"From a New York Times best-selling author, psychotherapist, and national advice columnist, a hilarious, thought-provoking, and surprising new book that takes us behind the scenes of a therapist's world--where her patients are looking for answers (and so is she)"--

"Known for her outstanding performances on The Good Wife and ER, Julianna Margulies now unleashes her sharp talent with a powerful debut memoir chronicling her life and her work, examining from within, her journey from chaos to calm. "When an actor is on a long running television show, especially when the writing is superb as was the case with The Good Wife, the character becomes a second skin; they grow as you grow, they change as you change. Being an actress gives me the luxury of discovering myself. All the feelings that came up from playing Alicia allowed me to look back at my life and tap into my own vulnerability. My personal fear of the unknown reared its ugly head as I studied this character, most likely stemming from the ever-present unpredictability of my childhood." - From the Introduction An apple-cheeked bubbly child, Julianna Margulies was bestowed the nickname "Sunshine Girl" by her mother at an early age. Raised between two divorced parents, often on different continents, Julianna quickly learned how to be of value to her eccentric mother and her absent father. Raised in fairly unconventional ways in various homes in Paris, England, New York, and New Hampshire, Julianna's role among the turmoil and uncertainty that her parents generated, was to comfort those around her, find organization among the disorder, and eventually make her way in the world as a young adult and eventually an Award-winning actress. Along the way, there were failed romances, difficult choices, and overwhelming rejections. But there was also the moment that fate, faith, and talent assembled in a perfect storm that lead to the roles of a lifetime, both professionally and personally. Sunshine Girl is an accomplished coming of age story that offers readers a rich sense of relatability as well as the intimate details of a life unimagined"--

Janina Bauman was a year older than Anne Frank when the Second World War began but, unlike The Diary of Anne Frank, this is a story of survival. When Hitler's decree forced her family into the Warsaw Ghetto, Janina, an intelligent, lively girl, suddenly found herself in a cramped flat, hiding with other Jewish families. At first even curfews and the casual cruelty meted out by the German occupiers could not dim her passion for books, boys and romance. Then came the raids, and Janina, with her sister and mother, had to keep on the move, hiding in the ruins of the ghetto to avoid being one of thousands rounded up every day and deported to the camps. Their escape to the 'Aryan' side was followed by two years in hiding, taking shelter with those willing to help them and living in constant fear of betrayal. Told through her teenage diaries, giving her story a rare immediacy, this is the extraordinary tale of a passionate young woman's courage and survival.

After a childhood spent on Hollywood film sets, Meghan Markle fought hard for stardom. But even when she landed her breakthrough role on Suits, her dream of worldwide celebrity remained elusive until she met the man who would change her life--Prince Harry. Their whirlwind romance culminated with Meghan's ultimate fairy tale ending: their 2018 wedding at Windsor Castle. Finally, the world was her stage. It seemed that the dizzying success of the wedding between the new Duke and Duchess of Sussex marked the beginning of a fresh era for the British Royal Family. Yet, within one tumultuous year, the dream became a nightmare. Now, with extensive research and exclusive insider interviews, Britain's leading investigative biographer unravels the tangled web of courtroom drama, courtier politics, and thwarted childhood dreams to reveal this story of love, betrayal, secrets, deceit, and revenge.

In 2011, when she was in her late fifties, beloved author and journalist Joyce Maynard met the first true partner she had ever known. Then, just after their one-year wedding anniversary, her new husband was diagnosed with pancreatic cancer. During the nineteen months that followed, as they battled his illness together, she discovered for the first time what it really meant to be a couple - to be a true partner and to have one. This is their story. Charting the course through their whirlwind romance, a marriage cut short by tragedy, and Joyce's return to singleness on new terms, 'The Best of Us' is a heart-wrenching, ultimately life-affirming reflection on coming to understand true love

