Uncompromisingly frank, "both brutal and beautifully written" (The Boston Globe), The Cap is an unconventional Holocaust memoir that defies all moral judgment and ventures into a soul blackened by the unforgiving cruelty of its surroundings. Roman Frister's memoir of his life before, during, and after his imprisonment in the Nazi concentration camps sparked enormous controversy and became an international best-seller. With bone-chilling candor, Frister illustrates how the impulse to live unhinges our comfortable notions of morality, blurring the boundary between victim and oppressor and leaving absolutely no room for martyrdom. By the time Roman Frister was sixteen, he had watched his mother murdered by an SS officer and he had waited for his father to expire, eager to retrieve a hidden half loaf of bread from beneath the dying man's cot. When confronted with certain death, he placed another inmate in harm's way to save himself. Frister's resilience and instinct for self-preservation -- developed in the camps -- become the source of his life's successes and failures. Chilling and unsentimental, The Cap is a rare and unadorned self-portrait of a man willing to show all of his scars. Reflected in stark relief are the indelible wounds of all twentieth-century European Jews. An exceptional and groundbreaking testimony, Roman Frister's "gut-wrenching memoir is a must-read." -- Kirkus Reviews

NOW AN ACCLAIMED DOCUMENTARY, Winter Journey Set amid the growing tyranny of Germany's Third Reich, here is the riveting and emotional tale of Günther Goldschmidt and Rosemarie Gumpert, two courageous Jewish musicians who struggled to perform under unimaginable circumstances--and found themselves falling in love in a country bent on destroying them. In the spring of 1933, as the full weight of Germany's National Socialism was brought to bear against Germany's Jews, more than 8,000 Jewish musicians, actors, and other artists found themselves expelled from their positions with German orchestras, opera companies, and theater groups, and Jews were forbidden even to attend "Aryan" theaters. Later that year, the Jüdische Kulturbund, or Jewish Culture Association, was created under the auspices of Joseph Goebbels's Ministry of Public Enlightenment and Propaganda. Providing for Jewish artists to perform for Jewish audiences, the Kulturbund, which included an orchestra, an opera company, and an acting troupe, became an unlikely haven for Jewish artists and offered much-needed spiritual enrichment for a besieged people--while at the same time providing the Nazis with a powerful propaganda tool for showing the rest of the world how well Jews were ostensibly being treated under the Third Reich. It was during this period that twenty-two-year-old flutist Günther Goldschmidt was expelled from music school because of his Jewish roots. While preparing to flee the ever-tightening grip of Nazi Germany for Sweden, Günther was invited to fill in for an ailing flutist with the Frankfurt Kulturbund Orchestra. It was there, during rehearsals, that he met the dazzling nineteen-year-old violist Rosemarie Gumpert--a woman who would change the course of his life. Despite their strong attraction, Günther eventually embarked for the safety of Sweden as planned, only to risk his life six months later returning to the woman he could not forget--and to the perilous country where hatred and brutality had begun to flourish. Here is Günther and Rosemarie's story, a deeply moving tale of love and the remarkable resilience of the human spirit in the face of terror and persecution. Beautifully and simply told by their son, National Public Radio commentator Martin Goldsmith, The Inextinguishable Symphony takes us from the cafés of Frankfurt, where Rosemarie and Günther fell in love, to the concert halls that offered solace and hope for the beleaguered Jews, to the United States, where the two made a new life for themselves that would nevertheless remain shadowed by the fate of their families. Along with the fate of Günther and Rosemarie's families, this rare memoir also illuminates the Kulturbund and the lives of other fascinating figures associated with it, including Kubu director Kurt Singer--a man so committed to the organization that he objected to his artists' plans for flight, fearing that his productions would suffer. The Kubu, which included some of the most prominent artists of the day and young performers who would gain international fame after the war, became the sole source of culture and entertainment for Germany's Jews. A poignant testament to the enduring vitality of music and love even in the harshest times, The Inextinguishable Symphony gives us a compelling look at an important piece of Holocaust history that has heretofore gone largely untold.

On the night the SS rounded up the Jews of his Ukrainian ghetto, eighteen-year-old Yosel Epelbaum crawled on his hands and knees to a nearby forest. There he joined a diverse band of pro-Soviet partisans, led by a kind of warlord in the wilderness, who created a "forest republic" behind enemy lines. With his courageous comrades, Epelbaum disrupted the German war effort for almost a year and a half and saved hundreds of civilans at the same time. After the liberation. the young survivor became caught up in Europe's roaring black market. With little money or formal education, an knowing no English, he immigrated to San Francisco in 1947 and within a year opened an ice cream shop in the city's outlying, foggy Sunset District. Only a decade later Joe Pell was well on his way to becoming one of the leading real estate developers in Northern California. Taking Risks, related in a taut and vivid style, is his story--one of loss and torment but also daring, ingenuity, and uncommon resilience.

"This Darkness Will Never End, the first short story collection by the Hungarian-born author Edith Bruck, was published to acclaim in Italy in 1962. After World War II, Bruck, a Holocaust survivor, settled in Rome where she wrote her fable-like stories, recounting the lives of poor Jewish families in Europe before, during, and immediately following the war. In the title story, believed by some film scholars to have inspired the Oscar-winning movie Life Is Beautiful, a young girl shepherds her blind, sickly brother as they are deported. In "Matzoh Bread," a child gets a painful glimpse of anti-Semitism when a friend tells her a legend about the unleavened bread Jews eat at Passover. In one of the more colorful stories, a hapless father whose business partners swindle him over a horse only tells the truth when he's talking in his sleep. Beautifully translated from the Italian by Jeanne Bonner, these stories offer a glimpse into a bygone world. They testify to the resilience of survivors like Bruck, whom Italian critics initially compared to Anne Frank, deeming her the writer Anne would have become had she survived." -- Back cover.