A dazzling and devastating memoir -- Girl Interrupted for the Juno generation. Talented, prolific and charming, Emma Forrest was settled in Manhattan at twenty-two and on contract to the Guardian when she realized that her quirks had gone beyond eccentricity, past the warm waters of weird and into those cold, deep patches of the sea where people lose their lives. Lonely, in a dangerous cycle of cutting and bulimia, and drawn inexplicably to damaging and cruel relationships, she found herself in the chair of a slim, balding and effortlessly optimistic psychiatrist -- a man whose wisdom and humanity would wrench her from the vibrant and dangerous tide of herself, and who would help her to recover when she tried to end her life. Emma's loving and supportive family and friends circled around her in panic. Like Ophelia, Emma was on the brink of drowning. But she was also still working, still exploring, still writing. And then she fell in love. One day, when Emma called to make an appointment with her psychiatrist, she found no one there. He had died, shockingly, at the age of fifty-three, leaving behind a young family for whom he had fought to survive. Processing the premature doorstep, a failed suicide, she was adrift. And when her significant and all-consuming relationship also fell apart, she was forced to cling to the page for survival. Your Voice in My Head is spiked with wit, humour and unique perception. It not only explores the crashing weight of depression, mania and suffering, but also the beauty of love and the heartbreak of loss. It is also, fundamentally, about our relationship with ourselves.

The National Book Award winner from Pulitzer Prize-winning author A. Scott Berg is now celebrating its 40th anniversary. The talents he nurtured were known worldwide: F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, and numerous others. But Maxwell Perkins remained a mystery, a backstage presence who served these authors not only as editor but also as critic, career manager, moneylender, psychoanalyst, father-confessor, and friend. This outstanding biography, a winner of the National Book Award, is the first to explore the fascinating life of this genius editor extraordinare --in both the professional and personal domains. It tells not only of Perkins's stormy marriage, endearing eccentricities, and secret twenty-five-year romance with Elizabeth Lemmon, but also of his intensely intimate relationships with the leading literary lights of the twentieth century. It is, in the words of Newsweek , "an admirable biography of a wholly admirable man." The basis for the Major Motion Picture Genius , Starring Colin Firth, Nicole Kidman, and Jude Law.

StoryCorps founder Dave Isay shares stories of love and marriage from the revolutionary oral history project, revealing the many and remarkable paths that relationships can take. From the excitement of courtship to the deep connection of lifelong commitment, we discover that love is found in the most unexpected of places and witness the life-affirming joy of partnership, the comfort of shared sorrows, and profound gratitude in the face of loss.

From The New York Times best-selling author of Paris to the Moon and beloved New Yorker writer, a memoir that captures the romance of New York City in the 1980s. When Adam Gopnik and his soon-to-be-wife, Martha, first arrived in 1980, New York City was a pilgrimage site for the young, the arty, and the ambitious. But it was also becoming a place where both life’s consolations and its necessities were increasingly going to the highest bidder. At the Strangers’ Gate is a vivid portrait of this time, told through the story of one couple’s journey—from their excited arrival as aspiring artists to their eventual growth into a New York family. Through a series of comic mini-anthropologies that capture the fashion, publishing, and art worlds of the era, Adam Gopnik transports us from his tiny basement room on the Upper East Side to a SoHo loft, from his time as a graduate student-cum-library-clerk to the galleries of MoMA. Filled with tender and humorous reminiscences—including affectionate reflections on Richard Avedon, Robert Hughes, and Jeff Koons, among many others— At the Strangers’ Gate is an ode to New York striving.

The memoirs of Mary Rodgers—writer, composer, Broadway royalty, and “a woman who tried everything.” “What am I, bologna?” Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent’s overwhelming gift, to become not just a theater figure in her own right but also a renowned author of books for young readers (including the classic Freaky Friday ) and, in a final grand turn, a doyenne of philanthropy and the chairman of the Juilliard School. But in telling these stories—with copious annotations, contradictions, and interruptions from Jesse Green, the chief theater critic of The New York Times — Shy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Whether writing for Judy Holliday or Rin Tin Tin, dating Hal Prince or falling for Stephen Sondheim over a game of chess at thirteen, Rodgers grabbed every chance possible—and then some. Both an eyewitness report from the golden age of American musical theater and a tale of a woman striving for a meaningful life, Shy is, above all, a chance to sit at the feet of the kind of woman they don’t make anymore—and never did. They make themselves.

