Records one woman's response to the love-hate relationships, inhibitions and selfconcerns of men and women.

It begins as the elderly painter Donner lies dead at the bottom of the staircase in the studio he shares with fellow artists Martello and Beauchamp, who are accusing each of murder. From this moment on, through an inventive dramatic framework of 11 scenes that flash back and forward between the years 1914 and 1972, Stoppard examines the artists' relationships to each other, to their work and to a beautiful blind woman named Sophie, who was loved by Donner, courted by Beauchamp, sculpted by Martello, and died tragically....Cover.

Tom Stoppard presents two works which explore in contrasting ways the workings of Viennese society in the 1890s, setting the upper-class stylized codes of behavior against their effects in practice on human relationships. Dalliance was first performed at the National Theatre in 1986. Undiscovered Country was first produced at the National Theatre in 1979.

Poems make use of aphorisms, meditation, narrative, and questions to consider the nature of God, silence, death, and human relationships

Product description INCLUDES 23 STORIES WRITTEN BETWEEN 1954 AND 1984. HIGHLY AUTOBIOGRAPHICAL, THE STORIES ARE ALL ABOUT A MAN IN VARIOUS STAGES OF LIFE FROM BOYHOOD TO TH E RCAF IN WORLD WAR 2, RAISING A FAMILY OF DAUGHTERS IN ENGLAND, TO BECOMING A SUCCESSFUL WRITER. THE CHRONOLOGICAL ARRANGEMENT OF THE STORIES IS SUCH THAT THEY READ LIKE A NOVEL. From Publishers Weekly The son of Polish Jews who emigrated to Canada, Levine grew up in Ottawa, joined the Royal Canadian Air Force during World War II and thereafter lived in England for 31 years, where he wrote, married and raised a family. A good number of the 23 stories in this exceptional collection were written between 1958 and 1978 and are clearly autobiographical, centering on a Canadian writer living in England who relives his youth through trips back to Canada and visits from Canadian relatives. The narrator of Levine's stories recalls his past effortlesslyfamily relationships, lost loves, old friendships. And with pleasure the reader participates in these journeys, sharing Levine's experiences of fulfillment, disappointment and nostalgia. One doesn't easily leave Levine's tales behind, for as the narrator of the title story says in the volume's concluding line: "I would carry that sound with me long after I left." NovemberCopyright 1985 Reed Business Information, Inc.

Set in post-war London, The Limits of Love is an examination of the lives and tensions of several Jewish families. Otto Kahane, a Dachau refugee, his nephew, delicatessen-keeper Isidore, Ben the zealous Communist, Paul the reluctant Jew and his girl-friend, Julia--Frederic Raphael probes the characters and their shifting relationships with a touch at once clinical and sympathetic. His long, intricately woven novel displays the same gift for detail and dialogue that characterizes all the work of this talented writer.

"A book of poems should have exactly the same fullness and risk and lay itself open to the same judgment as a life," says Allen Grossman. Of the Great House, which includes sections of A Harlot's Hire (1961), Grossman's first published book, as well as his most recent poetry, presents an anatomy of the poet's working life. The title poem invokes "the sighted singer, in a/Passionate, laboring house," who confronts those figures in his unconscious which influence and interfere with poetic vision, braving the necessary destructions until "there is nothing in place of what/I know, the only thing that is--the world." Part II, "The Pictures in a Man's Life," seeks out relationships among the haunting, inspiring, "demonically incoherent facts of life in the world--the poet's parents, yellowwoods blooming on a lawn, closeness to an earlier self. "The Dream Which Wakes the Sleeper Does Not End" contains poems from an earlier life, and Of the Great House closes with "An Inventory of Destructions," a summing and a summoning: "the poet speaks to the unborn in the/language of the born, and to the born he speaks/The language of the unborn--Break down and build /Destructions are of the poet. Death is of God."