"This account of Philip Roth traces the psychological and artistic origins of his creative life. It examines the major events of his career, while identifying a series of personal themes in his writing, from his relationship with Judaism to family, marriage, Eastern Europe and America. It addresses his private challenges from romance and health, to surviving as a writer burdened with success. The book also reflects how living outside the United States, initially in Italy and then England, plus his visits to Eastern Europe and exposure to their oppressed writers affected his writing. In particular, it primed him for a new engagement with American political and social history, resulting in a renewed determination to re-write America through his American trilogy and The Plot Against America. Although chronology is the framework, this is a thematic reading of Roth's life and career with attention to family, self-identity and success. A set of contrasting angles form this approach, beginning with his prolonged sense of discontent, yet public image of success, his search for sustained relationships but then decision to end them, his idealization of his parents but persistent undercurrent of criticism. Three overlapping issues provide the impetus for this reading: the aesthetic, the emotional and the historical. The lasting importance of such themes as anger, betrayal and failure has a vital role in understanding Roth's character and work. So, too, does his sense of performance on and off the page. Location is also significant and there are extensive discussions of Newark, London, Iowa, Prague and rural Connecticut. Particular attention to writers of the Holocaust, notably Primo Levi and Aharon Appelfeld, and contemporaries such as Saul Bellow and Bernard Malamud, also frame the narrative along with discussions of John Updike, Cynthia Ozick, Norman Mailer, Nadine Gordimer and Nicole Krauss. Works receiving special attention are Portnoy's Complaint, The Ghost Writer, Sabbath's Theater and the American trilogy. The shifting patterns of Roth's writing style, often related to changes in his physical and psychological health, are also considered. But more importantly is Roth's character and how early incidents formed later behavior, especially his inability to forget the past, particularly an insult or criticism. Analysis of his life with his two wives, Margaret (Maggie) Williams and Claire Bloom also occurs, as well as his relationships with other women. Further commentary focuses on Roth's illnesses and his life after he publically announced that he had stopped writing"--

During the hard and bitter years of his youth in England, Harry Bernstein’s selfless mother never stops dreaming of a better life in America, no matter how unlikely. Then, one miraculous day when Harry is twelve years old, steamship tickets arrive in the mail, sent by an anonymous benefactor. Suddenly, a new life full of the promise of prosperity seems possible–and the family sets sail for America, meeting relatives in Chicago. For a time, they get a taste of the good life: electric lights, a bathtub, a telephone. But soon the harsh realities of the Great Depression envelop them. Skeletons in the family closet come to light, mafiosi darken their doorstep, family members are lost, and dreams are shattered. In the face of so much loss, Harry and his mother must make a fateful decision–one that will change their lives forever. And though he has struggled for so long, there is an incredible bounty waiting for Harry in New York: his future wife, Ruby. It is their romance that will finally bring the peace and happiness that Harry’s mother always dreamed was possible.

"Philip Roth (1933-2018) is one of the most celebrated American writers of his age. Born in Newark, New Jersey -- where his short stories and thirty-one books were often set -- he wrote with immense ambition and drive, along with a keen awareness of what must be done to produce great literature. Yet despite rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances, he viewed himself as socially withdrawn, living much like an "unchaste monk" (his words). In this original and lucid biography, Steven J. Zipperstein captures Roth's complex life and the astonishing range of his self-reflective writings-from "Goodbye, Columbus" and "Portnoy's complaint" to the Pulitzer Prize-winning "American pastoral" and "The plot against America." Employing extensive archival research and well over one hundred interviews, including conversations with Roth himself, Zipperstein provides an intimate and probing look at one of the twentieth century's most influential authors, placing his work in the context of Jewishness, freedom, and sexuality in America"-- Provided by publisher.

This dual biography reveals, as never before, the secret life and the extraordinary relationship of Hollywood's legendary pair: Greta Garbo and Cecil Beaton, the celebrated Hollywood photographer who immortalized her image. With provocative details about their personal lives and a subtle focus on their work, Diana Souhami divulges the secrets of Greta and Cecil's unconventional loves and obsessions. It is a compelling tale of a strange romance where boundaries merge between image and reality, fact and fantasy, male and female, and art and life. Their ardent affair, Garbo's discreet liaisons with the women she loved, and Beaton's charismatic yet emotionally distraught personality are brought to life in Diana Souhami's hallmark style. Photographs, letters, and a wealth of new research reveal the obsessions, true desires, and secrets of Hollywood behind closed doors.

Many books in Japanese have been devoted to the poet and critic Ishikawa Takuboku (1886-1912). Although he died at the age of twenty-six and wrote many of his best-known poems in the space of a few years, his name is familiar to every literate Japanese. Takuboku's early death added to the sad romance of the unhappy poet, but there has been no satisfactory biography of his life or career, even in Japanese, and only a small part of his writings have been translated. His mature poetry was based on the work of no predecessor, and he left no disciples. Takuboku stands unique. Takuboku's most popular poems, especially those with a humorous overlay, are often read and memorized, but his diaries and letters, though less familiar, contain rich and vivid glimpses of the poet's thoughts and experiences. They reflect the outlook of an unconstrained man who at times behaved in a startling or even shocking manner. Despite his misdemeanors, Takuboku is regarded as a national poet, all but a saint to his admirers, especially in the regions of Japan where he lived. His refusal to conform to the Japan of the time drove him in striking directions and ranked him as the first poet of the new Japan.

