Soak up the wisdom of the inimitable Nora Ephron with this stunning 20th-anniversary special edition, featuring a foreword by Dolly Alderton. The perfect gift for yourself or a friend. 'Ephron has an uncanny ability to sound like your best friend, whoever you are' NEW YORK TIMES. ' The book that most influenced me' LILY ALLEN Acclaimed Hollywood filmwriter and director Nora Ephron examines the indignities of ageing in a collection of wickedly witty autobiographical pieces such as 'I Hate My Handbag', 'Blind as a Bat' and 'What I Wish I'd Known'. I Feel Bad About My Neck offers the consolation that no matter how much your neck sags, your boobs droop, your skin wrinkles and your children don't appreciate you, someone has been there before you. Nora Ephron captures the essence of what it means to be an older woman in an irresistible, laugh-out-loud funny, frank and unexpectedly moving book that every woman should have on their shelves.

#1 New York Times Bestseller "Amy Schumer's book will make you love her even more. For a comedian of unbridled (and generally hilarious) causticity, Schumer has written a probing, confessional, unguarded, and, yes, majorly humanizing non-memoir, a book that trades less on sarcasm, and more on emotional resonance." — Vogue " The Girl with the Lower Back Tattoo is an alternatingly meditative, sexually explicit, side-splittingly hilarious, heart-wrenching, disturbing, passionately political, and always staggeringly authentic ride through the highs and lows of the comedic powerhouse's life to date." — Harper's Bazaar "This is your happy hour with Amy Schumer...It's Bossypants meets Trainwreck meets your long weekend." —TheSkimm “Amy’s got your back. She’s in your corner. She’s an honesty bomb. And she’s coming for you. ” —Actress Tilda Swinton and Trainwreck co-star The Emmy Award-winning comedian, actress, writer, and star of Inside Amy Schumer, Hulu's Life & Beth, and the acclaimed film Trainwreck has taken the entertainment world by storm with her winning blend of smart, satirical humor. Now, Amy Schumer has written a refreshingly candid and uproariously funny collection of ( extremely ) personal and observational essays. In The Girl with the Lower Back Tattoo , Amy mines her past for stories about her teenage years, her family, relationships, and sex and shares the experiences that have shaped who she is—a woman with the courage to bare her soul to stand up for what she believes in, all while making us laugh. Ranging from the raucous to the romantic, the heartfelt to the harrowing, this highly entertaining and universally appealing collection is the literary equivalent of a night out with your best friend—an unforgettable and fun adventure that you wish could last forever. Whether she’s experiencing lust-at-first-sight while in the airport security line, sharing her own views on love and marriage, admitting to being an introvert, or discovering her cross-fit instructor’s secret bad habit, Amy Schumer proves to be a bighearted, brave, and thoughtful storyteller that will leave you nodding your head in recognition, laughing out loud, and sobbing uncontrollably—but only because it’s over.

Welcome to Chelsea Handler's world—a place where absurdity reigns supreme and a quick wit is the best line of defense. When Chelsea Handler needs to get a few things off her chest, she appeals to a higher power—vodka. Seems reasonable, when considering that she discovered her boyfriend was having an affair with a Peekapoo and she had to pretend to be honeymooning with her father in order to upgrade to first class. In this highly entertaining, deliciously skewed collection, Chelsea mines her past for stories about her family, relationships, and career that are at once singular and ridiculous. Whether she’s convincing her third-grade class that she has been chosen to play Goldie Hawn’s daughter in the sequel to Private Benjamin , deciding to be more egalitarian by dating a redhead, or looking out for a foulmouthed, rum-swilling little person who looks just like her...only smaller, Chelsea has a knack for getting herself into the most outrageous situations. Are You There, Vodka? It’s Me, Chelsea showcases the candor and irresistible turns of phrase that have made her one of the freshest voices in comedy today.

