A Canadian drama classic, these two plays--one dealing with racism, the other with alcoholism--explore some of the most pressing issues facing teenagers today. Skin introduces us to a group of Canadian teenagers who are coming of age in the late 1980s. Faced with racial discrimination, Phiroza, Jennifer, and Tuan must navigate the choppy waters of high school, each confronting his or her own set of challenges. Ranging from academic difficulties, to budding relationships, to the trials of adapting to a foreign language and culture, the three share their stories of struggle, survival, and defiance of negative expectations and racist attitudes. In Liars , Lenny is at the top of her class. Jace seemingly couldn't care less. By all appearances these two classmates are polar opposites, but despite all their differences they are inexplicably drawn towards one another. When it is revealed that each has been trying to hide the same dark secret--that they share a home with an alcoholic parent--each decides to take action and confront the demon they call "Mom" or "Dad." Dennis Foon was co-founder of Vancouver's acclaimed Green Thumb Theatre and served as artistic director for twelve years. As a playwright, his body of plays continues to be produced internationally in numerous languages and he has received the British Theatre Award, two Chalmers Canadian Play Awards, the Jesse Richardson Career Achievement Award, and the International Arts for Young Audiences Award. In 2007 he was made a lifetime member of the Playwrights Guild of Canada for his "outstanding contribution to Canadian Playwriting and Theatre." His play Kindness received the 2009 AATE Distinguished Play Award. His newest play, Scar Tissue , premiered at the Arts Club Theatre. He's won a Gemini, two WGC Awards, three Leos, and a Robert W. Wagner Award for his screenplays, which include Little Criminals , White Lies , Torso , and Terry . He is also the co-writer of Long Life, Happiness and Prosperity and A Shine of Rainbows , which won a Leo and received a Genie Nomination for Best Adapted Screenplay. He wrote the screenplay for the feature Life Above All , Prix Fran'ois Chalais winner at the 2010 Cannes Film Festival, 2011 Academy Award Shortlist for Best Foreign Language Film, and a Leo winner for Best Screenplay. His novel Skud (Groundwood Books, 2003) received a BC Book Prize, and his sci-fi/fantasy trilogy, The Longlight Legacy , has been published in five languages.

Enigmatic and explosive, Irving Layton was indisputably one of this country's most controversial literary figures. His flamboyant style and outspokenness won him friends and enemies. His visceral and lyrical poetry earned him reverence and international acclaim. In Waiting for the Messiah, first published in 1985, Layton writes openly about his life and the discordant impulses that shaped him into the provocative poet and personality that he became. With the vitality, passion, and intimacy that characterizes his verse, his memoir -- covering the years between 1912 and 1946 -- sheds welcome light on Irving Layton's public persona, and gives further substance to one of the most impressive bodies of work in Canadian poetry. His self-portrait teems with insight and energy, and paints a picture of a colourful life, from its beginnings in Montreal's Jewish ghetto. As a high-spirited, life-loving, and sensual boy, he reacted against anti-Semitism and poverty that surrounded him, rejecting his parents' values and orthodox beliefs. He battled his way through an educational system that provided no outlet for his imagination. Layton's "crazy need for experience" drove him to embrace or challenge all that he encountered, and he recounts his first experiences with sex and death, his associations with literary friends and rivals, his relationships with women. Equally compelling is his description of Montreal in the forties as a city crackling with literary and political energies. It was in the ferment of this milieu that Layton ripened as a poet In Waiting for the Messiah, Layton unleashes his sparkling prose style. He is bold and revealing, scathing and witty. The result is a rich and entertaining memoir of a life which as "commuted daily between heaven and hell" and produced poems which have made a lasting contribution to Canadian literature.