Carl Bernstein' s stunning portrait of Hillary Rodham Clinton shows us, as nothing else has, the true trajectory of her life and career with its zigzag bursts of risks taken and safety sought. Marshaling all the skills and energy that propelled his history-making Pulitzer Prize reporting on Watergate, Bernstein gives us the most detailed, sophisticated, comprehensive, and revealing account we have had of the complex human being and political meteor who has already helped define one presidency and may well become, herself, the woman in charge of another. We see the shaping of Hillary as a self-described mind conservative and heart liberal -- her ostensibly idyllic Midwestern girlhood (her mother a nurturer, but her father a disciplinarian, harsher than she has acknowledged); her early development of deep religious feelings; her curiosity fueled by dedicated teachers, by exposure to Martin Luther King Jr., by the ferment of the sixties, and, above all, by a desire to change the world. At Wellesley, we watch Hillary, a Republican turned Democrat, thriving in the new sky' s-the-limit freedom for women, already perceived as a spokeswoman for her generation, her commencement speech celebrated in Life magazine. And the book takes us to Yale Law School as Hillary meets and falls in love with Bill Clinton and cancels her dream to go her own way, to New York or Washington, tying her fortune, instead, to his in Arkansas. Bernstein clarifies the often amazing dynamic of their marriage, shows us the extent to which Hillary has been instrumental in the triumphs and troubles of Bill Clinton' s governorship and presidency, and sheds light on her ownpolitical brilliance and her blind spots-- especially her suspicion and mishandling of the press and her overt hostility to the opposition that clouded her entry into the capital. He untangles her relationship to Whitewater, Troopergate, and Travelgate. He leads us to understand the failure of her health care initiative. In the emotional and political chaos of the Lewinsky affair we see Hillary, despite her immense hurt and anger, standing by her husband-- evoking a rising wave of sympathy from a public previously cool to her. It helps carry her into the Senate, where she applies the political lessons she has learned. It is now her time. As she decides to run for president, her husband now her valued aide, she has one more chance to fulfill her ambition for herself-- to change the world. In his preparation for A Woman in Charge, Bernstein reexamined everything pertinent written about and by Hillary Clinton. He interviewed some two hundred of her colleagues, friends, and enemies and was allowed unique access to the candid record of the 1992 presidential campaign kept by Hillary' s best friend, Diane Blair. He has given us a book that enables us, at last, to address the questions Americans are insistently-- even obsessively-- asking about Hillary Clinton: What is her character? What is her political philosophy? Who is she? What can we expect of her?

LITERARY STUDIES: GENERAL. Fascinating, incisive, intelligent and never afraid of being controversial, Elaine Showalter introduces us to more than 250 writers. Here are the famous and expected names, including Harriet Beecher Stowe, Willa Cather, Dorothy Parker, Flannery O'Connor, Gwendolyn Brooks, Grace Paley, Toni Morrison, and Jodi Picoult. And also many successful and acclaimed yet little-known writers, from the early American bestselling novelist Catherine Sedgwick to the Pulitzer Prize-winning playwright Susan Glaspell. A JURY OF HER PEERS is an irresistible invitation to discover great authors never before encountered and to return to familiar books with a deeper appreciation. It is a monumental work that enriches our understanding of American literary history and culture.

Elements of Style , the Pulitzer Prize—winning playwright Wendy Wasserstein’s first novel, is a scathing comedy about New York's high society facing the post—9/11 world. Francesca Weissman, an Upper East Side pediatrician rated number one by Manhattan magazine, floats on the fringes of the upper strata of privilege and aspiration. Through her bemused eyes we meet the thoroughbred socialite Samantha Acton; relentless social climber Judy Tremont; Barry Santorini, an Oscar-winning moviemaker accustomed to having his way; his supermarket heiress wife, Clarice; and more, tossed together in a frothy stew of outrageous conspicuous consumption and adulterous affairs that play out on Page Six. But when Wasserstein’s madcap tour of the social lives and mores of twenty-first-century Manhattan veers into tragedy, we finally see the true cost of her characters’ choices, and the beating heart of this dazzling novel.

The graduating seniors of a Seven Sisters college, trying to decide whether to pattern themselves after Katharine Hepburn or Emily Dickinson. Two young women besieged by the demands of mothers, lovers, and careers--not to mention a highly persistent telephone answering machine--as they struggle to have it all. A brilliant feminist art historian trying to keep her bearings and her sense of humor on the elevator ride from the radical sixties to the heartless eighties. Wendy Wasserstein's characters are so funny, so many-sided, and so "real" that we seem to know them from their Scene One entrances, though the places they go are invariably surprising. And these three plays--"Uncommon Women and Others," "Isn't It Romantic," and the Pulitzer Prize-winning "The Heidi" "Chronicles"--Manage to engage us heart, mind, and soul on such a deep and lasting level that they are already recognized as classics of the modern theater.