Genet...Beckett...Burroughs...Miller...Ionesco, Oe, Duras. Harold Pinter and Tom Stoppard. Hubert Selby Jr. and John Rechy. The legendary film I Am Curious (Yellow) . The books that assaulted the fort of propriety that was the United States in the 1950s and '60s, Lady Chatterley's Lover and The Tropic of Cancer. The Evergreen Review. Victorian "erotica." The Autobiography of Malcolm X . A bombing, a sit-in, and a near-fistfight with Norman Mailer. The common thread between these disparate elements, a number of which reshaped modern culture, was Barney Rosset. Rosset was the antidote to the trope of the "gentleman publisher" personified by other pioneering figures of the industry such as Alfred A. Knopf, Bennett Cerf and James Laughlin. If Barney saw a crowd heading one way--he looked the other. If he knew something was forbidden, he regarded it as a plus. Unsurprisingly, financial ruin, along with the highs and lows of critical reception, marked his career. But his unswerving dedication to publishing what he wanted made him one of the most influential publishers ever. Rosset began work on his autobiography a decade before his death in 2012, and several publishers and a number of editors worked with him on the project. Now, at last, in his own words, we have a portrait of the man who reshaped how we think about language, literature--and sex. Here are the stories behind the filming of Norman Mailer's Maidstone and Samuel Beckett's Film ; the battles with the US government over Tropic of Cancer and much else; the search for Che's diaries; his romance with the expressionist painter Joan Mitchell, and more. At times appalling, more often inspiring, never boring or conventional: this is Barney Rosset, uncensored. Illustrated with black-and-white photographs; includes index

A poignant, informal portrait remembers the film legend through anecdotes about her personal life, her secret fantasies, and her ever-fluctuating moods, speculations on her romances and untimely demise, and candid photographs.

A funny and evocative coming-of-age memoir by Robert Klein, the beloved and award-winning comedian who has entertained audiences for more than four decades. Best known for his unique brand of observational humor—seen on Broadway and in film and television—Klein details his life from ages nine to twenty-five as seen “through the gauze of time.” Klein’s theme park of memories alternates dark moments with sunlit humor. Teenage frustrations prompted a visit to a Harlem prostitute, which filled Klein with “shame and triumph and guilt.” He encountered individual and institutional anti-Semitism at Alfred University, yet led the frat house fun, moving on to the Yale School of Drama, Chicago’s Second City, New York theater and a variety of romances. Along the way, Klein had successes and failures, both in bed and on stage. Probing not only his own psyche but also the evolution of sexual mores during the 1950s and ‘60s, he unfurls an array of captivating anecdotes, writing with wry wit and honesty.

“Amy Webb found her true love after a search that's both charmingly romantic and relentlessly data-driven. Anyone who uses online dating sites must read her funny, fascinating book.”—Gretchen Rubin, #1 New York Times bestselling author of The Happiness Project After yet another disastrous date, Amy Webb was preparing to cancel her JDate membership when epiphany struck: her standards weren’t too high, she just wasn’t approaching the process the right way. Using her gift for data strategy, she found which keywords were digital-man magnets, analyzed photos, and then adjusted her (female) profile to make the most of that intel. Then began the deluge—dozens of men who actually met her own stringent requirements wanted to meet her. Among them: her future husband, now the father of her child.

'To live through Josephine - that is the story of my life.' So wrote the young General Bonaparte a few weeks after his marriage to the soignée and seductive widow, Josephine de Beauharnais. And although Napoleon's marriage was certainly not the whole story of his extraordinary life, it was one of the most fascinating aspects of it. Theirs was an attraction of opposites. The couple suited each other very well, with Josephine's charm and languor serving as an excellent foil for Napoleon's brusqueness and energy. Throughout his spectacular rise to power and years of triumph, Josephine proved a graceful and accomplished consort. Yet their relationship was anything but tranquil. Besotted by Josephine during the early years of their marriage, Napoleon - in the face of her indifference and infidelity - gradually became less obsessed by her, while she, in turn, became progressively more enamoured of him. As a result, their relationship developed into one of the most intriguing, tempestuous and touching in history. Napoleon, although disillusioned, never really ceased to love Josephine and it was only her inability to bear him a child, and so present his Empire with an heir, that led him to divorce her. 'If he was ever really stirred by any emotion, ' claimed one of the Empress Josephine's confidantes, 'it was by her and for her.' Their story remains, quite simply, one of the greatest love stories in the world. Theo Aronson, well known for his incisive and readable royal biographies, has found the ideal subject in the story of Napoleon and Josephine. By incorporating all the recent findings on the couple - such as the new view of Napoleon's parents, Josephine's love letters to Hippolyte Charles, Napoleon's complex sexual orientation - and by making full use of his own talent for narrative and characterisation, the author has been able to present this famous romance in a fresh and absorbing fashion.

