Leonard Norman Cohen (September 21, 1934 - November 7, 2016) was a Canadian singer, songwriter, musician, poet, novelist, and painter. His work mostly explored religion, politics, isolation, sexuality, and personal relationships. Cohen was inducted into both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame as well as the Rock and Roll Hall of Fame. He was a Companion of the Order of Canada, the nation's highest civilian honor. In 2011, Cohen received one of the Prince of Asturias Awards for literature and the ninth Glenn Gould Prize.Cohen pursued a career as a poet and novelist during the 1950s and early 1960s, and did not launch a music career until 1967, at the age of 33. His first album, Songs of Leonard Cohen (1967), was followed by three more albums of folk music: Songs from a Room (1969), Songs of Love and Hate (1971) and New Skin for the Old Ceremony (1974).

THE SEQUEL TO THE NUMBER 1 BESTSELLER WORKING CLASS BOY It's a life too big and a story too extraordinary for just one book. Jimmy Barnes has lived many lives - from Glaswegian migrant kid to iconic front man, from solo superstar to proud father of his own musical clan. In this hugely anticipated sequel to his critically acclaimed bestseller, Working Class Boy, Jimmy picks up the story of his life as he leaves Adelaide in the back of an old truck with a then unknown band called Cold Chisel. A spellbinding and searingly honest reflection on success, fame and addiction; this self-penned memoir reveals how Jimmy Barnes used the fuel of childhood trauma to ignite and propel Australia's greatest rock'n'roll story. But beyond the combustible merry-go-round of fame, drugs and rehab, across the Cold Chisel, solo and soul years - this is a story about how it's never too late to try and put things right.

Dusty Springfield made her name in the 60s with a string of top ten hits. Her unique singing style and distinctive bouffant blonde look made her famous throughout the world. Despite a period in the wilderness during the 70s and 80s, she was back at the top in the 90s until her death from cancer in March l999. Born an Irish Catholic in l939, her background set her almost schizophrenically at odds with herself as she realised her sexuality and moved further into the rock world. Both Penny Valentine and Vicki Wickham knew Dusty well, as friend and manager for much of her career. As well as charting her gay relationships, this book also looks candidly at the period of her greatest self-destruction while living in Los Angeles in the 80s. Covering every area of her career with honesty and affection, Dusty is brought vividly to life.

Have you ever wondered: How it feels to be eponymous? Why some German pigeons were painted blue in the First World War? What connects Rachmaninoff to Chief Sitting Bull? It is 1972. Bernard Robins is in London – American, innocent, uninformed and arrogant – to make his name and fortune as a pianist, composer and conductor. He lives at the Kensington Music Society, a haven for aspiring musicians, including afro-headed violinists, cellists in caftans and coloraturas from Colorado. During his time there, Bernard accidentally encounters his long lost great-uncle, Hermann Heinrich Zweck, a nonagenarian – a once eminent, now forgotten composer, who has known most of the great musical figures of the Twentieth Century and hated almost all of them. Zweck is engaged in a war against stupidity, laziness and cowardice with the entire world, and especially with Bernard and Charles Forsythe – a hapless English musicologist whose only crime, (grievous in Zweck's view) is to be both English and an academic. The romantic relationships the three principals have with strong women, ranging from promiscuity to endless love, change the lives of all concerned. Throughout the novel, Zweck engages in a battle of words with the author in a series of interruptions and monologues. Comically written by an author skilled in both writing and music, Zweck is an accessible and hilarious novel about fame, identity, music and dumplings.