A real Hollywood-style tell-all, this is the extremely candid and highly explosive autobiography of one of the movie industry's most talented and troubled young stars. At age ten, Tatum O'Neal became the youngest Oscar winner in history for her performance in the film classic Paper Moon. As the sidekick to her father, the flamboyant star and man-about-town Ryan O'Neal, she became a fixture at the most glamorous Hollywood parties and counted celebrities ranging from Cher to Stanley Kubrick among her childhood friends. Yet behind the glittering façade of Tatum's life lay heartbreak: abandonment, abuse, neglect, and drug addiction. She reveals the most intimate secrets of her dysfunctional relationships with her father, Ryan O'Neal, and stepmother, Farrah Fawcett, as well as her alcoholic mother, Joanna Moore, and ex-husband, tennis pro John McEnroe. After the collapse of her marriage and with no real family to turn to, Tatum succumbed to the demons of her past that would nearly kill her. Now she has emerged clean and sober, rediscovering herself as an actress, mother, and wonderfully vibrant woman in what she considers the prime of her life.

Rock stars and rap gods. Comedy legends and A-list actors. Supermodels and centerfolds. Moguls and mobsters. A president. Over his four-decade career in radio, Howard Stern has interviewed thousands of personalities -- discussing sex, relationships, money, fame, spirituality, and success with the boldest of bold-faced names. But which interviews are his favorites? It's one of the questions he gets asked most frequently. Howard Stern Comes Again delivers his answer. Tracy Morgan opens up about his near-fatal car crash. Lady Gaga divulges her history with cocaine. Madonna reminisces on her relationship with Tupac Shakur. Bill Murray waxes philosophical on the purpose of life. Jerry Seinfeld offers a master class on comedy. Harvey Weinstein denies the existence of the so-called casting couch. An array of creative visionaries weigh in on what Stern calls "the climb"--The stories of how they struggled and eventually prevailed. Interspersed throughout are selections from the Howard Stern Show archives with Donald Trump that depict his own climb: transforming from Manhattan tabloid fixture to reality TV star to president of the United States. Stern also tells of his Moby Dick-like quest to land an interview with Hillary Clinton in the run-up to the 2016 election. He speaks with extraordinary candor about a variety of subjects, including his overwhelming insecurity early in his career, his revolutionary move from terrestrial radio to SiriusXM, and his belief in the power of psychotherapy. As Stern notes in the introduction: "The interviews collected here represent my best work and show my personal evolution. But they don't just show my evolution. Gathered together like this, they show the evolution of popular culture over the past quarter century."

From the scion of Hollywood royalty--son of Michael Douglas, grandson of Kirk Douglas--a moving, often shocking, ultimately inspiring memoir detailing his struggle to regain his dignity, humanity, and place in society after many years of drug abuse and almost eight years in prison. Cameron Douglas is born into wealth, privilege, and comfort. His parents are glamorous jet-setters, his father a superstar, his mother a beautiful socialite, his grandfather a legend. On the surface, his life seems golden. But by the age of thirty, he has taken a hellish dive: he's become a drug addict, a thief, and--after a DEA drug bust--a convicted drug dealer sentenced to five years in prison, with another five years added to his sentence while incarcerated. Eventually he will spend two years in solitary, where he manages, nonetheless, to hold fast to the brutal ethos of prison survival . . . until: he begins to reverse his savage transformation, to understand the psychological turmoil that has tormented him for years, and to prepare for what will be a profoundly challenging, but eventually deeply satisfying and successful, reentry into society at large. Sparing no one in his sphere--least of all himself--Cameron Douglas gives us a raw and unstintingly honest recounting of his harrowing, remarkable, and, in the end, inspiring life story.

