“Brooks’ chronological and cross-disciplinary leaps are thrilling.” — The New York Times Book Review “ Horse isn’t just an animal story—it’s a moving narrative about race and art.” — TIME “ A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” — Oprah Daily Winner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor Book A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850 . An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954 . Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019 . Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

The Fixer is the winner of the 1967 National Book Award for Fiction and the 1967 Pulitzer Prize for Fiction. The Fixer (1966) is Bernard Malamud's best-known and most acclaimed novel -- one that makes manifest his roots in Russian fiction, especially that of Isaac Babel. Set in Kiev in 1911 during a period of heightened anti-Semitism, the novel tells the story of Yakov Bok, a Jewish handyman blamed for the brutal murder of a young Russian boy. Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.

FINALIST FOR THE 2022 PULITZER PRIZE FOR FICTION 2022 AMERICAN BOOK AWARD WINNER "Painful, refractive, beautiful . . . Goldman is beloved."-- New York Review of Books In Monkey Boy , Francisco Goldman's "brilliantly constructed auto-fiction" (NPR), we meet Francisco Goldberg, a middle-aged writer grappling with the challenges of family and love, legacies of violence and war, and growing up as the son of immigrants--a Guatemalan Catholic mother and a Russian Jewish father--in a predominantly white, working-class Boston suburb. Told in an irresistibly funny, tender and passionate voice, this extraordinary portrait of family explores the pressures of living between worlds. Our narrator, Francisco Goldberg, an American writer, has been living in Mexico when, because of a threat provoked by his journalism, he flees to New York City, hoping to start afresh. His last relationship ended devastatingly five years before, and he may now finally be on the cusp of a new love with a young Mexican woman he meets in Brooklyn. But Francisco is soon beckoned back to his childhood home outside Boston by a high school girlfriend who witnessed his youthful humiliations, and to visit his Guatemalan mother, Yolanda, whose intermittent lucidity unearths forgotten pockets of the past. On this five-day trip, the specter of Frank's recently deceased father, Bert, an immigrant from Ukraine - pathologically abusive, yet also at times infuriatingly endearing ― as well as the dramatic Guatemalan woman who helped raise him, and the high school bullies who called him "monkey boy," all loom. Told in an intimate, irresistibly funny, and passionate voice, this extraordinary portrait of family and growing up "halfie," unearths the hidden cruelties in a predominantly white, working-class Boston suburb where Francisco came of age, and explores the pressures of living between worlds all his life. Monkey Boy is a new masterpiece of fiction from one of the most important American voices in the last forty years.

A provocative, unprecedented anthology featuring original short stories on what it means to be an American from thirty bestselling and award-winning authors with an introduction by Pulitzer Prize–winning author Viet Thanh Nguyen: “This chorus of brilliant voices articulating the shape and texture of contemporary America makes for necessary reading” (Lauren Groff, author of Fates and Furies ). When Donald Trump claimed victory in the November 2016 election, the US literary and art world erupted in indignation. Many of America’s preeminent writers and artists are stridently opposed to the administration’s agenda and executive orders—and they’re not about to go gentle into that good night. In this “masterful literary achievement” (Kurt Eichenwald, author of Conspiracy of Fools) , more than thirty of the most acclaimed writers at work today consider the fundamental ideals of a free, just, and compassionate democracy through fiction in an anthology that “promises to be both a powerful tool in the fight to uphold our values and a tribute to the remarkable voices behind it” (Anthony D. Romero, executive director of the ACLU). With an introduction by Pulitzer Prize-winning author, Viet Thanh Nguyen, and edited by bestselling author Jonathan Santlofer, this powerful anthology includes original, striking art from fourteen of the country’s most celebrated artists, cartoonists, and graphic novelists, including Art Spiegelman, Roz Chast, Marilyn Minter, and Eric Fischl. Transcendent, urgent, and ultimately hopeful, It Occurs to Me That I Am America takes back the narrative of what it means to be an American in the 21st century.

