind, Creative Nonfiction's founder and editor, this collection captures the evolution of a genre and the amazing work of the little magazine that helped make it all happen.

"Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath's Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America's definitive Philip Roth edition. Here is Roth's selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and "Explanations," a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are "My Uchronia," an account of the genesis of The Plot Against America, a novel grounded in the insight that "all the assurances are provisional, even here in a two-hundred-year-old democracy"; "Errata," the unabridged version of the "Open Letter to Wikipedia" published on The New Yorker's website in 2012 to counter the online encyclopedia's egregious errors about his life and work; and "The Ruthless Intimacy of Fiction," a speech delivered on the occasion of his eightieth birthday that celebrates the "refractory way of living" of Sabbath's Theater's Mickey Sabbath. Also included are two lengthy interviews given after Roth's retirement, which take stock of a lifetime of work."--Amazon.