Karl Abraham was an important and influential early member of Freud's inner circle of trusted colleagues. As such he played a significant part in the establishment of psychoanalysis as a recognised and respected discipline. Regarded by Ernest Jones as one of the best clinical analysts among his contemporaries1 he also elaborated and expanded upon Freud's theories. Exploring first-hand the complex relationship and rivalries that existed not only between Freud and his master pupil, but also the details of their combined and individual relationships with Jung, this substantial and absorbing collection of letters enables the reader to gain valuable insights into these two pioneers of psychoanalysis.'Since psychoanalysis is established as an essential part of the history of ideas for the last century, intellectual historians should relish the fact that an absolutely excellent and full edition of this correspondence has finally come out.'

Whom do we choose when we fall in love? How do we make the love-object into what we want? These are questions which only became important at the end of the nineteenth century, as Freud began to formulate a new discipline which would be called psycholanalysis. Freud argues Klaus Theweleit, was the first theoretician of the new situation: boy versus girl in the world series of love. Theweleit looks at a number of relationships: Alfred Hitchcock and Alma Reville; the triangle of Hannah Arendt, Martin Heidegger and Elfriede Heidegger; Jung and Sabina Spierlrein. But the key figure is Freud himself. Who would, who could Freud choose? As it happened, Freud proposed to Martha Bernays. The 1,500 letters of Freud’s courtship became something like the first psychoanalysis; without knowing it, Martha Bernays became an analytic-instance. But Object-Choice is not only a study of the founder of psychoanalysis, it is also an illuminating lexicon of love in the twentieth century. Freud is accompanied here by Jimi Hendrix, the Kinks and the Velvet Underground. Like Theweleits’s Male Fantasies , this is a collage book, mixing auto-biography, theory and pop culture, and always haunted by history, above all the history of Nazism. As an epilogue, Theweleit brings Freud back to the scene of his courtship, and the Beatles back to Hamburg, in an exploration of that city’s Wandsbek district, once home to an important Jewish community. His comments on the transformations and destruction that Wandsbek has endured form an elegiac tribute to German Jewry, and a powerful conclusion to this remarkable book.