X-Men mastermind Chris Claremont continues his legendary tenure on Marvel's mutants in this volume - including arguably one of the greatest comic book stories ever written! By 1982, the X-Men had become the biggest franchise in comic books. The engine driving it all was UNCANNY X-MEN, where Chris Claremont's deft character work and potent exploration of the mutant metaphor captivated readers. Claremont continued to find new dramatic heights with artist Paul Smith as they unfurled the growing romance between Kitty Pryde and Colossus, the first appearances of Callisto and the Morlocks, Rogue's debut with the team and the wedding of Cyclops and Madelyne Pryor! Claremont's writing rose to find perhaps his most poignant and challenging expression in his graphic novel with artist Brent Anderson, "God Loves, Man Kills." Meanwhile, he collaborated with Frank Miller on the first WOLVERINE miniseries, which rocketed the character's popularity into the stratosphere! COLLECTING- Uncanny X-Men (1981) 168-175, X-Men Annual (1970) 7, Marvel Graphic Novel (1982) 5, Wolverine (1982) 1-4, material from The Official Handbook of the Marvel Universe (1983)

Spider-Man's amazingly popular Omnibus line continues with the storyline that shocked the comics world: Peter Parker's deceased beloved, Gwen Stacy, shows up on his doorstep - kicking off a mind-bending clone saga that would last for decades! The scheming Jackal lines up a murderer's row of foes to take on Spider-Man: Tarantula, Scorpion and Spidey himself! The Punisher sets his sights on Spidey in an adventure guest-starring the X-Men's Nightcrawler! J. Jonah Jameson finally gets the goods on Spider-Man's secret identity! Doc Ock, Hammerhead, Kingpin and the Molten Man are on hand to menace Spidey, but it's not all bad guys for our hero as romance blooms between Peter and Mary Jane, and Nova teams up with Spider-Man! Collecting: Amazing Spider-Man (1963) 143-180, Amazing Spider-Man Annual (1964) 10-11, Nova (1976) 12; material from Marvel Treasury Edition (1974) 14, Marvel Special Edition (1975) 1

The master of mutants joins the master of ninjas in Wolverine's first solo series - replete with romance, intrigue and mayhem! Our beleaguered berserker's in Japan on a mission of the heart, if he can survive the Hand first! Plus: the introduction of everyone's favorite riotous ronin, Yukio! Collects Wolverine #1-4, Uncanny X-Men #172-173.

Welcome to the Marvel Universe, Miles Morales! After the dimension-shattering Secret Wars, the Ultimate Spider-Man is starting a brand new life on a brand new world! And Miles will have to find his feet quickly when he goes up against one of the biggest bads in the Marvel U! The villainous Black Cat plots to get her claws in this new Spidey - but will Miles find romance with the other-dimensional Spider-Gwen? And Spidey gets caught in the middle when Marvel's heroes square off in a second Civil War! Plus, the secret history of Miles' dad... Agent of S.H.I.E.L.D.! Miles Morales and Peter Parker team up to take on a familiar face! And here comes an all-new, all-deadly Sinister Six! Collecting: Spider-Man (2016) 1-21, 234-240; Spider-Gwen (2015b) 16-18; Spider-Men II (2017) 1-5; Generations: Miles Morales Spider-Man & Peter Parker Spider-Man (2017) 1

Famed as one of the great innovators in comics history, Krigstein was one of the first cartoonists to consciously experiment with pacing and layout for psychological effect. This impressive coffee-table book follows his development from his heavy-handed crime and romance comics of the late 1940s to his expressionist masterpieces for EC Comics a few years later. Employing a variety of artistic styles and inking techniques, Krigstein emerges as a restless trendsetter, moving from a loose, sketchy style to a dense horror technique, depending on the story. Unfortunately, the reprinted comics stories also show how Krigstein was handcuffed by the period's trite themes and "shock" endings. Many of the stories are so hackneyed they're barely readable today, and when editor Sadowski mentions that a story about a pirate with an ape for a sidekick was a Krigstein favorite, one can only wonder why. However, at EC, Krigstein found writers similarly dedicated to pushing artistic boundaries, and these collaborations are the book's finest: "Key Chain," in which a crime in a key-making shop leads to madness, or "In the Bag," a gruesome story of a cop following a suspicious character whom Krigstein elevates to art with his moody storytelling and withering ability to capture human weakness with a few lines. The quality is heightened by Marie Severin's masterful recolorings throughout.