This compelling story of lesbian life in the twentieth century traces the evolution of lesbian identity and subcultures from the early years of the century--when career opportunities first enabled women to support themselves and spend their lives in "romantic friendships" with other women--to the diversity of today's life styles. Faderman uses journals, unpublished manuscripts, songs, news accounts, novels, medical literature, and numerous personal interviews with lesbians of all races, ages, and classes, to uncover and relate this often surprising narrative of lesbian life in America. Lesbian identity could emerge, Faderman maintains, only during that time, with the sexual freedom of the 1920s and the 1960s, as well as the social freedom made possible by World War II, the education of women, and the civil rights and women's movements. The term "lesbian" did not become current until the late nineteenth century, when European sexologists began to explore female same-sex loving. Where close relationships between women had once been accepted--even encouraged--the sexologists stigmatized same-sex pairing as deviant, but at the same time fostered a lesbian consciousness which was necessary before lesbian communities could be formed. This book tells how women who accepted the label "lesbian" altered the sexologists' definitions, creating identities and ideologies for themselves.--Adapted from book jacket.

The first anthology to investigate cultural production of lesbian sexuality The question of whether lesbians have sex, how they have sex, and when they began having sex has long obsessively preoccupied the heterosexual imagination. Today, discussions of lesbian sex abound with such terms as romantic friendships, stealth lesbians, and genitally sexual. As we approach the end of the twentieth century, lesbian sexuality remains hotly contested ground. What exactly qualifies as lesbian sex? What is the relationship, if any, between lesbian erotica and heterosexual pornography? How did the issue of sex in lesbian communities come to be such a fiercely debated subject? Lesbian Erotics is the first anthology to investigate the cultural production of sexually charged images of lesbians in film, law, literature, and popular culture in general. The contributors address an enormous range of sexualities and fora in which these sexualities flourish. In her chapter, Not Tonight, Dear, I'm Deconstructing a Headache: Confessions of a Lesbian Sex Therapist , Marny Hall illustrates how difficult some women find it to maintain erotic tension in lesbian relationships. Elizabeth Meese grapples with increasingly complex sexual identities in cyperspace. Kitty Tsui, cover model for On Our Backs , relays how she developed her own body into an art form in order to combat stereotypes of passive and invisible Asian women. This work, as Karla Jay writes in the introduction, invites readers to consider the implications, variations, and complexities of lesbian erotics. In the end, it is our sexual lives that mark us as outlaws. Therefore, we need to investigate and engage representations of our sexuality to define for ourselves, if we so choose, the scope, shape, and permutations of lesbian erotics.

In this book, the author, a playwright and social critic explores the family, the first place where all people, straight, gay, and bisexual, learn homophobia. For it is within the family that homophobia begins to control people's lives, whether as perpetrators or recipients. Written in the tradition of Susan Brownmiller's Against Our Will: Men, Women, and Rape, which reconceptualized rape and transformed it from a private problem into an internationally recognized cultural crisis that is now punishable in the International Criminal Court, this book uncovers the hidden crime of "familial homophobia" and moves it into the open for social and political scrutiny. The author illustrates how societal homophobia is rooted in the family but reaches into all levels of social interaction, including how gay people treat each other. She probes the complex issues involved and prescribes third party interventions on the part of both individuals and institutions of authority so that we can all live a better life together on truly equal terms. This work attempts to change our understanding of homophobia and redefine the political landscape not just for gay, lesbian, bisexual, and transgender people but for us all.

The stories collected here span the years 1988 to 2002, during which time LeslA(c)a Newman wrote six volumes of short stories: "A Letter to Harvey Milk, Secrets, Every Woman's Dream, Out of the Closet and Nothing to Wear, Girls Will Be Girls "and "She Loves Me, She Loves Me Not." In Newman's prize-winning story "A Letter to Harvey Milk," Harry Weinberg, a 77-year-old Holocaust survivor, takes a writing class in which he unearths memories that force both him and his writing teacher, a Jewish lesbian, to see their lives differently. "Right Off the Bat" is a monologue by a 12-year old girl whose lesbian mothers have been gay-bashed. "Eggs McMenopause" tells the story of how a sleep-deprived butch finds a unique solution to the trials and tribulations of menopause. In "The Babka Sisters," a women's studies student interviews a nursing home resident and hears a tale the woman has never told anyone: the story of the girl she fell in love with in high school. And in "Mothers of Invention," a couple tests their relationship when one woman decides she wants to have a baby and the other woman does not. Newman's stories covers a dazzling array of themes pertaining to contem-porary lesbian life, including long-term relationships, one-night stands, family-of-origin angst, motherhood, friendships with gay men, AIDS, breast cancer, aging, loss and bisexuality. Many of these stories explore Jewish identity as well. Each story in this collection is told with Newman's trademark wit, honesty, talent and compassion. LeslA(c)a Newman's literary awards include fellowships from the National Endowment for the Arts and the -Massachusetts Artists Foundation. Six of her books have been Lambda Literary Award finalists. A native New Yorker, she currently lives in western Massachusetts.

Here are heartfelt writings from some renowned names in lesbian and gay literature, as well as some debut appearances. These essays explore a kind of love uncomplicated by romance, but surprisingly sensual. As the writers pursue their relationships with the oposite sex, they ultimately lay bare the nature of friendship itself.

All the answers clinicians need to work effectively with LGBTQ clients. A therapist who treats LGBTQ clients often must be more than “gay friendly.” Clinical experience, scientific research, and cultural understanding are advancing rapidly, and the task of being LGBTQ informed is ever-changing in today's world. This book covers topics such as how to avoid making the common mistake of believing that "a couple is a couple," thus treating LGBTQ couples the same as their heterosexual counterparts; how to treat clients struggling in "mixed" orientation marriages and relationships (straight and LGBTQ spouses in the same couple); and how to work with all clients who have non-heteronormative sexual behaviors and practices. Perhaps most importantly, the book discusses covert cultural sexual abuse (the trauma suffered from having to suppress one's own sexual and gender identity) as well as the difficult process of coming out to family and friends. A therapist's job is to help clients and their identities through their own lens and not anyone else's—especially the therapist's. The gay affirmative principles put forward in this book will help you build a stronger relationship with your LGBTQ clients and become the go-to therapist in your area.

Drawing on her experience as an adult literacy tutor, Judith Frank's first novel traces the difficult and sometimes hilarious connection between two butches of different generations - a middle-class, thirty-something adult literacy teacher and her older, working-class student. With a disparate group of adult learners as the backdrop, Frank examines, with warmth and wit, the relationship between education and gender, class, and racial identity. With Crybaby Butch, Judith Frank creates a deeply human, bravely unsentimental story while at the same time investigating the meaning of butch identity as it reinvents itself from one generation to the next. ~ Carol Anshaw