"Beautiful Country is the real deal. Heartrending, unvarnished, and powerfully courageous, this account of growing up undocumented in America will never leave you."--Gish Jen, author of The Resisters Ba Ba told me this and I in turn carried it in my heart: so long as we didn't stake claim to what wasn't ours--the things, our rooms, America, this beautiful country--we would be okay. An incandescent and heartrending memoir about Qian Julie Wang's five years living undocumented after immigrating with her parents from China to New York City in 1994. In Chinese the word for the United States, Mei Guo, translates directly to "beautiful country," but when seven-year-old Qian is plucked from her warm and happy childhood surrounded by extended family in China, she finds a world of crushing fear and poverty instead. Unable to speak English at first, Qian is isolated and disregarded, put into special education classes because she doesn't speak the language and humiliated by teachers and classmates when she struggles to pay attention because of hunger or exhaustion. She encounters racism, and people of other races, for the first time, shocked at where her family fits in comparison to their status as educated elites in China. After school she works shifts alongside her mother in Chinatown sweatshops. There is so much about Qian's new home that doesn't make sense, but the rules of survival are drilled into her head: If you see a policeman, you must run in the other direction. If anyone asks--or even if they don't--you tell them you were born here. Do as you're told or we could be separated forever. Understanding impliclity the toll this has taken on her parents, Qian tries desperately to cheer them up and mediate their increasingly heated arguments, certain that if she is good enough, she can hold the family together. In remarkable, unsentimental prose Wang channels her childhood perspective, illuminating the cruelty and indignity of America's immigration system, while also crafting a narrative of resilience from her family's small moments of joy: their first slice of pizza, "shopping days" when the family would unearth unlikely treasures in Brooklyn's trash, and the necessary escape she found in books at the local library. Searing and unforgettable, Beautiful Country is an essential book about the cost of making a home in a hostile land from an astonishing new talent"--

For two decades, Dr. Danielle Ofri has cared for patients at Bellevue, the oldest public hospital in the country and a crossroads for the world's cultures. In Medicine in Translation , she introduces us, in vivid, moving portraits, to the patients she has known. They have braved language barriers, religious and racial divides, and the emotional and practical difficulties of exile in order to access quality health care. Sharing their journeys with them over the years, Danielle has witnessed some of their best and worst moments, and come to admire their resilience and courageous spirit. Danielle introduces us to her patients: Samuel Nwanko, who was brutally attacked by a Nigerian cult in his homeland and is attempting to create a new life in America; Jade Collier, an Aussie who refuses to let a small thing like a wheelchair keep her from being a homegrown ambassador to New York City; Julia Barquero, a Guatemalan woman who migrated to the States to save her disabled son but cannot obtain the lifesaving heart transplant she needs because she is undocumented. We meet a young Muslim woman threatened at knifepoint for wearing her veil, and the spitfire Señora Estrella, one of Danielle's many Spanish-speaking patients, whose torrent of words helps seal Danielle's resolve to improve her own Spanish, an essential skill in today's urban hospitals. And so she, her husband, and their two young children and seventy-five-pound dog relocate to Costa Rica, where they discover potholes the size of their New York City apartment, a casual absence of street signs or even street names, tangy green-skinned limon dulce dangling in the playground, and sudden rains surging over the craggy edges of roadside ditches. Ultimately, Danielle experiences being a patient in a foreign country when she gives birth to their third child, a "Costarricense" girl. With controversy over immigrants in our society escalating, and debate surrounding health-care reform becoming increasingly urgent, Ofri's riveting stories about her patients could not be more timely. Living and dying in the foreign country we call home, they have much to teach us about the American way, in sickness and in health.