For seven decades Katharine Hepburn played a leading role in the popular culture of the twentieth century - reigning as an admired actress, a beloved movie star, and a treasured icon of the modern American woman. She also remained one of the most private of all the public figures of her time. In 1983 - at the age of seventy-five, her career cresting - the four-time Academy Award winner opened the door to biographer A. Scott Berg - then thirty-three - and began a special friendship, one that endured to the end of her illustrious life. From the start, Scott Berg felt that Katharine Hepburn intended his role to be not just that of a friend but also of a chronicler, a confidant who might record for posterity her thoughts and feelings. Over the next twenty years, Kate used their many hours together to reveal all that came to mind, often reflecting on the people and episodes of her past, occasionally on the meaning of life. Here are the stories from those countless intimate conversations, and much more. In addition to recording heretofore untold biographical details of her entire phenomenal career and her famous relationships with such men as Spencer Tracy and Howard Hughes, Kate Remembered also tells the amusing, often emotional story of one of the most touching friendships in her final years. Scott Berg provides his own memories of Katharine Hepburn offstage - quiet dinners in her town house in New York City, winter swims (she swam, he watched) in the Long Island Sound at Fenwick, her home in Connecticut, weekend visits with family members and dear friends...even some unusual appearances by the likes of Michael Jackson and Warren Beatty. Finally, Kate Remembered discusses the legendary actress's moving farewell, during which her mighty personality surrendered at last to her failing body - all the while remaining true to her courageous character. Kate Remembered is a book about love and friendship, family and career, Hollywood and Broadway - all punctuated by unforgettable lessons from an extraordinary life.

The multitalented writers, directors, producers, and actors (as seen on The League, Transparent, and The Mindy Project ) share the secrets of their lifelong partnership in this unique memoir. “A book that anyone will love . . . You can enjoy it even if you have no idea who the Duplass brothers are.”—Janet Maslin, The New York Times Whether producing, writing, directing, or acting, the Duplass Brothers have made their mark in the world of independent film and television on the strength of their quirky and empathetic approach to storytelling. Now, for the first time, Mark and Jay take readers on a tour of their lifelong partnership in this unique memoir told in essays that share the secrets of their success, the joys and frustrations of intimate collaboration, and the lessons they’ve learned the hard way. From a childhood spent wielding an oversized home video camera in the suburbs of New Orleans to their shared years at the University of Texas in early-nineties Austin, and from the breakthrough short they made on a three-dollar budget to the night their feature film Baghead became the center of a Sundance bidding war, Mark and Jay tell the story of a bond that’s resilient, affectionate, mutually empowering, and only mildly dysfunctional. They are brutally honest about how their closeness sabotaged their youthful romantic relationships, about the jealousy each felt when the other stole the spotlight as an actor (Mark in The League, Jay in Transparent ), and about the challenges they faced on the set of their HBO series Togetherness —namely, too much togetherness. But Like Brothers is also a surprisingly practical road map to a rewarding creative partnership. Rather than split all their responsibilities fifty-fifty, the brothers learned to capitalize on each other’s strengths. They’re not afraid to call each other out, because they’re also not afraid to compromise. Most relationships aren’t—and frankly shouldn’t be—as intense as Mark and Jay’s, but their brand of trust, validation, and healthy disagreement has taken them far. Part coming-of-age memoir, part underdog story, and part insider account of succeeding in Hollywood on their own terms, Like Brothers is as openhearted and lovably offbeat as Mark and Jay themselves. “Wright. Ringling. Jonas. I’m sure you could name a bunch of famous brother teams. They’re all garbage compared to Mark and Jay. I can’t wait for you to read this book.”—from the foreword by Mindy Kaling