Istvan Anhalt, himself a composer of many vocal works, has written an interdisciplinary study of the innovative vocal and choral music that has emerged in Europe and North America since the Second World War. This music has amazed, confused, sometimes shocked, and often deeply moved its listeners, and the author probes its very roots. Anhalt sketches briefly the antecedents of this revolutionary music and then illustrates the subject by looking closely at works by three of the greatest composers of modern vocal and choral music: Luciano Berio’s Sequenza III for female solo voice, Gyӧrgy Ligeti's Nouvelles Aventures for three solo voices and small instrumental ensemble, and Witold Lutoslawski’s Trois Poèmes d’Henri Michaux for large chorus and orchestra. The author next seeks to formulate a conceptual framework to explain post-war vocal composition. He discusses relationships between poetry and music, speaking and singing, theatre and music, and composers and performers. He identifies and examines recurring themes in his corpus, including hallowed and cursed names, repetition as a mythical and/or mystical technique, the arcane, magical elements in music and language, and music as spectacle or celebration and as a search for the past. Anhalt also considers the structural elements and compositional procedures used in creating this type of music. The complex associations with other creative activities that typify modern vocal composition help to make it, as Anhalt shows clearly, an extraordinary rich mosaic of alternative voices.

This is a 44-page coloring book meant to accompany the children's album "I Can Swing Forever" by Tracy Newman and Friends. The CD is available with a coloring book, but the book is offered here as a stand-alone. This is ideal if another child needs a copy as well. The book features large, two-page drawings for each song, printed on paper that is ideal for crayon, markers, and even water color paint. The original artwork was created by Charlotte Dean, Tracy Newman's daughter. "I Can Swing Forever" is a collaboration between Tracy and Charlotte. Tracy (and Friends) have recorded 18 children's songs. Charlotte created a coloring book with original illustrations for each song. Tracy sang most of these songs to Charlotte as a baby and throughout her childhood. Here, mother and daughter get to share these same songs with new families. For the kids, the coloring book is an added enjoyment.

There are many books on counterpoint and harmony, but few indeed on the theory of rhythm. Those few approach it through its graphic notation, or in terms of metrical feet, as if it were poetry. The author treats rhythm instead in the context of sounded music, with a view to clarifying its ambiguous and little studied, but crucial, relationship with pitch. Although his work is strongly influenced by the methods of the German theorist Heinrich Schenker, it is a strikingly original contribution to musical theory in its own right. The author begins by developing analytic procedures for understanding the rhythm of tonal music in terms of pitch levels. He then focuses on certain structures that arise from the interaction of these levels, thereby discovering some fundamental aspects of logical form in the system of musical rhythm. In the course of the inquiry, the author redefines traditional notions of meter, syncopation, and accent. In addition, his study provides a basis for understanding the relationships by which unique rhythmic designs are integrated aesthetically in a cohesive musical composition.