An inspiring and powerful memoir of surviving the Jonestown massacre and becoming a fearless voice against injustice and inequality by California congresswoman Jackie Speier. Jackie Speier was twenty-eight when she joined Congressman Leo Ryan's delegation to rescue defectors from cult leader Jim Jones's Peoples Temple in Jonestown, Guyana. Ryan was killed on the airstrip tarmac. Jackie was shot five times at point-blank range. While recovering from what would become one of the most harrowing tragedies in recent history, Jackie had to choose: Would she become a victim or a fighter? The choice to survive against unfathomable odds empowered her with a resolve to become a vocal proponent for human rights. From the formative nightmare that radically molded her perspective and instincts to the devastating personal and professional challenges that would follow, Undaunted reveals the perseverance of a determined force in American politics. Deeply rooted in Jackie's experiences as a widow, a mother, a congresswoman, and a fighter, hers is a story of true resilience, one that will inspire other women to draw strength from adversity in order to do what is right--no matter the challenges ahead.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY HARPER’S BAZAAR • In this candid memoir, featuring a foreword by Barbra Streisand, renowned designer Donna Karan shares intimate details about her lonely childhood, her four-plus decades in the fashion industry, her two marriages, motherhood, and her ongoing quest for self-acceptance and spiritual peace. Donna Karan was born into the fashion business—her father was a tailor, and her mother was a showroom model and Seventh Avenue saleswoman—yet Karan dreamed of becoming a dancer like Martha Graham or a singer like Barbra Streisand. Fashion was her destiny, though. My Journey traces Karan’s early days as an intern at Anne Klein, the creation of her Seven Easy Pieces (which forever changed the way working women dressed), and the meteoric rise of her company. Along with juicy industry stories, Karan candidly discusses her difficult mother and traumatic childhood, her turbulent romantic life, all the loved ones she has lost over the years, and the personal awakening that occurred just as she reached the height of professional and financial success. That awakening set Karan down a path of spiritual discovery and self-improvement. From est to Kabbalah, from silent retreats to leech therapy, Karan tried everything to find, as she writes, “calm in the chaos.” But she also reveals how a chaotic life, fueled by endless curiosity and childlike impulses, helped her design seminal collections season after season for global powerhouse brands Donna Karan New York and DKNY. She also details how she has channeled her creativity (and her urge to solve problems and nurture others) into philanthropic work, particularly her early outspoken advocacy for AIDS awareness and research, and the creation of her Urban Zen Foundation, focusing on integrated healthcare and education as well as preservation of culture, which led to her current efforts in Haiti. Karan’s life has been crowded with glamorous characters and adventures around the world. But she sometimes still feels like that awkward teen from Long Island who never fit in—which makes her all the more endearing. Brimming with Karan’s infectious energy, My Journey is about much more than the fashion world: It is the story of a young woman whose vision and hard work made her a role model for women everywhere—a woman who dreamed big, fought to have it all, broke the rules, and loved passionately along the way. Praise for My Journey “By turns moving, insightful, and hilarious, yet always, always heartfelt . . . When you’re a true force of fashion, nothing holds you back.” — Vogue “When Donna Karan stepped down . . . it was the end of an era, so consider this autobiography her parting gift. . . . Expect a holistic view of the woman behind one of the most influential American labels.” — StyleCaster “Donna’s creativity and passion as a committed philanthropist are matched only by her gift for friendship. Whether she’s making the world more beautiful or giving a Haitian artisan the tools to create a sustainable business, Donna has always led with great heart and wonderful humor.” —President Bill Clinton “What we take for granted often comes from the most revolutionary of sources. In New York in the 1980s, no one was more radical than Donna Karan. She created a way of dressing that was womanly, practical, and empowering.” —Anna Wintour “An extraordinary personal, professional, and spiritual life . . . defined by Donna’s incredible resilience, her inward search for calm in the midst of success, and her insistence on always following her heart.” —Arianna Huffington

Temperamentally and intellectually, Natan Sharansky is a man very much like many of us—which makes this account of his arrest on political grounds, his trial, and ten years' imprisonment in the Orwellian universe of the Soviet gulag particularly vivid and resonant.Since Fear No Evil was originally published in 1988, the Soviet government that imprisoned Sharansky has collapsed. Sharansky has become an important national leader in Israel—and serves as Israel's diplomatic liaison to the former Soviet Union! New York Times Jerusalem Bureau Chief Serge Schmemann reflects on those monumental events, and on Sharansky's extraordinary life in the decades since his arrest, in a new introduction to this edition. But the truths Sharansky learned in his jail cell and sets forth in this book have timeless importance so long as rulers anywhere on earth still supress their own peoples. For anyone with an interest in human rights—and anyone with an appreciation for the resilience of the human spirit—he illuminates the weapons with which the powerless can humble the physical courage, an untiring sense of humor, a bountiful imagination, and the conviction that "Nothing they do can humiliate me. I alone can humiliate myself."