"Phoning Home is a collection of entertaining and thought-provoking essays featuring the author's quirky family, his Jewish heritage, and his New York City upbringing. Jacob M. Appel's recollections and insights, informed and filtered by his advanced degrees in medicine, law, and ethics, not only inspire nostalgic feelings but also offer insight into contemporary medical and ethical issues. At times sardonic and at others self-deprecating, Appel lays bare the most private aspects of his emotional life. "We'd just visited my grandaunt in Miami Beach, the last time we would ever see her. I had my two travel companions, Fat and Thin, securely buckled into the backseat of my mother's foul-tempered Dodge Dart," writes Appel of his family vacation with his two favorite rubber cat toys. Shortly thereafter Fat and Thin were lost forever--beginning, when Appel was just six years old, what he calls his "private apocalypse." Both erudite and full-hearted, Appel recounts storylines ranging from a bout of unrequited love gone awry to the poignant romance of his grandparents. We learn of the crank phone calls he made to his own family, the conspicuous absence of Jell-O at his grandaunt's house, and family secrets long believed buried. The stories capture the author's distinctive voice--a blend of a physician's compassion and an ethicist's constant questioning. "--

Musically Speaking A Life Through Song Dr. Ruth K. Westheimer "Touching and frequently witty."-- Publishers Weekly "Dr. Ruth sees music as a kind of conscience. Melody is something she has measured her life on. It's an extraordinary story, her story."--Bono "Dr. Ruth shows us how and why music functions in her life, with lessons for all of us. A real gem of a book."--Wynton Marsalis "A wonderful book, both moving and delightful. With her customary charm and brio, Westheimer shares with us how a life can be shaped by music. Brava!"--Zubin Mehta "Who would have thought that when Dr. Ruth finally explained the rhythm method, she'd be talking about music? To read her is to know her, to know her is to adore her."--Harvey Fierstein "Music, I have come to realize, is for me a kind of golden thread running through my life. It has helped maintain my connection with the past that otherwise might have been severed by catastrophe and time. I am often asked--indeed, I often wonder myself--why it is that I should always have had such joie de vivre in the face of the losses and dislocations I had to endure in my early years. The answer I always gave was that the warmth and security of my early childhood had a remarkable power and influence. This is certainly true. But now I have realized that there is another part to the answer. And that is music."--from the introduction Who among us does not have a song that triggers vivid memories--of jubilation, of belonging, of sorrow, of love? In Musically Speaking , Dr. Ruth K. Westheimer, one of America's most beloved personalities, has written a warm and contemplative book about the role music has played in her life and the ineradicable traces it has left on her thoughts, emotions, her very being. In this memoir through song, Dr. Ruth invites us to share her story from a uniquely musical perspective. By the time she was thirty, Ruth Westheimer had lived in five countries, each with a distinctive musical culture, each with a different hold on her sensibility. For the first ten years of her life, the comforting melodies of childhood helped drown out the anthems of Nazism to be heard elsewhere in her native Germany; as an adolescent refugee in Switzerland, she came to be aware that, however loudly she sang the patriotic songs of the land that gave her shelter, she could never truly be at home there. Present at the creation of the modern state of Israel, she sang and danced to the new music of a new nation; as a young woman eagerly absorbing all that Paris had to offer in the way of romance and worldliness in the early 1950s, the songs of Edith Piaf, Mouloudji, and Yves Montand were her tutors. An almost accidental emigration to America brought new challenges and new stability, as she became a wife, mother, and professional; tremendous and unforeseen celebrity came later, and with it the giddy opportunity to indulge her love of music as never before. Dr. Ruth K. Westheimer is a psychosexual therapist who pioneered the field of media therapy. She is author of 24 books. An Adjunct Professor at New York University, she also holds visiting appointments at Princeton and Yale. Personal Takes 2003 152 pages 5 1/2 x 8 1/2 ISBN 978-0-8122-3746-7 Cloth $24.95t £16.50 ISBN 978-0-8122-0835-1 Ebook $24.95t £16.50 World Rights Biography, Music