Joan Rivers was known all over the world-from the Palace Theater to Buckingham Palace, from the bright lights of Las Vegas to the footlights of Broadway, from the days of talkies to hosting talk shows. But there was only one person who knew Joan intimately, one person who the authorities would call when she got a little out of hand. Her daughter and best friend, Melissa. Joan and Melissa Rivers had one of the most celebrated mother-daughter relationships of all time. If you think Joan said some outrageous things to her audiences as a comedian, you won't believe what she said and did in private. Her love for her daughter knew no bounds-or boundaries, apparently. ('Melissa, I acknowledge that you have boundaries. I just choose to not respect them.') In The Book of Joan- Tales of Mirth, Mischief and Manipulation, Melissa shares stories (like when she was nine months old and her parents delivered her to Johnny Carson as a birthday gift), bon mots ('Missy, is there anything better than seeing a really good-looking couple pushing a baby that looks like a Sasquatch who got caught in a house fire?'), and life lessons from growing up in the Rosenberg-Rivers household ('I can do tips and discounts and figure out the number of gay men in an audience to make it a good show.That's all the math you'll ever need.'). These were just the tip of the iceberg when it came to life in the family that Melissa describes as more Addams than Cleaver.And at the center of it all was a tiny blond force of nature. The Book of Joan is full offunny, poignant and irreverent observations, thoughts, and tales about the woman who raised Melissa and is the reason she considers Valium one of the four basic food groups.

THE REALITY BEHIND REALITY TV—HOLLYWOOD’S FAVORITE MOM-STAR TELLS IT LIKE IT IS Tori Spelling is the first to admit that the “reality” behind her popular television show, Tori & Dean, isn’t always real. Not even Star Magazine could invent the true chaos that happens behind the scenes. Luckily, Tori is famously honest and self-deprecatingly funny when it comes to her personal life. She’s always Spelling It Like It Is… Life is never boring at Tori’s house, but since her New York Times bestselling memoirs sTORI Telling, Mommywood, and Uncharted terriTORI, things have been especially unpredictable: Finding out she was pregnant with her third baby after nearly vomiting live on the Home Shopping Network; trying to hide her fourth pregnancy so soon after giving birth (as her stylist said, “who would be that crazy?”); being rescued from a paparazzo by a mom lynch mob; stalking her celebrity neighbor; and allowing cameras to film every personal detail of her life—from the most challenging time in her marriage to the only time in six years when she really felt as though those cameras invaded her privacy. Tori shares these stories and many more with the usual humor, candor, and down-to-earth charm that her fans love. She also writes openly about her biggest challenges: the terrifying health problems surrounding her high-risk pregnancy with youngest son Finn, her guilt over missing baby Hattie’s early months because she was in the hospital on bed rest, her struggles (and failures) to live within her means after growing up in opulence, discovering how much she has in common with her late mega-producer father, Aaron Spelling, and falling in love with Dean all over again (hint: it didn’t happen at their vow renewal ceremony). After years of intimately revealing her everyday antics onscreen, Tori’s life is still full of surprises. Slowing down long enough to enjoy them? Now that’s another sTORI.

Alan Arkin knew he was going to be an actor from the age of five: "Every film I saw, every play, every piece of music fed an unquenchable need to turn myself into something other than what I was." "An Improvised Life" is the Oscar winner's wise and unpretentious recollection of the process--artistic and personal--of becoming an actor, and a revealing look into the creative mind of one of the best practitioners on stage or screen. In a manner that is direct, down-to-earth, accessible, and articulate, Arkin reveals insights not only about himself (and his audience and students), but also truths for the rest of us about work, relationships, and sense of self.

From the time he was in the first grade, Marc Summers feared that if his bedroom wasn't perfectly neat and his shirts didn't hang exactly one-fourth of an inch apart in the closet, something terrible would befall his parents or himself. It wasn't until many years later that the source of his anxiety became clear: like an estimated 6 million Americans today, Summers suffers the effects of obsessive compulsive disorder. A frank and often hilarious narrative, Everything in Its Place tells the story of Summers's journey from compulsive room cleaner to family man, television celebrity, and Obsessive Compulsive Foundation spokesperson. Describing his struggle to maintain personal relationships and build a career, the ups and downs of being on medication, and what it's like to be compelled to straighten the fringes of a rug at two o'clock in the morning, here is a compellingly readable and ultimately uplifting memoir.