Katie Roiphe’s stimulating work has made her one of the most talked about cultural critics of her generation. Now this bracing young writer delves deeply into one of the most layered of subjects: marriage. Drawn in part from the private memoirs, personal correspondence, and long-forgotten journals of the British literary community from 1910 to the Second World War, here are seven “marriages à la mode”—each rising to the challenge of intimate relations in more or less creative ways. Jane Wells, the wife of H.G., remained his rock, despite his decade-long relationship with Rebecca West (among others). Katherine Mansfield had an irresponsible, childlike romance with her husband, John Middleton Murry, that collapsed under the strain of real-life problems. Vera Brittain and George Gordon Catlin spent years in a “semidetached” marriage (he in America, she in England). Vanessa Bell maintained a complicated harmony with the painter Duncan Grant, whom she loved, and her husband, Clive. And her sister Virginia Woolf, herself no stranger to marital particularities, sustained a brilliant running commentary on the most intimate details of those around her. Every chapter revolves around a crisis that occurred in each of these marriages—as serious as life-threatening illness or as seemingly innocuous as a slightly tipsy dinner table conversation—and how it was resolved…or not resolved. In these portraits, Roiphe brilliantly evokes what are, as she says, “the fluctuations and shifts in attraction, the mysteries of lasting affection, the endurance and changes in love, and the role of friendship in marriage.” The deeper mysteries at stake in all relationships.

Life Is a Wheel chronicles the cross-country bicycle trip Bruce Weber made at the age of fifty-seven, an “entertaining travel story filled with insightful thoughts about life, family, and aging” (The Associated Press). During the summer and fall of 2011, Bruce Weber, an obituary writer for The New York Times , bicycled across the country, alone, and wrote about it as it unfolded. Life Is a Wheel is the witty, inspiring, and reflective diary of his journey, in which the challenges and rewards of self-reliance and strenuous physical effort yield wry and incisive observations about cycling and America, not to mention the pleasures of a three-thousand-calorie breakfast. The story begins on the Oregon coast, with Weber wondering what he’s gotten himself into, and ends in triumph on New York City’s George Washington Bridge. From Going-to-the-Sun Road in the northern Rockies to the headwaters of the Mississippi and through the cityscapes of Chicago and Pittsburgh, his encounters with people and places provide us with an intimate, two-wheeled perspective of America. And with thousands of miles to travel, Weber considers his past, his family, and the echo that a well-lived life leaves behind. Part travelogue, part memoir, part romance, part paean to the bicycle—and part bemused and panicky account of a middle-aged man’s attempt to stave off, well, you know— Life Is a Wheel is “a book for cyclists, and for anyone who has ever dreamed of such transcontinental travels. But it also should prove enlightening, soul-stirring, even, to those who don’t care a whit about bikes but who care about the way people connect” ( The Philadelphia Inquirer ).

A Rolls Royce Silver Cloud drove him to airports; the British film industry kowtowed to his power; the great Hollywood studios fawned at his feet.Sir Alexander Korda, one of the world's most flamboyant movie tycoons, rose from obscurity in rural Hungary to become a legendary filmmaker. With him were his brothers, Zoltan and Vincent, all living charmed lives in circles that included H. G. Wells, Sir Lawrence Olivier, Marlena Dietrich, Vivien Leigh, and Merle Oberon, who was soon to be Alex's wife. But along with Alex's flair for success was an equally powerful impulse for destruction. Now, Vincent's son, Michael Korda, in the first book of his memoirs, recalls the enchanted figures of his childhood...the glory days of the Korda brothers' great films...and then their heartbreaking, tragic end.