Meyerbeerâ (TM)s third Italian opera, Emma di Resburgo (Emma of Roxburgh) was premiered at the Teatro San Benedetto in Venice on 26 June 1819 only three months after Semiramide had appeared at Turin, and scored a success that far surpassed that of both of its predecessors. It was indeed the work that established Meyerbeer's reputation in Italy, and extended it even beyond the Alps into Germany. It was also the opera that brought him into close contact with Rossini, the most important figure of the second decade of the century, whose work was a major influence on all his contemporaries, Meyerbeer included. Rossiniâ (TM)s Eduardo e Cristina was given on 24 April and Emma on 26 June. Both operas triumphed, and the two composers became very good friends, a relationship that was to continue later in Paris. Meyerbeerâ (TM)s opera went on to be staged in Venice, Milan, Genoa, Florence and Padua. Translated into German, it was given in Vienna, Dresden, Frankfurt, Berlin and Stuttgart, and even reached Warsaw in 1821. The story of Emma di Resburgo concerns dynastic rivalry in Lowland Scotland at the time of the Norman conquest; its libretto was the third written for Meyerbeer by Gaetano Rossi. The text covers the same material as that of one of MÃ(c)hul's operas HÃ(c)lÃ(c)na (1803). Mayr had also set this plot as Elena as recently as 1814, as an opera-semiseria, re-adapted for La Scala in the autumn of 1816, where Meyerbeer may well have heard it. The action of Emma, transferred from Provence to Scotland, takes place in the Castle of Tura and in Glasgow, and predates by three months Rossini's Walter Scott opera, La donna del lago (Naples, San Carlo, 24 September 1819), which is set in the Scottish Highlands. With its focus on a wild and violent Scotland, and with its themes of kidnap and usurpation, disguise and impersonation, lost relationships and restored fortunes, condemnation and rescue, Emma makes its own contribution to Italian Romantic opera. Meyerbeerâ (TM)s fluent and beautiful appropriation of the Rossinian idiom is given a further dimension by the composerâ (TM)s technical mastery and richness of invention, particularly evident in relation to the treatment of the Romantic subject. The new musical colours, appearing here even before similar developments in Rossiniâ (TM)s La donna del lago, are not used in the depiction of nature, but in the realistic situational transposition of the drama. This is particularly forward-looking in the big tableaux: the Chorus of Judges, rightly admired in its day, through-composed as an integral part of the action, and the graduated act 1 finale, dramatic in its contrasts. The sombre Death March in the act 2 finale, with its writing for the bassoons, looks forward to Meyerbeerâ (TM)s French operas. The lieto fine, or happy ending of the opera, looking back to the eighteenth century, is still infused with the old ideals of the Enlightenment, typified in the clemency shown in the end by the tyrant. However, Meyerbeer had learned to infuse this Utopian spirit, so characteristic of a past epoch, with the vibrant new sensibility so characteristic of Romanticism. Emma di Resburgo marked a milestone in Meyerbeerâ (TM)s career and brought him the greatest honour any composer could aspire to in Italyâ "a commission from La Scala Milan that would result in his next work, Margherita dâ (TM)Anjou (1820).

Tony Orlando says of Simply Put! "This book is a guide to love, family and friendship that gives insights from one man's lifelong search for love, acceptance and laughter." He goes on to say "Johnny Mathis, David Bowie, Neil Diamond, and Dion are but a few icons who have recorded his thoughts and feelings, and I'm proud to say "yours truly" as well." This humor filled pocket book is a compilation of poetry, lyrics and personal feelings from one of Rock and Roll's most prolific and legendary writers of the twentieth Century and today, Bob Feldman. You'll discover a spirited page turner filled with wise words from an Author, chart-topping Songwriter and Recording Artist with more than 50 million records sold. Bob's songs, with their heartfelt lyrics and melodies were born from his life experiences and relationships and have remained in the top 100 charts for 7 decades! Somewhere, someplace, sometime, anywhere in the world, a song written, produced, published or sung by Bob Feldman can be heard playing 24/7, 365 days of the year. This book helps put a face to the anthems that are embedded in our hearts. The familiarity that the reader feels comes from knowing the author through his omnipresent music with titles like "My Boyfriend's Back," "Hang On Sloopy," and "I Want Candy". His tunes have become part of the soundtrack of our lives from radio, television and film on 45's and 33's, 8 track's, cassettes, CD's, DVD's and more. Co-writer, consultant and confidante Craig-Strang Thompson says "Simply Put is a truthful, humorous, bittersweet, thought provoking collection of stories, poetry, and real feelings that will leave you wanting to know more about this fascinating and gifted man." Imagine if you will; sitting next to him as he recalls his stories first-hand. An original Wurlitzer Jukebox plays on with over one hundred songs bearing his name. Gold and platinum record awards and autographed photos from iconic recording artists who have recorded his songs surround you. Feldman reveals his most personal experiences with you. Tales which have previously been shared with only two other people in his lifetime: Tony Orlando, a friend for more than sixty years who encouraged him to write this book, and Dane Braden, who actually gave him the title. Take a brief, but thoroughly satisfying journey through the heart and mind of a sensitive storyteller with a self-deprecating sense of humor and none of the braggadocio befitting a rock and roll icon.