The actress's account of her troubled life covers her desperate relationships with her parents, her early successes, her reckless affairs and marriage, her experiences with drugs, and her decision to make a new life for herself

In 1984, Phillip Lopate sat down with his mother, Frances, to listen to her life story. A strong, resilient, indomitable woman who lived through the major events of the twentieth century, she was orphaned in childhood, ran away and married young, and then reinvented herself as a mother, war factory worker, candy store owner, community organizer, clerk, actress, and singer. But paired with exciting anecdotes are the criticisms of the husband who couldn't satisfy her, the details of numerous affairs and sexual encounters, and, though she succeeded at many of her roles, accounts of how she always felt mistreated, taken advantage of. After the interviews, at a loss for what to do with the tapes, Lopate put them away. But thirty years later, after his mother had passed away, Lopate found himself drawn back to the recordings of this conversation. Thus begins a three-way conversation between a mother, his younger self, and the person he is today. Trying to break open the family myths, rationalizations, and self-deceptions, A Mother's Tale is about family members who love each other but who can't seem to overcome their mutual mistrust. Though Phillip is sympathizing to a point, he cannot join her in her operatic displays of self-pity and how she blames his father for everything that went wrong. His detached, ironic character has been formed partly in response to her melodramatic one. The climax is an argument in which he tries to persuade her--using logic, of all things--that he really does love her, but is only partially successful, of course. A Mother's Tale is about something primal and universal: the relationship between a mother and her child, the parent disappointed with the payback, the child, now fully grown, judgmental. The humor is in the details.

Leo Gorcey, The Hollywood Legend - Leo Gorcey, Jr., His Happy Ending: The son of a Hollywood legend takes you on a humorous and heartfelt journey of survival, strength, forgiveness, and hope.

"Whenever women are honest about their struggles, they give other women a gift. Mia delivers." Elizabeth GilbertThis book is for every woman who's been told success is as simple as Lean In, Say Yes, Live Your Best Life, Beat Your Fear, Follow Your Dream... and then feel #soblessed.It's for guilty friends, bad mums, crap wives, imperfect feminists, rebellious daughters and any girl with a big mouth and at least one foot in it. It's for any woman who's ever asked: 'Am I the only one who isn't quite coping?'Here is Mia Freedman's low road to the top - a fearless, hilarious, inspiring and surprising collection of modern misadventures to read, relate to and rejoice in, then share with all the women in your life.MORE PRAISE FOR MIA FREEDMAN"Funny, raw, fierce and - at heart - profoundly generous." Annabel Crabb"There are few writers in Australia who care as much about what makes women tick as Mia Freedman and who reveal so much of themselves." Leigh Sales"Mia Freedman is one of the most inspirational, informative and accessible voices among contemporary Australian writers ... She is dedicated to improving the lives of other women. Hers is an important unique voice in our national conversation." Cate McGregor

The Public Is Never Wrong: The Autobiography of Adolph Zukor is a memoir written by Adolph Zukor, one of the most influential figures in the early days of Hollywood. In this book, Zukor recounts his life story, from his humble beginnings as an immigrant in New York City to his rise to fame as the founder of Paramount Pictures.Zukor's narrative takes readers on a journey through the early days of the film industry, as he describes his experiences working as a nickelodeon operator and film distributor before ultimately founding his own studio. He also discusses his relationships with some of the biggest names in Hollywood, including Charlie Chaplin, Mary Pickford, and Douglas Fairbanks.Throughout the book, Zukor emphasizes the importance of listening to the audience and giving them what they want. He argues that the public is never wrong and that the key to success in the film industry is to understand and cater to their tastes. He also provides insights into the business side of the industry, discussing topics such as financing, marketing, and distribution.Overall, The Public Is Never Wrong offers a fascinating glimpse into the life and career of one of the most important figures in the history of Hollywood. It is a must-read for anyone interested in the early days of the film industry and the art of storytelling on the big screen.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.