"Judy Chicago is America's most dynamic living artist. Her works comprise a dizzying array of media from performance and installation to the glittering table laid for thirty-nine iconic women in The Dinner Party (now permanently housed at the Brooklyn Museum), the groundbreaking Birth Project, and the meticulously researched Holocaust Project. She designed the monumental installation for Dior's 2020 Paris couture show and, in 2019, established the Judy Chicago Portal, which will help to accomplish her lifelong goal of overcoming the erasure that has eclipsed the achievements of so many women. The Flowering is her vivid and revealing autobiography, fully illustrated with photographs of her work, as well as never-before-published personal images and a foreword by Gloria Steinem. Chicago has revised and updated her earlier, classic works with previously untold stories, fresh insights, and an extensive afterword covering the last twenty years. This powerful narrative weaves together the stories behind some of Chicago's most significant artworks and her journey as a woman artist with the chronicles of her personal relationships and her understanding, from decades of experience and extensive research, of how misogyny, racism, and other prejudices intersect to erase the legacies of artists who are not white and male while dismissing the suffering of millions of creatures who share the planet. With the first career retrospective of her work forthcoming at the de Young Museum in 2021, Chicago reinforces her message of resilience for a new generation of artists and activists. The Flowering is an essential read for anyone interested in making change."--Publisher's description.

Judah P. Benjamin (1811-1884) was a brilliant and successful lawyer in New Orleans, and one of the first Jewish members of the U.S. Senate. He then served in the Confederacy as secretary of war and secretary of state, becoming the confidant and alter ego of Jefferson Davis. In this new biography, author James Traub grapples with the difficult truth that Benjamin, who was considered one of the greatest legal minds in the United States, was a slave owner who deployed his oratorical skills in defense of slavery. How could a man as gifted as Benjamin, knowing that virtually all serious thinkers outside the American South regarded slavery as the most abhorrent of practices, not see that he was complicit with evil? This biography makes a serious moral argument both about Jews who assimilated to Southern society by embracing slave culture and about Benjamin himself, a man of great resourcefulness and resilience who would not, or could not, question the practice on which his own success, and that of the South, was founded.

In this revised and expanded edition, the author weaves together insights and lessons learned over a lifetime of activism to offer a new theory of social justice. Calling for a politics of integrity that recognizes the complicated wholeness of individual and collective lives, the author delves among the interwoven roots of multiple oppressions, exposing connections, crafting strategies, and uncovering the wellsprings of resilience and joy. Throughout these twenty-eight essays - twenty-one of which are new or extensively revised - she exposes the structures and mechanisms that silence voices and divide movements. The result is a medicine bag full of techniques and perspectives to build a universal solidarity that is flexible, nuanced, and strong enough to fundamentally shift our world toward justice. Intimately personal and globally relevant, this book brings clarity and hope to tangled, emotionally charged social issues in beautiful and accessible language.

" For Solo Violin is a gracefully written, elegiac memoir of childhood."— The Los Angeles Times "An eloquent tribute to [and] a moving account of those who, despite the cruelty of so many around them, found ways to rejoice and trust in the kindness of a few. One is instantly reminded of Life Is Beautiful ."—André Aciman, author of Out of Egypt In an extraordinary literary debut, Aldo Zargani reconstructs the lost world of his Jewish childhood during the perilous years 1938–45 when he and his family fled from Fascists and Nazis in northern Italy. His haunting memoir acquires a cinematic intensity as he crosscuts from the blood-red stone spires of Basel, where his father failed to find refuge for his family in 1939, to fiery scenes of the Allied bombing of Turin in 1942, to the freezing winter of 1943–44, which Zargani and his brother spent hidden in a Catholic boarding school deep in the countryside. For Solo Violin is filled with colorful portraits of Italian aristocrats and peasants, priests and soldiers, teachers and students, informers and partisans. At its heart is Zargani's vivid depiction of his father, a concert violinist forced to give up his career when the Fascists came to power. In this time of persecution, the Zargani family survived through their own resourcefulness and through the efforts of the many Italians who came to their aid, from the young doctor who helped them escape from Turin to the shepherd who supplied them with milk during the last year of the war, when they lived among the partisans in a remote Piedmont valley. Looking back over a distance of fifty years, Zargani rediscovers the enchantment of childhood shining in "fable-like constellations" even amidst the inferno of war. Lullabies and school games, fairy tales and family jokes are interwoven with the events of terror and oppression. Lyrical, humorous, tender, and wise, For Solo Violin is a testament to resilience and hope during the darkest period in human history. "A broad panorama of Italian-Jewish history in [the last] century. Elegant in its style and, however tragic, also rich with understatement, irony, and wit, For Solo Violin counts among the great, enduring works of art."— Focus Magazine , Germany "A tragic, deeply engaging, delicious book—yes delicious, too. (Reading it makes you smile.) It's a miracle…It makes one think of the wit of Kafka!"— L'Espresso , Italy "Zargani depicts a wealth of sad, despairing, but often also incredibly funny episodes…But vibrating along with the humor is always the sense of threat, and behind it opens the abyss of terror."— Neue Zürcher Zeitung , Switzerland