Here, for the first time, is an all-embracing account of the loves of that royal womaniser, Edward VII, as Prince of Wales and King. It is also a study of the three women with whom the King was most deeply in love - his `official' mistresses, Lillie Langtry, Daisy Warwick and Alice Keppel. In their different ways, all three were exceptional personalities; Lillie Langtry, the socially ambitious girl from the vicarage, became a famous actress; Daisy Warwick, an immensely wealthy heiress and social butterfly, was converted to socialism; Alice Keppel, probably the King's greatest love, developed into an astute and fascinating figure in her own right. Spanning three decades and packed with incident, scandal and high romance, the story is set in the extravagant and hypocritical world of late Victorian and Edwardian society. It is full of colourful characters: Edward's beautiful and betrayed wife Alexandra; the three cuckolded husbands - Edward Langtry, the Earl of Warwick and the Hon. George Keppel; the flamboyant Oscar Wilde; the sensuous Sarah Bernhardt; the dissipated Prince Albert Victor; and the sexually complex W.E. Gladstone. The King in Love challenges long-established myths and reveals much that was hitherto unknown: not least the extraordinary scene that took place at the deathbed of King Edward VII. The result is a brilliant evocation of a world, and a way of life that has gone forever.

In "Men I'm Not Married To," Dorothy Parker offers a sharp, witty collection of essays and character sketches that explore the complexities of love, desire, and disillusionment through her incisive lens. Known for her acerbic humor and keen observations of the societal norms of her time, Parker employs a conversational yet poignant literary style, weaving personal anecdotes with broader social critiques. This work emerges from the early 20th century, a pivotal era in American literature marked by a burgeoning feminism and shifting gender dynamics, which Parker critiques with a blend of irony and authenticity. Dorothy Parker, a prominent member of the Algonquin Round Table, was known for her biting wit and advocacy for women's rights, often reflecting her personal experiences with romance and disappointment. Her own tumultuous relationships and her struggles within the patriarchal society profoundly influenced her writing. Parker's work not only illuminates her individual concerns but also resonates with the broader existential questions of her generation, establishing her as a significant voice in American literature. "Men I'm Not Married To" is an essential read for those who appreciate humor laced with wisdom. Parker's insightful commentary on relationships remains relevant, inviting readers to reflect on the intricacies of human connections, making this collection a timeless exploration of love's transient nature.

This astonishing true story is the tale of a young American man who was sent to the Soviet Union with his parents by the Ford Motor Company to set up an auto plant. He was eventually thrown into Soviet prisons and could not return to America until forty-five years later. During his life in and out of Russian prisons, he met and fell in love with a beautiful Russian gymnast who followed him into exile and lived with him and their child for a year in Siberia, in a caved chopped out under the ice. Theirs is the compelling story of a romance destined to thrive under even the most desperate conditions. It was 1938 when Victor Herman was inexplicably thrown into prison, after he had become a celebrity in the Soviet Union, having won acclaim as "the Lindbergh of Russia" for his flying and world-record-breaking parachute jumps. But what happened to him was a common nightmare during the Stalin years: those who survived imprisonment and torture were sent north to hard labor in the icy forests an

The Memory of All That is Katharine Weber’s memoir of her extraordinary family. Her maternal grandmother, Kay Swift, was known both for her own music (she was the first woman to compose the score to a hit Broadway show, Fine and Dandy ) and for her ten-year romance with George Gershwin. Their love affair began during Swift’s marriage to James Paul Warburg, the multitalented banker and economist who advised (and feuded with) FDR. Weber creates an intriguing and intimate group portrait of the renowned Warburg family, from her great-great-uncle, the eccentric art historian Aby Warburg, whose madness inspired modern theories of iconography, to her great-grandfather Paul M. Warburg, the architect of the Federal Reserve System whose unheeded warnings about the stock-market crash of 1929 made him “the Cassandra of Wall Street.” As she throws new light on her beloved grandmother’s life and many amours, Weber also considers the role the psychoanalyst Gregory Zilboorg played in her family history, along with the ways the Warburg family has been as celebrated for its accomplishments as it has been vilified over the years by countless conspiracy theorists (from Henry Ford to Louis Farrakhan), who labeled Paul Warburg the ringleader of the so-called international Jewish banking conspiracy. Her mother, Andrea Swift Warburg, married Sidney Kaufman, but their unlikely union, Weber believes, was a direct consequence of George Gershwin’s looming presence in the Warburg family. A notorious womanizer, Weber’s father was a peripatetic filmmaker who made propaganda and training films for the OSS during World War II before producing the first movie with smells, the regrettable flop that was AromaRama. He was as much an enigma to his daughter as he was to the FBI, which had him under surveillance for more than forty years, and even noted Katharine’s birth in a memo to J. Edgar Hoover. Colorful, evocative, insightful, and very funny, The Memory of All That is an enthralling look at a tremendously influential—and highly eccentric—family, as well as a consideration of how their stories, with their myriad layers of truth and fiction, have both provoked and influenced one of our most prodigiously gifted writers.