View our feature on Geraldine Books’s People of the Book. From the Pulitzer Prize–winning author of March, the journey of a rare illuminated manuscript through centuries of exile and war In 1996, Hanna Heath, an Australian rare-book expert, is offered the job of a lifetime: analysis and conservation of the famed Sarajevo Haggadah, which has been rescued from Serb shelling during the Bosnian war. Priceless and beautiful, the book is one of the earliest Jewish volumes ever to be illuminated with images. When Hanna, a caustic loner with a passion for her work, discovers a series of tiny artifacts in its ancient binding—an insect wing fragment, wine stains, salt crystals, a white hair—she begins to unlock the book’s mysteries. The reader is ushered into an exquisitely detailed and atmospheric past, tracing the book’s journey from its salvation back to its creation. In Bosnia during World War II, a Muslim risks his life to protect it from the Nazis. In the hedonistic salons of fin-de-siècle Vienna, the book becomes a pawn in the struggle against the city’s rising anti-Semitism. In inquisition-era Venice, a Catholic priest saves it from burning. In Barcelona in 1492, the scribe who wrote the text sees his family destroyed by the agonies of enforced exile. And in Seville in 1480, the reason for the Haggadah’s extraordinary illuminations is finally disclosed. Hanna’s investigation unexpectedly plunges her into the intrigues of fine art forgers and ultra-nationalist fanatics. Her experiences will test her belief in herself and the man she has come to love. Inspired by a true story, People of the Book is at once a novel of sweeping historical grandeur and intimate emotional intensity, an ambitious, electrifying work by an acclaimed and beloved author.

A collection of some of the Pulitzer Prize-winning playwright's most definitive works includes "All My Sons," "Death of a Salesman," "The Crucible," "A View from the Bridge," and five additional plays.

Norman Mailer's Pulitzer Prize-winning and unforgettable classic about convicted killer Gary Gilmore now in a brand-new edition. Arguably the greatest book from America's most heroically ambitious writer, THE EXECUTIONER'S SONG follows the short, blighted life of Gary Gilmore who became famous after he robbed two men in 1976 and killed them in cold blood. After being tried and convicted, he immediately insisted on being executed for his crime. To do so, he fought a system that seemed intent on keeping him alive long after it had sentenced him to death. And that fight for the right to die is what made him famous. Mailer tells not only Gilmore's story, but those of the men and women caught in the web of his life and drawn into his procession toward the firing squad. All with implacable authority, steely compassion, and a restraint that evokes the parched landscape and stern theology of Gilmore's Utah. THE EXECUTIONER'S SONG is a trip down the wrong side of the tracks to the deepest source of American loneliness and violence. It is a towering achievement-impossible to put down, impossible to forget.

The Best American Series First, Best, and Best-Selling The Best American series has been the premier annual showcase for the country's finest short fiction and nonfiction since 1915. Each volume's series editor selects notable works from hundreds of periodicals. A special guest editor, a leading writer in the field, then chooses the very best twenty or so pieces to publish. This unique system has made the Best American series the most respected -- and most popular -- of its kind. The Best American Short Stories 2005 includes Dennis Lehane - Tom Perrotta - Alice Munro - Edward P. Jones - Joy Williams - Joyce Carol Oates - Thomas McGuane - Kelly Link - Charles D'Ambrosio - Cory Doctorow - George Saunders - and others Michael Chabon, guest editor, is the best-selling author of The Mysteries of Pittsburgh, Wonder Boys, A Model World, and, most recently, The Final Solution. His novel The Amazing Adventures of Kavalier and Clay won the Pulitzer Prize in 2000.

