“Brooks’ chronological and cross-disciplinary leaps are thrilling.” — The New York Times Book Review “ Horse isn’t just an animal story—it’s a moving narrative about race and art.” — TIME “ A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” — Oprah Daily Winner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor Book A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850 . An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954 . Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019 . Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

The Fixer is the winner of the 1967 National Book Award for Fiction and the 1967 Pulitzer Prize for Fiction. The Fixer (1966) is Bernard Malamud's best-known and most acclaimed novel -- one that makes manifest his roots in Russian fiction, especially that of Isaac Babel. Set in Kiev in 1911 during a period of heightened anti-Semitism, the novel tells the story of Yakov Bok, a Jewish handyman blamed for the brutal murder of a young Russian boy. Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.

WINNER OF THE PULITZER PRIZE “One of the five best novels I have ever read, maybe the best. . . . It ranks with the greatest of American fiction." —Stephen King, The New York Times “An incandescent fiction. . . . Scintillates with more Rothian wit, paradox, eloquent tantrums, and absurd pitfalls than can be counted." —Los Angeles Times Book Review “The greatest of great American novels.” —Taffy Brodesser-Akner, The New York Times “Widely considered to be Roth's masterwork."—Esquire American Pastoral is an elegy for the American century's promises of prosperity, civic order, and domestic bliss. Roth’s protagonist is Swede Levov, a legendary athlete at his Newark high school who grows up in the booming postwar years to marry a former Miss New Jersey, inherit his father’s glove factory, and move into a stone house in the idyllic hamlet of Old Rimrock. And then one day in 1968, Swede’s beautiful American luck deserts him. For Swede’s adored daughter, Merry, has grown from a loving, quick-witted girl into a sullen, fanatical teenager—a teenager capable of an outlandish act of political terrorism. And overnight Swede is wrenched out of the longed-for American pastoral and into the American berserk.

FINALIST FOR THE 2022 PULITZER PRIZE FOR FICTION 2022 AMERICAN BOOK AWARD WINNER "Painful, refractive, beautiful . . . Goldman is beloved."-- New York Review of Books In Monkey Boy , Francisco Goldman's "brilliantly constructed auto-fiction" (NPR), we meet Francisco Goldberg, a middle-aged writer grappling with the challenges of family and love, legacies of violence and war, and growing up as the son of immigrants--a Guatemalan Catholic mother and a Russian Jewish father--in a predominantly white, working-class Boston suburb. Told in an irresistibly funny, tender and passionate voice, this extraordinary portrait of family explores the pressures of living between worlds. Our narrator, Francisco Goldberg, an American writer, has been living in Mexico when, because of a threat provoked by his journalism, he flees to New York City, hoping to start afresh. His last relationship ended devastatingly five years before, and he may now finally be on the cusp of a new love with a young Mexican woman he meets in Brooklyn. But Francisco is soon beckoned back to his childhood home outside Boston by a high school girlfriend who witnessed his youthful humiliations, and to visit his Guatemalan mother, Yolanda, whose intermittent lucidity unearths forgotten pockets of the past. On this five-day trip, the specter of Frank's recently deceased father, Bert, an immigrant from Ukraine - pathologically abusive, yet also at times infuriatingly endearing ― as well as the dramatic Guatemalan woman who helped raise him, and the high school bullies who called him "monkey boy," all loom. Told in an intimate, irresistibly funny, and passionate voice, this extraordinary portrait of family and growing up "halfie," unearths the hidden cruelties in a predominantly white, working-class Boston suburb where Francisco came of age, and explores the pressures of living between worlds all his life. Monkey Boy is a new masterpiece of fiction from one of the most important American voices in the last forty years.

