'Nothing I have read is more affecting than Mihail Sebastian's magnificent, haunting 1934 novel, For Two Thousand Years' - Philippe Sands, Guardian Books of the Year A prescient interwar masterpiece, available in English for the first time 'Absolutely, definitively alone', a young Jewish student in Romania tries to make sense of a world that has decided he doesn't belong. Spending his days walking the streets and his nights drinking and gambling, meeting revolutionaries, zealots, lovers and libertines, he adjusts his eyes to the darkness that falls over Europe, and threatens to destroy him. Mihail Sebastian's 1934 novel was written amid the anti-Semitism which would, by the end of the decade, force him out of his career and turn his friends and colleagues against him. For Two Thousand Years is a lucid, heart-wrenching chronicle of resilience and despair, broken layers of memory and the terrible forces of history.

Though many of the details of Jewish life under Hitler are familiar, historical accounts rarely afford us a real sense of what it was like for Jews and their families to live in the shadow of Nazi Germany’s oppressive racial laws and growing violence. With Jews in Nazi Berlin , those individual lives—and the constant struggle they required—come fully into focus, and the result is an unprecedented and deeply moving portrait of a people. Drawing on a remarkably rich archive that includes photographs, objects, official documents, and personal papers, the editors of Jews in Nazi Berlin have assembled a multifaceted picture of Jewish daily life in the Nazi capital during the height of the regime’s power. The book’s essays and images are divided into thematic sections, each representing a different aspect of the experience of Jews in Berlin, covering such topics as emigration, the yellow star, Zionism, deportation, betrayal, survival, and more. To supplement—and, importantly, to humanize—the comprehensive documentary evidence, the editors draw on an extensive series of interviews with survivors of the Nazi persecution, who present gripping first-person accounts of the innovation, subterfuge, resilience, and luck required to negotiate the increasing brutality of the regime. A stunning reconstruction of a storied community as it faced destruction, Jews in Nazi Berlin renders that loss with a startling immediacy that will make it an essential part of our continuing attempts to understand World War II and the Holocaust.

It has taken me a long time to piece all this together. Memories come not like heavy rain but the drops falling from leaves after it. There were elements missing. At last I knew I would not be whole until I found them... June Cohen was born on Human Street in 1929. Her street ran through the centre of Krugersdorp, a mining town near Johannesburg where June's father, Laurie, a doctor, and his wife of Lithuanian Jewish heritage, had decided to establish themselves thirty years on from the family's crossing to South Africa. June was named after the month she was born in. In the wake of his mother's death, New York Times columnist Roger Cohen embarks on a compassionate and sensitive portrait of the journeys made by both his maternal and paternal family, exploring the stories that have filtered through to him since childhood. Told through personal letters and collective memories, Cohen follows his family from Lithuania to South Africa, England, the United States and Israel. He illuminates the uneasy resonance of the racism his relatives witnessed living in apartheid-era South Africa and explores the pervasive sense of 'otherness' that originated from his Jewish heritage of persecution and from the repeated loss that accompanied his forebears' multiple migrations. And through this, he begins to understand better the manic depression that has permeated his family and that plagued his mother until her last moments. A sweeping family story spanning continents, families and great swathes of history, Roger Cohen's deeply personal examination of Jewish identity is a tale of displacement and remembrance, an account of suicide and resilience, a meditation on identity and belonging, a classic for our times.

In this revised and expanded edition, the author weaves together insights and lessons learned over a lifetime of activism to offer a new theory of social justice. Calling for a politics of integrity that recognizes the complicated wholeness of individual and collective lives, the author delves among the interwoven roots of multiple oppressions, exposing connections, crafting strategies, and uncovering the wellsprings of resilience and joy. Throughout these twenty-eight essays - twenty-one of which are new or extensively revised - she exposes the structures and mechanisms that silence voices and divide movements. The result is a medicine bag full of techniques and perspectives to build a universal solidarity that is flexible, nuanced, and strong enough to fundamentally shift our world toward justice. Intimately personal and globally relevant, this book brings clarity and hope to tangled, emotionally charged social issues in beautiful and accessible language.

" For Solo Violin is a gracefully written, elegiac memoir of childhood."— The Los Angeles Times "An eloquent tribute to [and] a moving account of those who, despite the cruelty of so many around them, found ways to rejoice and trust in the kindness of a few. One is instantly reminded of Life Is Beautiful ."—André Aciman, author of Out of Egypt In an extraordinary literary debut, Aldo Zargani reconstructs the lost world of his Jewish childhood during the perilous years 1938–45 when he and his family fled from Fascists and Nazis in northern Italy. His haunting memoir acquires a cinematic intensity as he crosscuts from the blood-red stone spires of Basel, where his father failed to find refuge for his family in 1939, to fiery scenes of the Allied bombing of Turin in 1942, to the freezing winter of 1943–44, which Zargani and his brother spent hidden in a Catholic boarding school deep in the countryside. For Solo Violin is filled with colorful portraits of Italian aristocrats and peasants, priests and soldiers, teachers and students, informers and partisans. At its heart is Zargani's vivid depiction of his father, a concert violinist forced to give up his career when the Fascists came to power. In this time of persecution, the Zargani family survived through their own resourcefulness and through the efforts of the many Italians who came to their aid, from the young doctor who helped them escape from Turin to the shepherd who supplied them with milk during the last year of the war, when they lived among the partisans in a remote Piedmont valley. Looking back over a distance of fifty years, Zargani rediscovers the enchantment of childhood shining in "fable-like constellations" even amidst the inferno of war. Lullabies and school games, fairy tales and family jokes are interwoven with the events of terror and oppression. Lyrical, humorous, tender, and wise, For Solo Violin is a testament to resilience and hope during the darkest period in human history. "A broad panorama of Italian-Jewish history in [the last] century. Elegant in its style and, however tragic, also rich with understatement, irony, and wit, For Solo Violin counts among the great, enduring works of art."— Focus Magazine , Germany "A tragic, deeply engaging, delicious book—yes delicious, too. (Reading it makes you smile.) It's a miracle…It makes one think of the wit of Kafka!"— L'Espresso , Italy "Zargani depicts a wealth of sad, despairing, but often also incredibly funny episodes…But vibrating along with the humor is always the sense of threat, and behind it opens the abyss of terror."— Neue Zürcher Zeitung , Switzerland