Michael Chabon’s Pulitzer Prize-winning bestseller, The Amazing Adventures of Kavalier & Clay, sprang from an early passion for the derring-do and larger-than-life heroes of classic comic books. Now, once more mining the rich past, Chabon summons the rollicking spirit of legendary adventures–from The Arabian Nights to Alexandre Dumas to Fritz Leiber’s Fafhrd and the Gray Mouser stories–in a wonderful new novel brimming with breathless action, raucous humor, cliff-hanging suspense, and a cast of colorful characters worthy of Scheherazade’s most tantalizing tales. They’re an odd pair, to be sure: pale, rail-thin, black-clad Zelikman, a moody, itinerant physician fond of jaunty headgear, and ex-soldier Amram, a gray-haired giant of a man as quick with a razor-tongued witticism as he is with a sharpened battle-ax. Brothers under the skin, comrades in arms, they make their rootless way through the Caucasus Mountains, circa A.D. 950, living as they please and surviving however they can–as blades and thieves for hire and as practiced bamboozlers, cheerfully separating the gullible from their money. No strangers to tight scrapes and close shaves, they’ve left many a fist shaking in their dust, tasted their share of enemy steel, and made good any number of hasty exits under hostile circumstances. None of which has necessarily prepared them to be dragooned into service as escorts and defenders to a prince of the Khazar Empire. Usurped by his brutal uncle, the callow and decidedly ill-tempered young royal burns to reclaim his rightful throne. But doing so will demand wicked cunning, outrageous daring, and foolhardy bravado . . . not to mention an army. Zelikman and Amram can at least supply the former. But are these gentlemen of the road prepared to become generals in a full-scale revolution? The only certainty is that getting there–along a path paved with warriors and whores, evil emperors and extraordinary elephants, secrets, swordplay, and such stuff as the grandest adventures are made of–will be much more than half the fun.

A new era begins for Iron Man, written by Pulitzer Prize-winning journalist Spencer Ackerman! With his company restored, Tony Stark's first order of business is getting Stark Unlimited back out of the weapons game. But a multinational company doesn't just stop selling weapons overnight, and the board is more concerned with profit margins than super-hero ethics. Now they've made a deal with the devil: Stark Unlimited is for sale, and the highest bidder represents the combined might of Tony's two biggest competitors: Roxxon and A.I.M.! But they're ready for the old Tony Stark. This one? He's a lot angrier than he used to be. New armour, old enemies and unbelievable twists abound in this fresh take on a fury-powered Iron Man! Collecting: Iron Man (2024) 1-6

The First Amendment puts it this way: "Congress shall make no law...abridging the freedom of speech, or of the press." Yet, in 1960, a city official in Montgomery, Alabama, sued The New York Times for libel -- and was awarded $500,000 by a local jury -- because the paper had published an ad critical of Montgomery's brutal response to civil rights protests. The centuries of legal precedent behind the Sullivan case and the U.S. Supreme Court's historic reversal of the original verdict are expertly chronicled in this gripping and wonderfully readable book by the Pulitzer Prize -- winning legal journalist Anthony Lewis. It is our best account yet of a case that redefined what newspapers -- and ordinary citizens -- can print or say. "From the Trade Paperback edition.

The "compulsively and clock-racingly readable" novel ( New York Times Book Review ) that captures the comedy and tragedy of island life and inspired a Jimmy Buffett musical. It's every parrothead's dream: to leave behind the rat race of the workaday world and start life all over again amidst the cool breezes, sun-drenched colors, and rum-laced drinks of a tropical paradise. It's the story of Norman Paperman, a New York City press agent who, facing the onset of middle age, runs away to a Caribbean island to reinvent himself as a hotel keeper. (Hilarity and disaster -- of a sort peculiar to the tropics -- ensue.) It's the novel in which the Pulitzer Prize-winning author of such acclaimed and bestselling novels as The Caine Mutiny and War and Remembrance draws on his own experience (Wouk and his family lived for seven years on an island in the sun) to tell a story at once brilliantly comic and deeply moving.

1929. Edna Ferber, Pulitzer Prize-winning author of Show Boat and Giant, gives us a ripping good read with Cimarron, the story of wandering Yancey Cravat, a pioneer newspaper editor and lawyer. Cravat settles in Osage, a muddy town thrown together overnight when the Oklahoma territory opens in 1889. To this place he brings his wife Sabra, a woman both conventional and well-bred. Against all odds, Sabra develops a brilliant business sense. She makes a success of the newspaper, a success that ultimately leads her to Congress. Through Sabra's eyes we see the violent frontier collide with resentful Indians, the sodbusters tame the prairie, and the sudden fortune of a lucky few. See other titles by this author available from Kessinger Publishing.

