In Liberty and the News Walter Lippmann offers us a stern warning about the importance of reliable news to the survival of a healthy democracy. He railed against bad journalism and drove home the point that the general public must be able to ascertain the truth or democracy is doomed. Walter Lippmann was a Pulitzer Prize-winning journalist and the father of modern journalism.

"Essays in direct line from Stanislavsky, Chekhov, Shaw, and Brecht" —Mike Nichols A collection of essays from Pulitzer Prize winning playwright David Mamet adressing many issues in contemporary American theater Temporarily putting aside his role as playwright, director, and screen-writer, David Mamet digs deep and delivers thirty outrageously diverse vignettes. On subjects ranging from the vanishing American pool hall, family vacations, and the art of being a bitch, to the role of today's actor, his celebrated contemporaries and predecessors, and his undying commitment to the theater, David Mamet's concise style, lean dialogue, and gut-wrenching honesty give us a unique view of the world as he sees it.

Guest editor Dick Schaap shares this pleasure by presenting THE BEST AMERICAN SPORTS WRITING 2000. As the series' tenth birthday approaches, it is at the top of its game. In the past decade it has been hailed as "a must for any sports fan" and "a venerable institution" and has showcased promising new talents along with Pulitzer Prize winners such as David Halberstam, Richard Ford, and John McPhee. With the 2000 edition, Schaap, a best-selling author and Emmy Award-winning sports journalist, continues this tradition of excellence by bringing together the finest sports writing to appear in the past year. These pieces will delight fans of all athletic endeavors, from football to fishing, from basketball to birdwatching. From more than 350 publications, Schaap has chosen essays that reach beyond the scores to the people and emotions behind the game.

Memorable Stories From a Half Century of Sports Journalism For the last half century, Pulitzer Prize–winning sportswriter Ira Berkow has been at the center of some of the most memorable moments in sports history. From the World Series, NBA Finals, and Super Bowl, to Heavyweight Title Fights, the Olympics, and The Masters, he has seen and covered them all. After fifty years covering sports, with more than twenty-five as a journalist for the New York Times , How Life Imitates Sports shares how these events—and their participants—have significantly shaped how we as a nation have come to understand and perceive our culture (and even our politics). They are a historical record of one significant sphere of our life and times: sports. From Muhammad Ali to Mike Tyson, Michael Jordan to LeBron James, Jackie Robinson to Derek Jeter, Billie Jean King to Tonya Harding, O. J. Simpson to Tiger Woods and beyond, this collection is a historical record of our times over this past half century, in terms of society, race and gender, politics, legal issues, and the fabric of our sports passions and human condition, ranging from pathos to humor, from introspection to perception. Including additional commentary on when these events first occurred and how they have impacted us today, Berkow shares the knowledge of someone who sat ringside, in the press box, and on the sidelines for some of the most notable moments in our history. So whether you’re a fan of baseball and basketball, or tennis and soccer, How Life Imitates Sports shows you our history from someone who witnessed it first-hand; a worthy collection for anyone who appreciates the highest quality sports journalism.

This collection of the Pulitzer Prize-winning syndicated columnist's finest essays from 1981 to the present includes observations on everything from love in the work place to military defense

How We Write: The Varieties of Writing Experience is based on the series of "How I Write" public conversations with faculty and other advanced writers conducted by Hilton Obenzinger at Stanford University since 2002. These conversations explored the nuts and bolts, pleasures and pains, of all types of writing. "How I Write" conversations were informal, with no pretense of plumbing the depths of anyone's scholarly expertise or art, although much was revealed. Rather, these talks probed what the writing part of these scholars' and artists' work entailed-whether their field was physics or anthropology or fiction-in an easygoing fashion. Participants included such authors as Pulitzer Prize-winning novelist Adam Johnson and historian David Kennedy, physicist Leonard Susskind, poets Evan Boland, Gwyneth Lewis, and Diane di Prima, literary critics and biographers Arnold Rampersad and Diane Middlebrook, novelists Abraham Verghese, Valerie Miner and Irvin Yalom, playwrights David Henry Hwang and Amy Freed, philosopher Richard Rorty, historian Ian Morris, environmental scientist Terry Root, cultural critic Rebecca Solnit, anthropologist Renato Rosaldo, and neuroscientist Robert Sapolsky. The chapters of How We Write follow the major line of topics that came up in the conversations: Chapter One, the different ways people learned how to write; Chapter Two, their attitudes and feelings toward writing and what motivates them; Chapter Three, what happens when a writer gets blocked; Chapter Four, the different ways people work-their physical environment and how they handle time, relationships, and more; Chapter Five, how writers get ideas and how they launch into a project; Chapter Six, the ways writers fashion arguments or create ideas, images, and stories; Chapter Seven, how style is driven by field or genre; Chapter Eight, how research connects to style; Chapter Nine, the different approaches writers employ to revise their work; and Chapter Ten, a final reflection. How We Write: The Varieties of Writing Experience is not a textbook or a handbook on how to become a writer. It's primarily a conversation, a medley of voices celebrating a craft that delights and dismays each of us, and a conversation the reader is invited to join.