Streaming Video on Love In Black & White now available at Expandedbooks.com Most Americans regard the World War II period as belonging to the "greatest generation," but it was also a time when religious intolerance and racial violence flourished. Shamefully, it was commonplace to see signs that read "Whites Only" or "Jews Not Allowed." It is within this world that this compelling memoir is set. William Cohen, born in Bangor, Maine, was the eldest son of a Jewish father and a Protestant Irish mother. Janet Langhart, an African-American, was raised in Indianapolis, Indiana by her single parent mother, a Southern Baptist. The book draws fascinating parallels between the histories of two people from different regions, races, and religions, as both are witnesses to and targets of the social tensions of the day. Throughout Love in Black and White, readers accompany Bill and Janet in their struggle to overcome to the barriers of ethnic and racial bigotry and hatred. The stories are rich and profound. At times they are amusing. Other times, harrowing. Against impossible odds, Bill would be elected to serve his country as a U.S. Congressman and Senator, and Janet would become a prominent television personality, activist, and highly respected businesswoman and author. Opposites in so many ways―in color, faith and culture―seemingly a bundle of contradictions, they meet in 1974, become friends, and eventually fall in love. They decide to marry on Valentine's Day 1996 in the very place that once harbored some of the nation's most prominent racists-the U.S. Capitol. They receive the surprise of a lifetime when Bill is asked by President Bill Clinton to serve as the nation's 20th Secretary of Defense. It is a calling that proves to be life transforming for both him and Janet, as they lead, inspire and bring comfort to the men and women who defend our nation. It is at the Pentagon where they witness just how powerful our nation ca

"Once upon a time there were three men who exemplified, without knowing it, my ideal in life. All of them became famous as writers, influential thinkers, and public figures. Their names are Clifton Fadiman, Lionel Trilling, and Jacques Barzun. They met in college, they remained aware of one another as friends or, if less than friends, companions and fellow crusaders on behalf of similar ideals. Although one of them never knew of my existence, the second ignored it, and the third treated me with formal kindness, without them I would have had no concrete model in my youth of what I wanted to become. Theirs was the universe in which I wished to have my being." With these words, Carolyn Heilbrun begins a personal, pointed, and surprisingly moving account of how a woman, destined to become one of the leading feminist critics of her day as well as one of our most popular mystery novelists, found the models for the life she aspired to in men who neither imagined nor countenanced women as their equals or colleagues. Remembering these three figures as they were when she hung upon their printed words and professorial presences, reappraising them now half a century later, Heilbrun vividly evokes what these remarkable individuals had to offer to an admiring young woman who could not acknowledge—and later would not accept—the impossibility of following in their paths. In the admired anthologies, magazine articles, and introductions through which Fadiman transmitted the world of high culture to an educated general public, he indicated no devotion to questions of female destiny; yet long before Heilbrun could imagine the life in the academy that was denied to Fadiman but would eventually be hers, his was the career to which she privately aspired. Later, in her days as a graduate student at Columbia, it was Trilling who would have the most powerful intellectual effect upon her, formulating as he did the tensions inherent in the desire to salvage what was of worth from a sad, almost moribund culture, even if he frankly admitted to no interest in teaching women or in considering their destinies beyond the domestic sphere. Only the courtly Barzun, also a mentor at Columbia, seemed capable of respecting female accomplishment and eschewing stereotyped views of women. Yet together, all three men unconsciously made Heilbrun's life as a feminist possible, by representing both what she wished to join and what she needed to struggle against. When Men Were the Only Models We Had is a loving, admiring, but stringent account of youthful enthusiasms, of the romance of ideas, of the intellectual brilliance of three unwitting mentors, and of the hopelessness of female ambition in the years before the feminist movement of the last three decades of the last century. And it is, in the end, a book that offers splendid proof that the models we once had are no longer the only ones before us.

Norma Barzman is a blacklisted writer living in Southern France. Henry Myers is her beloved cousin, a former member of the Algonquin circle who has found his writing talent diminished with age, and is living an isolated life in New York City. When Norma invites Henry to Italy to realize their mutual dream of traveling together to Cremona to write about the mysterious origins of violin making, neither one could have anticipated the explosive consequences of their journey. But their adventure opens a Pandora's box of long-suppressed emotions, family secrets, and forces each to reassess their feelings towards each other, and themselves.

