“Brooks’ chronological and cross-disciplinary leaps are thrilling.” — The New York Times Book Review “ Horse isn’t just an animal story—it’s a moving narrative about race and art.” — TIME “ A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” — Oprah Daily Winner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor Book A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850 . An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954 . Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019 . Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

WINNER OF THE PULITZER PRIZE “One of the five best novels I have ever read, maybe the best. . . . It ranks with the greatest of American fiction." —Stephen King, The New York Times “An incandescent fiction. . . . Scintillates with more Rothian wit, paradox, eloquent tantrums, and absurd pitfalls than can be counted." —Los Angeles Times Book Review “The greatest of great American novels.” —Taffy Brodesser-Akner, The New York Times “Widely considered to be Roth's masterwork."—Esquire American Pastoral is an elegy for the American century's promises of prosperity, civic order, and domestic bliss. Roth’s protagonist is Swede Levov, a legendary athlete at his Newark high school who grows up in the booming postwar years to marry a former Miss New Jersey, inherit his father’s glove factory, and move into a stone house in the idyllic hamlet of Old Rimrock. And then one day in 1968, Swede’s beautiful American luck deserts him. For Swede’s adored daughter, Merry, has grown from a loving, quick-witted girl into a sullen, fanatical teenager—a teenager capable of an outlandish act of political terrorism. And overnight Swede is wrenched out of the longed-for American pastoral and into the American berserk.

A collection of some of the Pulitzer Prize-winning playwright's most definitive works includes "All My Sons," "Death of a Salesman," "The Crucible," "A View from the Bridge," and five additional plays.

Carl Bernstein' s stunning portrait of Hillary Rodham Clinton shows us, as nothing else has, the true trajectory of her life and career with its zigzag bursts of risks taken and safety sought. Marshaling all the skills and energy that propelled his history-making Pulitzer Prize reporting on Watergate, Bernstein gives us the most detailed, sophisticated, comprehensive, and revealing account we have had of the complex human being and political meteor who has already helped define one presidency and may well become, herself, the woman in charge of another. We see the shaping of Hillary as a self-described mind conservative and heart liberal -- her ostensibly idyllic Midwestern girlhood (her mother a nurturer, but her father a disciplinarian, harsher than she has acknowledged); her early development of deep religious feelings; her curiosity fueled by dedicated teachers, by exposure to Martin Luther King Jr., by the ferment of the sixties, and, above all, by a desire to change the world. At Wellesley, we watch Hillary, a Republican turned Democrat, thriving in the new sky' s-the-limit freedom for women, already perceived as a spokeswoman for her generation, her commencement speech celebrated in Life magazine. And the book takes us to Yale Law School as Hillary meets and falls in love with Bill Clinton and cancels her dream to go her own way, to New York or Washington, tying her fortune, instead, to his in Arkansas. Bernstein clarifies the often amazing dynamic of their marriage, shows us the extent to which Hillary has been instrumental in the triumphs and troubles of Bill Clinton' s governorship and presidency, and sheds light on her ownpolitical brilliance and her blind spots-- especially her suspicion and mishandling of the press and her overt hostility to the opposition that clouded her entry into the capital. He untangles her relationship to Whitewater, Troopergate, and Travelgate. He leads us to understand the failure of her health care initiative. In the emotional and political chaos of the Lewinsky affair we see Hillary, despite her immense hurt and anger, standing by her husband-- evoking a rising wave of sympathy from a public previously cool to her. It helps carry her into the Senate, where she applies the political lessons she has learned. It is now her time. As she decides to run for president, her husband now her valued aide, she has one more chance to fulfill her ambition for herself-- to change the world. In his preparation for A Woman in Charge, Bernstein reexamined everything pertinent written about and by Hillary Clinton. He interviewed some two hundred of her colleagues, friends, and enemies and was allowed unique access to the candid record of the 1992 presidential campaign kept by Hillary' s best friend, Diane Blair. He has given us a book that enables us, at last, to address the questions Americans are insistently-- even obsessively-- asking about Hillary Clinton: What is her character? What is her political philosophy? Who is she? What can we expect of her?

The bestselling historical novel that exposes the less than honorable side of our Founding Fathers by the Pulitzer Prize-winning columnist. In this gripping and timely work, William Safire unveils the story behind the nation's first great political scandals. James Thomson Callender, the "scandalmonger" of the title, is an ambitious gossip-peddling editor secretly hired by Thomas Jefferson as a political weapon. After carefully damaging Alexander Hamilton's reputation, thereby paving the way for Jefferson's success, Callender is shunned by the very politicians on whose behalf he was jailed for sedition. Broke and betrayed, Callender seeks revenge by exposing an illicit affair between Jefferson and his slave Sally Hemmings, an accusation that ultimately cost Callender his career and would not be authenticated for two centuries. By using actual letters, records, and notes to re-create dialogue and events, Scandalmonger embodies historical fiction at its best, politics at its most intriguing, and our Founding Fathers at their most notorious. For those who think that Washington sex scandals and lurid journalism are recent developments, this novel will be a revelation, for Safire shows how media intrusiveness into private lives-and politicians' cool manipulation of the press-are practices as old as the Constitution.

