As a mysterious plague falls upon the village of Meryton and zombies start rising from the dead, Elizabeth Bennet is determined to destroy the evil menace, but becomes distracted by the arrival of the dashing and arrogant Mr. Darcy.

When notorious rake Anthony Bridgerton announces that he has chosen a prospective bride, he faces unexpected opposition when his intended's meddlesome sister Kate decides to protect her innocent sister from the wicked aristocrat.

"Sophie Beckett never dreamed she'd be able to sneak into Lady Bridgerton's famed masquerade ball-or that "Prince Charming" would be waiting there for her! Though the daughter of an earl, Sophie has been relegated to the role of servant by her disdainful stepmother. But now, spinning in the strong arms of the debonair and devastatingly handsome Benedict Bridgerton, she feels like royalty. Alas, she knows all enchantments must end when the clock strikes midnight. Ever since that magical night, a radiant vision in silver has blinded Benedict to the attractions of any other-except, perhaps, this alluring and oddly familiar beauty dressed in housemaid's garb whom he feels compelled to rescue from a most disagreeable situation. He has sworn to find and wed his mystery miss, but this breathtaking maid makes him weak with wanting her. Yet, if he offers her his heart, will Benedict sacrifice his only chance for a fairy-tale love" -- Front jacket flap.

"While you were sleeping ... With her brother Thomas injured on the battlefront in the Colonies, orphaned Cecilia Harcourt has two unbearable choices: move in with a maiden aunt or marry a scheming cousin. Instead, she chooses option three and travels across the Atlantic, determined to nurse her brother back to health. But after a week of searching, she finds not her brother but his best friend, the handsome officer Edward Rokesby. He's unconscious and in desperate need of her care, and Cecilia vows that she will save this soldier's life, even if staying by his side means telling one little lie ... I told everyone I was your wife When Edward comes to, he's more than a little confused. The blow to his head knocked out three months of his memory, but surely he would recall getting married. He knows who Cecilia Harcourt is--even if he does not recall her face--and with everyone calling her his wife, he decides it must be true, even though he'd always assumed he'd marry his neighbor back in England. If only it were true ... Cecilia risks her entire future by giving herself--completely--to the man she loves. But when the truth comes out, Edward may have a few surprises of his own for the new Mrs. Rokesby."--Provided by publisher.

From No. 1 bestselling crime and thriller writer Peter James comes Want You Dead, the 10th book in his multi-million-copy selling crime series featuring the definitive Brighton detective, Roy Grace.IF HE CAN'T HAVE HER, THEN NOBODY CAN . . . Virtual romance becomes a terrifying obsession in Want You Dead...Single girl, 29, smouldering redhead, love life that's crashed and burned. Seeks new flame to rekindle her fire. Fun, friendship and - who knows - maybe more? When Red Westwood meets handsome, charming and rich Bryce Laurent through an online dating agency, there is an instant attraction. But as their love blossoms, the truth about his past, and his dark side, begins to emerge. Everything he has told Red about himself turns out to be a tissue of lies, and her infatuation with him gradually turns to terror. Within a year, and under police protection, she evicts him from her flat and her life. But Red's nightmare is only just beginning. For Bryce is obsessed with her, and he intends to destroy everything and everyone she has ever known and loved - and then her too . . .From No. 1 bestselling crime and thriller writer Peter James comes Want You Dead, the 10th book in his multi-million-copy selling crime series featuring the definitive Brighton detective, Roy Grace.

By the award-winning and bestselling author of Journey to the River Sea, a novel that sings with characteristic Ibbotson warmth and wit.Eva Ibbotson's charming and warm-hearted tale, A Secret Countess was originally published as A Countess Below Stairs.Anna, a young countess, has lived in the glittering city of St Petersburg all her life in an ice-blue palace overlooking the River Neva. But when revolution tears Russia apart, her now-penniless family is forced to flee to England. Armed with an out-of-date book on housekeeping, Anna determines to become a housemaid and she finds work at the Earl of Westerholme's crumbling but magnificent mansion. The staff and the family are sure there is something not quite right about their new maid - but she soon wins them over with her warmth and dedication.Then the young Earl returns home from the war - and Anna falls hopelessly in love. But they can never be together: Rupert is engaged to the snobbish and awful Muriel - and anyway, Anna is only a servant. Or so everybody thinks . . .

James and Katherine are at a wedding in London. They spend a while watching and waiting. Speak. Exchange phone numbers. Meet up the following week... From then on not everything goes to plan. It is the 1990s, the end of the money-for-nothing years. James is a man with a varied past - entrepreneur, gambler, film producer, former dot com millionaire - now living alone in Bloomsbury. Katherine is married, but separated, working at an interim job in a city hotel. The relationship is beset with difficulties from the beginning, both external and of their own making. They are distracted- James with the latest in a long line of schemes, drawing him into the world of gambling and horse racing, Katherine by her husband, a photographer and paparazzo, who has suddenly reappeared. Narrated from different perspectives and at different times by both James and Katherine, and by a series of peripheral characters, March is a kaleidoscopic and complex portrait of a relationship, of contemporary England, and of the ebb and flow of money.Instantly recognisable and unbearably real, it is a love story unlike any you will have read.