Solotaroff was one of the notable intellectuals of his generation, the founder of the New American Review, editor and friend of Philip Roth, and editor-in-chief at HarperCollins. Solotaroff reveals himself here as a thinking man with a big heart and gaping wounds of love that are not disconnected from the contributions he has made to American culture throughout his career. Solotaroff turns back to the earliest pages of his romance with Lynn, remembering his first sighting of her emerging from the water as if from a dream. Yet the image, as he penetrates the intervening layers of sorrow and disappointment, is almost impossibly distant, fragile. First Loves reenacts the blurring of a perfect conception in the mind of a man who would devote his life to precision of thought and word. This opposition, of romantic and intellectual passion, drives the narrative and eventually brings it to crisis. First Loves could be described as a very private feat of honesty from a public intellectual. Solotaroff’s willingness to admit the failures, personal and professional, alongside the triumphs of his career gives a three-dimensional intensity to the emotions on the page. Working with all of the gritty and romantic elements of his storied life, Solotaroff manages to avoid a tone too heroic or honey-dipped; he manages simply to tell the tale.

International fashion icon Jeanne Beker dishes on her life on and off the runway More than 30 years ago, Jeanne Beker set out to live a life that was not just great, but extraordinary . In Finding Myself in Fashion , she recalls some of the high and low points of the turbulent past decade. Personally, she dealt with heartbreak (the end of her marriage) and rediscovered romance. Professionally, she suffered setbacks that became learning experiences leading to new career paths. She travelled the world with FQ Magazine ; witnessed epic events and conducted intimate interviews as a fashion reporter; launched her own clothes labels; wrote newspaper columns; and hosted or appeared on innumerable television shows. Through it all, both at home and at work, she stuck to her youthful resolution. This is Jeanne's candid account of a life lived to the max.

Finalist for the Los Angeles Times Book Prize (Biography) A Hollywood love story, a Hollywood memoir, a dual biography of two of Hollywood's most famous figures, whose golden lives were lived at the center of Hollywood's golden age, written by their daughter, an acclaimed writer and producer. Fay Wray was most famous as the woman--the blonde in a diaphanous gown--who captured the heart of the mighty King Kong, the twenty-five-foot, sixty-ton gorilla, as he placed her, nestled in his eight-foot hand, on the ledge of the 102-story Empire State Building, putting Wray at the height of New York's skyline and cinematic immortality. Wray starred in more than 120 pictures opposite Hollywood's biggest stars--Spencer Tracy, Gary Cooper ( The Legion of the Condemned, The First Kiss, The Texan, One Sunday Afternoon ), Clark Gable, William Powell, and Charles Boyer; from cowboy stars Hoot Gibson and Art Accord to Ronald Colman ( The Unholy Garden ), Claude Rains, Ralph Richardson, and Melvyn Douglas. She was directed by the masters of the age, from Fred Niblo, Erich von Stroheim ( The Wedding March ), and Mauritz Stiller ( The Street of Sin ) to Leo McCarey, William Wyler, Gregory La Cava, "Wild Bill" William Wellman, Merian C. Cooper ( The Four Feathers, King Kong ), Josef von Sternberg ( Thunderbolt ), Dorothy Arzner ( Behind the Make-Up ), Frank Capra ( Dirigible ), Michael Curtiz ( Doctor X ), Raoul Walsh ( The Bowery ), and Vincente Minnelli. The book's--and Wray's--counterpart: Robert Riskin, considered one of the greatest screenwriters of all time. Academy Award-winning writer (nominated for five), producer, ten-year-long collaborator with Frank Capra on such pictures as American Madness, It Happened One Night, Mr. Deeds Goes to Town, Lost Horizon, and Meet John Doe, hailed by many, among them F. Scott Fitzgerald, as "among the best screenwriters in the business." Riskin wrote women characters who were smart, ornery, sexy, always resilient, as he perfected what took full shape in It Happened One Night, the Riskin character, male or female--breezy, self-made, streetwise, optimistic, with a sense of humor that is subtle and sure. Fay Wray and Robert Riskin lived large lives, finding each other after establishing their artistic selves and after each had had many romantic attachments--Wray, an eleven-year-long difficult marriage and a fraught affair with Clifford Odets, and Riskin, a series of romances with, among others, Carole Lombard, Glenda Farrell, and Loretta Young. Here are Wray's and Riskin's lives, their work, their fairy-tale marriage that ended so tragically. Here are their dual, quintessential American lives, ultimately and blissfully intertwined.