National book Award laureate; recipient of Special Pulitzer Prize citation; winner of the Life in America Prize the Archives of American Art Award; among many others, James Thomas Flexner has written with distinction about American history and art. He has penetrated many of the charactrers who have shaped history exposing the intricacies of not only the historical figure, but the man beneath the marble image. The range of Flexner's subjects is wide: painters, inventors, doctors, loyalists, traitors, and spies, such luminaries as George Washington, Benedict Arnold, Alexander Hamilton, and John Singleton Copley, are among those Flexner has taken as subjects. After over fifty years of writnig, Flexner, one of America's greatest chroniclers has turned his probing eye back on to the pages of his own life with the same honesty, frankness, wit which have come to signify his form. James Thomas Flexner was born in 1908 on Lexington Avenue, New York City to parents Helen Thomas and Simon Flexner (scientist and first director of the Rockefeller Institute for Medical research.) Published in the literary magazine at the Lincoln High School, Flexner's passion for writing was spawned at a young age. This passion would become a source of life long struggle as well as success for Flexner. Journalist for the Herald Tribune, and foremost biographer (as well as making numerous appearances on radio and television,) Flexner's career allowed him access into the quick of the political, social, and artistic movements and developments that shaped the twentieth century. An un-traditional student, Flexner, although graduating magna com laude from Harvard University, often pursued what was to be considered by academics, unorthodox methods of research for his work. Following the passion of his own interests and plotting his own course of research and study, Flexner created of himself a sort of maverick, chartign a course for biography that countered that written in the guide books of academe. While he probed and uncovered the lives of the great men who shaped the past, noteworthy publishers, writers, artists, and politicians of the twentieth century fill the pages of Maverick's Progress. Flexner writes of how influences, acquantances, and friends such as Bernard Berenson, Conrad Aiken, Ivy Lee, Harry Hopkins, Allan Nevins, Logan Pearsall Smith, and Edward Hopper figured in his life, and in his development as a writer. James Flexner has authored more than twenty books, several of them have been recently re-published by Fordham University Press. He was awarded the Gold Medal for Eminence in Biography, by the American Academy and Institute of Arts and Letters in 1988. He is perhaps most well known for his four-volume biography of George Washington which was eventually condensed into one: An Indispensable Man from which two television mini-series have been produced and for which he was awared the Peabody Award and Emmy Nomination. Maverick's Progress offers us a candid an sparkling look into the life of a writer who has indeed been a maverick in the canon of American historians - an individual who himself has been an Indispensable Man.

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville VALLEY FORGE Poignant, tender, and powerful, VALLEY FORGE brings into sharp new focus one of the most tensely dramatic episodes of the American Revolution. With warmth and wit, compassion and sensitivity, MacKinlay Kantor evokes the flavor, pulse and texture of the last quarter of the eighteenth century, transporting the reader into the houses and workshops, kitchens and stables, parlors and bedrooms of ordinary citizens. Here are not only the soldiers of Valley Forge, but the panorama of the Revolution itself. George Washington, lamenting the remoteness and lack of valor in the Congress, anticipating new battle; the sprightly, good-humored Martha, always loyal and loving to a fault; the Marquis de Lafayette, whose poise and dignity belied his youth; Baron von Steuben whose halting English made the soldiers laugh, but whose fierce devotion won their respect. And the multitude-young Mum, a sixteen-year-old deserter savagely trampled by Tarleton's Raiders; Malachi Lennan whose gift of a horse gained him entry into Mad Anthony Wayne's Drovers; Billy, the turncoat, wailing for his mother as he was dragged to the gallows. Sons of farmers and tradesmen, trappers and teachers-some too young to fight, and some too old-surge through these pages, giving life, breath, scope and humanity to the American Revolution and the winter at Valley Forge. MacKINLAY KANTOR was born in Webster City, Iowa in 1904. He began to write seriously at sixteen, became a newspaper reporter at seventeen, and an author at twenty-three. Since his first-published novel in 1928, more than forty books have appeared in print, including verse, short stories, novellas, histories, and books for children. His best-selling, and Pulitzer Prize- winning Andersonville was published in 1955. MacKinlay Kantor's other than book accomplishments range from Hollywood screenwriting to police patrolling (N. Y. P. D.), to combat experience (RAF and U.SAF) in two wars. VALLEY FORGE is grandly conceived, but the quality is equal to the concept. The climate of the war, its taste and smell and the harsh texture of its life, are evoked with mystery. Neither souped-up nor toned-down under fashionable pressures, this is an extraordinarily honest and human book. I am greatly impressed.-MARY RENAULT