1929. Edna Ferber, Pulitzer Prize-winning author of Show Boat and Giant, gives us a ripping good read with Cimarron, the story of wandering Yancey Cravat, a pioneer newspaper editor and lawyer. Cravat settles in Osage, a muddy town thrown together overnight when the Oklahoma territory opens in 1889. To this place he brings his wife Sabra, a woman both conventional and well-bred. Against all odds, Sabra develops a brilliant business sense. She makes a success of the newspaper, a success that ultimately leads her to Congress. Through Sabra's eyes we see the violent frontier collide with resentful Indians, the sodbusters tame the prairie, and the sudden fortune of a lucky few. See other titles by this author available from Kessinger Publishing.

Elements of Style , the Pulitzer Prize—winning playwright Wendy Wasserstein’s first novel, is a scathing comedy about New York's high society facing the post—9/11 world. Francesca Weissman, an Upper East Side pediatrician rated number one by Manhattan magazine, floats on the fringes of the upper strata of privilege and aspiration. Through her bemused eyes we meet the thoroughbred socialite Samantha Acton; relentless social climber Judy Tremont; Barry Santorini, an Oscar-winning moviemaker accustomed to having his way; his supermarket heiress wife, Clarice; and more, tossed together in a frothy stew of outrageous conspicuous consumption and adulterous affairs that play out on Page Six. But when Wasserstein’s madcap tour of the social lives and mores of twenty-first-century Manhattan veers into tragedy, we finally see the true cost of her characters’ choices, and the beating heart of this dazzling novel.

From Pulitzer Prize–winner Mark Strand comes an exquisitely witty and poignant series of prose poems. Sometimes appearing as pure prose, sometimes as impure poetry, but always with Strand’s clarity and simplicity of style, they are like riddles, their answers vanishing just as they appear within reach. Fable, domestic satire, meditation, joke, and fantasy all come together in what is arguably the liveliest, most entertaining book that Strand has yet written.

New Page 1 "Its official title is Town House, but in Hollywood they're already calling Tish Cohen's novel About a Girl." --The Globe and Mail. Jack Madigan should be leading an enviable life. He's the sole heir of a '70s rock icon. He lives with his retro-obsessed teenage son, Harlan, in a once-magnificent Boston town house. But now 36, Jack's painting career is buckling under a raging case of agoraphobia. And when the foreclosure notice arrives, Jack must face losing the only home he's ever known--and his only safe zone. When Jack's ex-wife announces that Harlan would be better off living with her and her vitamin-enriched fiancé, Jack has to figure out how to deter the perky, inexperienced real-estate agent, hold on to his house, keep his son at home, and--through the tenacity of the little girl next door--finally step out onto the sidewalk. Fox 2000 swooped in to pre-empt the film rights while Town House was still on submission to publishers. Ridley Scott's Scott Free Productions is set to produce the movie and Pulitzer Prize- winning screenwriter Doug Wright (Memoirs of a Geisha) is adapting the screenplay. A book with the ability to both entertain and move us, Town House is a smart, acerbic novel bursting with heart and quirky charm.

Mike Teak has a classic Harvard profile. He's a twenty-five-year-old scholar/athlete from an upper-class family who was recruited by his godfather to work for a U.S. intelligence agency. On a covert mission in a Somali village, he delivers cash and cell phones to Hatashil, a legendary orphan warrior turned rebel leader. It's a routine assignment until, minutes after they meet, the village is decimated by a missile assault, and although Mike escapes, his life is changed forever. Echoing across continents, the assault disrupts professor Susan Lowell, who has just won a Pulitzer Prize for her book celebrating Hatashil. Also shaken is Lowell's student, David Ayan, who was born in the targeted village a world away from Harvard's most exclusive final club, the Porcellian, which is courting him and Jane, the smart, risk-taking daughter of East Coast money who's sleeping with him. David Ayan struggles with his identity and Susan Lowell struggles against rumors about her relationship with Hatashil, who has been accused of ordering the village massacre. But it is Mike Teak who faces a deadly struggle--because when he discovers a horrific conspiracy he immediately realizes that he has become expendable, with nowhere to run and no one to trust.