Elements of Style , the Pulitzer Prize—winning playwright Wendy Wasserstein’s first novel, is a scathing comedy about New York's high society facing the post—9/11 world. Francesca Weissman, an Upper East Side pediatrician rated number one by Manhattan magazine, floats on the fringes of the upper strata of privilege and aspiration. Through her bemused eyes we meet the thoroughbred socialite Samantha Acton; relentless social climber Judy Tremont; Barry Santorini, an Oscar-winning moviemaker accustomed to having his way; his supermarket heiress wife, Clarice; and more, tossed together in a frothy stew of outrageous conspicuous consumption and adulterous affairs that play out on Page Six. But when Wasserstein’s madcap tour of the social lives and mores of twenty-first-century Manhattan veers into tragedy, we finally see the true cost of her characters’ choices, and the beating heart of this dazzling novel.

No writer plunged more wholeheartedly into the chaotic energies of the 1960s than Norman Mailer, as he fearlessly revolutionized literary norms and genres to capture the political, social, and sexual explosions of an unsettled era. Here, for the first time in one volume, are his unforgettable books of the 1960s: two disruptive and visionary novels, and two radically innovative journalistic masterpieces. War hero, television star, existential hipster, seducer, murderer: such is the protagonist of An American Dream, Mailer's hallucinatory voyage through the dark night of an America awash in money, sex, and violence. In Why Are We in Vietnam? a motor-mouthed 18-year-old Texan on the eve of military service recounts with manic and obscene exuberance a grizzly bear hunt in Alaska that exposes the macho roots of the war. The acclaimed "non-fiction novel" The Armies of the Night (winner of the Pulitzer Prize and National Book Award) and its follow-up Miami and the Siege of Chicago are on-the-scene, in-the-scene accounts of an antiwar march on the Pentagon and the party conventions of 1968, as Mailer casts himself as a player in the drama he reports, bringing a sharp and merciless eye on the decade's political upheavals.

The bestselling historical novel that exposes the less than honorable side of our Founding Fathers by the Pulitzer Prize-winning columnist. In this gripping and timely work, William Safire unveils the story behind the nation's first great political scandals. James Thomson Callender, the "scandalmonger" of the title, is an ambitious gossip-peddling editor secretly hired by Thomas Jefferson as a political weapon. After carefully damaging Alexander Hamilton's reputation, thereby paving the way for Jefferson's success, Callender is shunned by the very politicians on whose behalf he was jailed for sedition. Broke and betrayed, Callender seeks revenge by exposing an illicit affair between Jefferson and his slave Sally Hemmings, an accusation that ultimately cost Callender his career and would not be authenticated for two centuries. By using actual letters, records, and notes to re-create dialogue and events, Scandalmonger embodies historical fiction at its best, politics at its most intriguing, and our Founding Fathers at their most notorious. For those who think that Washington sex scandals and lurid journalism are recent developments, this novel will be a revelation, for Safire shows how media intrusiveness into private lives-and politicians' cool manipulation of the press-are practices as old as the Constitution.

From Pulitzer Prize–winner Mark Strand comes an exquisitely witty and poignant series of prose poems. Sometimes appearing as pure prose, sometimes as impure poetry, but always with Strand’s clarity and simplicity of style, they are like riddles, their answers vanishing just as they appear within reach. Fable, domestic satire, meditation, joke, and fantasy all come together in what is arguably the liveliest, most entertaining book that Strand has yet written.