More than three decades have passed since Robert Kennedy was assassinated seeking the Democratic nomination for the presidency. During that time, a powerful legend has grown around him, decreeing that he would have quickly ended the Vietnam War, violence in the cities, and racial and social injustice across the land. Millions of Americans continue to believe that legend. Drawing on his striking interpretation of RFK's character, award-winning historian Ronald Steel examines the life against the legend that Kennedy consciously helped create.

In August 1948, 545 passengers boarded an overcrowded, clapped-out vessel in Marseilles to face an uncertain future in Australia and New Zealand. they came from displaced persons camps in Germany, death camps in Poland, labour camps in Hungary, gulags in Siberia and stony Aegean islands. there were those who had been hunted by the Nazis and those who had welcomed them; those who had followed the Communists and those who had fled from them. the epic voyage lasted almost three months and was marked by conflict and controversy until it seemed as though this hellship had absorbed the traumas of its passengers. As the conditions on board deteriorated, tension and violence simmered above and below decks. But romances and seductions also flourished, and lifelong bonds were formed. Diane Armstrong set sail on the Derna with her parents when she was nine years old. Like a detective searching for clues, she has located over a hundred of the passengers. through their recollections and memorabilia, as well as archival documents, she has recreated the voyage and traced what became of their hopes and dreams. the result is the unique portrayal of a migrant ship and its passengers.

For ten weeks David Brudnoy, Boston's most popular and erudite conservativeradio-talk-show host, had been off the air. When he signed back on, hisfaithful following was prepared for the usual dose of wry humor, Clintonbashing, and brilliant banter. What they got instead was an electrifyinghourlong monologue, unprecedented in the freewheeling world of talk radio, during which Brudnoy confessed, I am a fifty-four-year-old homosexual...I wassuffering the first attack of HIV--the AIDS virus. What followed was an outpouring of support and devotion from an audience notknown for its tolerance of gay issues. With his story, Brudnoy has crossed thatgreat abyss where the personal and political meet. From his near-halcyon youthas an only child growing up in a small Minnesota town to his heady days as astudent at Yale, he recounts with equal doses of humor and candor a coming ofage that, in fits and starts, eventually recognized a sexual preference for menand a political tendency toward the right. Ruminating on matters that rangefrom his own mortality to TV, radio, friends, family, romance, and politics, Life Is Not a Rehearsal offers up the kind of trenchant and intelligentinsights that are Brudnoy's hallmark.A graduate of Yale with a major in Japanese, David Brudnoy went to graduateschool at Harvard (East Asian studies) before getting his Ph.D. in Americanintellectual history at Brandeis. In 1976 he won a full-time talk radio slot atBoston's WHDH, then moved to WRKO in 1981, finally going on to the region'spowerhouse, WBZ, in 1986. In addition to his hugely successful radio show onWBZ, he is a TV commentator, film critic, newspaper essayist on politics andtravel, and teacher ofjournalism at Boston University. Life Is Not a Rehearsal shows that conservatism is not conformity--or aprejudice or a mere establishmentarian life. Conservatism is about fighting forliberty and embracing responsibility, about war and love if you will. DavidBrudnoy is certainly a veteran of both. --P. J. O'Rourke, author of Give War a Chance David Brudnoy tells the personal story behind the public story of hisremarkable life and extraordinary career. He gives us a memoir that willbenefit many others across the country learning to live with AIDS. --Senator Edward M. KennedyThis is a book about love, loyalty, and the nurturing bonds of family andfriendship. And, it is also a book about the coming of age of a brave andhonorable man who has faced the looming spectre of death with the samecourageous honesty that so many of us have long admired in him. --Sherwin B. Nuland, M.D., author of How We Die In this no-holds-barred memoir, Boston's outspoken, conservative, libertarian, gay, agnostically Jewish, living-with-AIDS, college professor and media iconproves once and for all the inadequacy of labels when it comes to defining alife. Life Is Not a Rehearsal is the story of David Brudnoy as only hecould tell it, with characteristic candor, humor, and the self-awareness of onewho has teetered on the edge, gone over the cliff, and lived to tell. And tellhe does --William F. Weld