A selection of short stories from a twentieth-century “American master” (Dan Cryer, Newsday). A contemporary of Ann Beattie and Tobias Wolff, Frederick Busch was a master craftsman of the form; his subjects were single-event moments in so-called ordinary life. The stories in this volume, selected by Pulitzer Prize winner Elizabeth Strout, are tales of families trying to heal their wounds, save their marriages, and rescue their children. In "Ralph the Duck," a security guard struggles to hang on to his marriage. In "Name the Name," a traveling teacher attends to students outside the school, including his own son, locked in a country jail. In Busch's work, we are reminded that we have no idea what goes on behind closed doors or in the mind of another. In the words of Raymond Carver, "With astonishing felicity of detail, Busch presents us with a world where real things are at stake―and sometimes, as in the real world, everything is risked." From his first volume, Hardwater Country (1974), to his most recent, Rescue Missions (2006), this volume selects thirty stories from an "American master" (Dan Cryer, Newsday), showcasing a body of work that is sure to shape American fiction for generations to come.

In The Children Sing MacKinlay Kantor-winner of the Pulitzer Prize for Fiction for his novel Andersonville-ventures into the field of the parading mural, taking a colorful group of people through Eastern Asia into a crucible of challenge and excitement. Don Lundin and his wife, July, are in Bangkok with other members of Graduate Tours Incorporated. Lundin, a wealthy land speculator, had served with the U.S. Air Force in the bombing of Japan and also during the Korean War. He has harbored within himself an abusive hatred for the scrambling millions of the brown and yellow nations who are, to him, a disquieting threat. Despite the gentle example of Mr. Wye Rabarti Wong, a tour conductor who tends his flock with saintly fortitude, and Lundin's rescue of a drowning child in Thailand, his prejudice persists. Meanwhile, his beautiful July meets in Singapore an officer who has long been seeking an opportunity to demonstrate his passion for her-and they meet again in a Kowloon hotel. Perhaps Chaucer was not the first writer to present a group of people on a pilgrimage, but resourceful authors have been gathering their throngs together in such pageantry ever since Chaucer's time. The results, as far as MacKinlay Kantor is concerned, add up to a charming and memorable novel. The retired surgeon and his veteran actress wife; a quavering spinster clinging to false and profitless recollections; a quiet woman filled with death-dealing hatred for her bullying husband; the brave old Jew whose heart and soul are set on an intimate view of Mount Fuji-no-Yama; and the sign manufacturer drinking his life away even while he crouches at the Red Chinese border-we come to know these travelers and others intimately before we return to Japan with Don Lundin and see him overwhelmed by a startling revelation of his own past and a kinship with the East affirmed in the very flesh.

This award-winning novel is "a delightful, inventive tale" about the pursuit of love and literary fame from "a compassionate and witty satirist" ( Kirkus Reviews ). It's the opportunity of a lifetime for middle-aged Ezra Shultish--a chance to the meet his literary hero, Nobel Laureate Bar Nun, a writer Ezra has worshipped for most of his career as a teacher and translator. Hoping to get a recording of the author reading his story, The Yemenite Girl , Shultish travels to Israel, where he finds himself pursuing his own Yemenite girl, as well as the elusive author. But will Ezra get the girl--or his own glimpse of literary fame? Winner of the Edward Lewis Wallant Book Award, The Yemenite Girl is Curt Leviant's comic novel on the nature of celebrity and the relationship between life and art. "Shultish is a man with a life of his own. . . . And the celebrity, too, is remarkably drawn. . . . [The book] is done with great tact, feeling, and skill." --Saul Bellow, Pulitzer Prize- and Nobel Prize for Literature-winning author "A passionate story . . . The charm of the text and the intensity of the subtext is what keeps the pages turning." -- The New York Times Book Review "Good comic writing and satire on the Hebrew literary scene with its jealous politicking for literary prizes." -- The Washington Post