New Page 1 "Its official title is Town House, but in Hollywood they're already calling Tish Cohen's novel About a Girl." --The Globe and Mail. Jack Madigan should be leading an enviable life. He's the sole heir of a '70s rock icon. He lives with his retro-obsessed teenage son, Harlan, in a once-magnificent Boston town house. But now 36, Jack's painting career is buckling under a raging case of agoraphobia. And when the foreclosure notice arrives, Jack must face losing the only home he's ever known--and his only safe zone. When Jack's ex-wife announces that Harlan would be better off living with her and her vitamin-enriched fiancé, Jack has to figure out how to deter the perky, inexperienced real-estate agent, hold on to his house, keep his son at home, and--through the tenacity of the little girl next door--finally step out onto the sidewalk. Fox 2000 swooped in to pre-empt the film rights while Town House was still on submission to publishers. Ridley Scott's Scott Free Productions is set to produce the movie and Pulitzer Prize- winning screenwriter Doug Wright (Memoirs of a Geisha) is adapting the screenplay. A book with the ability to both entertain and move us, Town House is a smart, acerbic novel bursting with heart and quirky charm.

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville VALLEY FORGE Poignant, tender, and powerful, VALLEY FORGE brings into sharp new focus one of the most tensely dramatic episodes of the American Revolution. With warmth and wit, compassion and sensitivity, MacKinlay Kantor evokes the flavor, pulse and texture of the last quarter of the eighteenth century, transporting the reader into the houses and workshops, kitchens and stables, parlors and bedrooms of ordinary citizens. Here are not only the soldiers of Valley Forge, but the panorama of the Revolution itself. George Washington, lamenting the remoteness and lack of valor in the Congress, anticipating new battle; the sprightly, good-humored Martha, always loyal and loving to a fault; the Marquis de Lafayette, whose poise and dignity belied his youth; Baron von Steuben whose halting English made the soldiers laugh, but whose fierce devotion won their respect. And the multitude-young Mum, a sixteen-year-old deserter savagely trampled by Tarleton's Raiders; Malachi Lennan whose gift of a horse gained him entry into Mad Anthony Wayne's Drovers; Billy, the turncoat, wailing for his mother as he was dragged to the gallows. Sons of farmers and tradesmen, trappers and teachers-some too young to fight, and some too old-surge through these pages, giving life, breath, scope and humanity to the American Revolution and the winter at Valley Forge. MacKINLAY KANTOR was born in Webster City, Iowa in 1904. He began to write seriously at sixteen, became a newspaper reporter at seventeen, and an author at twenty-three. Since his first-published novel in 1928, more than forty books have appeared in print, including verse, short stories, novellas, histories, and books for children. His best-selling, and Pulitzer Prize- winning Andersonville was published in 1955. MacKinlay Kantor's other than book accomplishments range from Hollywood screenwriting to police patrolling (N. Y. P. D.), to combat experience (RAF and U.SAF) in two wars. VALLEY FORGE is grandly conceived, but the quality is equal to the concept. The climate of the war, its taste and smell and the harsh texture of its life, are evoked with mystery. Neither souped-up nor toned-down under fashionable pressures, this is an extraordinarily honest and human book. I am greatly impressed.-MARY RENAULT

Mike Teak has a classic Harvard profile. He's a twenty-five-year-old scholar/athlete from an upper-class family who was recruited by his godfather to work for a U.S. intelligence agency. On a covert mission in a Somali village, he delivers cash and cell phones to Hatashil, a legendary orphan warrior turned rebel leader. It's a routine assignment until, minutes after they meet, the village is decimated by a missile assault, and although Mike escapes, his life is changed forever. Echoing across continents, the assault disrupts professor Susan Lowell, who has just won a Pulitzer Prize for her book celebrating Hatashil. Also shaken is Lowell's student, David Ayan, who was born in the targeted village a world away from Harvard's most exclusive final club, the Porcellian, which is courting him and Jane, the smart, risk-taking daughter of East Coast money who's sleeping with him. David Ayan struggles with his identity and Susan Lowell struggles against rumors about her relationship with Hatashil, who has been accused of ordering the village massacre. But it is Mike Teak who faces a deadly struggle--because when he discovers a horrific conspiracy he immediately realizes that he has become expendable, with nowhere to run and no one to trust.