What has given the Jewish people their resilience, their power of survival, and their ability to adapt to radically new conditions without losing their identity? What combination of religious faith, social organization, intellectual toughness, and poetic imagination constitutes Jewishness? Eighteen eminent scholars address these questions in this richly illustrated survey of Jewish history from its earliest days to the foundation of Israel. Equal weight is given to Judaica and to the ways in which Judaism has coped with the challenges of modernity. This unparalleled work of scholarship is enhanced throughout by a plethora of superbly reproduced illustrations, from manuscript illuminations and liturgical objects to medieval prints and popular art. 436 illustrations, 135 in color. Edited by Elie Kedourie, a distinguished historian and political philosopher, the book includes essays by Haim Beinart, T. Carmi, Amnon Cohen, S. Ettinger, Shelomo Dov Goitein, A. Grossman, Oscar Handlin, Arthur Hertzberg, Arthur Hyman, Lionel Kochan, Hyam Maccoby, Jacob Neusner, H. W. F. Saggs, Amnon Shiloah, Ezra Spicehandler, David Vital, R. J. Zwi Werblowsky, and Zvi Yavetz.

The Black Death of 1348-50 devastated Europe. With mortality estimates ranging from thirty to sixty percent of the population, it was arguably the most significant event of the fourteenth century. Nonetheless, its force varied across the continent, and so did the ways people responded to it. Surprisingly, there is little Jewish writing extant that directly addresses the impact of the plague, or even of the violence that sometimes accompanied it. This absence is particularly notable for Provence and the Iberian Peninsula, despite rich sources on Jewish life throughout the century. In After the Black Death , Susan L. Einbinder uncovers Jewish responses to plague and violence in fourteenth-century Iberia and Provence. Einbinder's original research reveals a wide, heterogeneous series of Jewish literary responses to the plague, including Sephardic liturgical poetry; a medical tractate written by the Jewish physician Abraham Caslari; epitaphs inscribed on the tombstones of twenty-eight Jewish plague victims once buried in Toledo; and a heretofore unstudied liturgical lament written by Moses Nathan, a survivor of an anti-Jewish massacre that occurred in Tàrrega, Catalonia, in 1348. Through elegant translations and masterful readings, After the Black Death exposes the great diversity in Jewish experiences of the plague, shaped as they were by convention, geography, epidemiology, and politics. Most critically, Einbinder traces the continuity of faith, language, and meaning through the years of the plague and its aftermath. Both before and after the Black Death, Jewish texts that deal with tragedy privilege the communal over the personal and affirm resilience over victimhood. Combined with archival and archaeological testimony, these texts ask us to think deeply about the men and women, sometimes perpetrators as well as victims, who confronted the Black Death. As devastating as the Black Death was, it did not shatter the modes of expression and explanation of those who survived it--a discovery that challenges the applicability of modern trauma theory to the medieval context.

In September 1791, two years after the Revolution, French Jews were granted full rights of citizenship. Scholarship has traditionally focused on this turning point of emancipation while often overlooking much of what came before. In Rites and Passages, Jay R. Berkovitz argues that no serious treatment of Jewish emancipation can ignore the cultural history of the Jews during the ancien régime. It was during the late seventeenth and eighteenth centuries that several lasting paradigms emerged within the Jewish community—including the distinction between rural and urban communities, the formation of a strong lay leadership, heightened divisions between popular and elite religion, and the strain between local and regional identities. Each of these developments reflected the growing tension between tradition and modernity before the tumultuous events of the French Revolution.Rites and Passages emphasizes the resilience of religious tradition during periods of social and political turbulence. Viewing French Jewish history through the lens of ritual, Berkovitz describes the struggles of the French Jewish minority to maintain its cultural distinctiveness while also participating in the larger social and economic matrix. In the ancien régime, ritual systems were a formative element in the traditional worldview and served as a crucial repository of memories and values. After the Revolution, ritual signaled changes in the way Jews related to the state, French society, and French culture. In the cities especially, ritual assumed a performative function that dramatized the epoch-making changes of the day. The terms and concepts of the Jewish religious tradition thus remained central to the discourse of modernization and played a powerful role in helping French Jews interpret the diverse meanings and implications of emancipation. Introducing new and previously unused primary sources, Rites and Passages offers a fresh perspective on the dynamic relationship between tradition and modernity.