Annie Markham's true love, nineteen-year-old Jake Mead, ran away from their relationship when meddling godmother, Susannah, stepped in. Now it's seven years later and Annie's wealthy family is heading toward bankruptcy. Susannah brings in the best consultant in England to rescue their London public relations agency and, as the Fates have decreed, the genius turns out to be Jake, who is out for revenge.

Love's Shadow (1908) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel in 1907 to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Love's Shadow is the first installment in her Little Ottleys trilogy, a series of novels exploring the romantic lives of a hilariously diverse group of friends. Edith and Bruce Ottley seem to have it all--a charming flat, a healthy child, and a group of entertaining friends. Although they are far from perfect--Bruce can be jealous and quite the hypochondriac at times--their marriage remains strong and their home remains a place of refuge to their frequently lovelorn comrades. Among a dizzying array of faces and names, Hyacinth Verney, Mrs. Eugenia Raymond, Cecil Reeve, and Lord Selsey stand out. Although Hyacinth loves Cecil, a match favored by his uncle Lord Selsey, the young man seems inexplicably smitten with the widow Eugenia, who has no interest in marrying again. Edith and Bruce do their best to make themselves hospitable while defending their home against the hostilities of love, but the hearts and minds of their eclectic guests prove difficult to assuage. Love's Shadow is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's Love's Shadow is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Village, first published in 1952, begins on the very day the war ended. Two women, who have been firm friends during the war, go as usual to the Red Cross Post. Here they spend the night as they always had done, chatting over a cup of tea. As dawn breaks they lock the door 'but still they lingered, unwilling finally to end this night and the years behind it. '"There's a lot of us will miss it," Edith said. "We've all of us felt at times, you know, how nice it was, like you and me being able to be together and friendly, just as if we were the same sort, if you know what I mean." "I'll miss it a lot too," Wendy said. There was no point in her saying that it could go on now, the friendliness and the companionship and the simple human liking of one woman for another. Both knew that this breaking down of social barriers was just one of the things you got out of the war, but it couldn't go on.' The main theme of The Village is that Wendy's attempt to cling on to her old way of life was already under pressure by 1939 and had become even more out-of-date by 1945. It is Edith who is the New Britain, with her prosperous son and her commonsense and indeed kindness. Wendy, with her snobbery and her refusal to change and her uncompromising attitude to her daugher, is the Old. When Labour swept to a landslide victory in 1945 'Attlee's government promised a fairer future for all and no going back to the inequalities of the pre-war world,' writes Juliet Gardiner in her Afterword to this Persephone edition of The Village. When Wendy goes back up the road to Wood View on Priory Hill 'where the gentry lived' and Edith goes downhill on the other side, 'down Station Road among the working classes', they both assume that the values and habits of pre-war Britain will continue. But Britain has already changed a great deal, a change symbolised by Edith's son Roy, a printer with excellent prospects, falling in love with the penniless Margaret, Wendy's daughter. 'The story of the romance between the two of them forms the central narrative of the novel,' Juliet Gardiner continues, 'and the attitude of the other villagers when the news gets out illuminates their understanding - or rejection - of the village's elaborately calibrated social stratification. This is a finely-observed novel about the losses and gains of the Second World War, how hopeless and how isolating it would be to hold onto the past, how illusory was the notion that the war had broken down class barriers, or had managed to save "deep England" from the future and how peace, too, would produce its own list of casualties. It is also about the futility of 'keeping up appearances', the boredom of middle-class women with nothing to do, even the realisation that cooking and housework had to be streamlined if theose women were to take their place in society. But above all The Village is an extremely enjoyable and well-written novel evoking an entire community (there is a long cast of characters at the beginning) and a whole way of life, and has one of the most ancient plots in the world - a young couple who fall in love but are forbidden to marry.

The Twelfth Hour (1907) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Felicity, Sylvia, and Savile Crofton all feel the pressure placed on upper-class youths to marry wisely. At 25, Felicity appears to have found herself a good husband, a man of wealth and social standing who on closer appearance seems more interested in leisure than love. Determined not to fall into a similarly unhappy marriage, her 20-year-old sister Sylvia hopes to thwart her father's wish that she marry millionaire Mr. Ridokanski. Although he is only 16, Eton student Savile is deeply in love with a famous opera singer--from a distance--but also feels obliged to entertain the affections of Dolly Clive, a girl his own age. Finding company in their own unique miseries of the heart, the Crofton siblings hatch a plan to achieve happiness for themselves, satisfaction for their father, and whatever it is young people are meant to owe to society. The Twelfth Hour is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's The Twelfth Hour is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In London, before the First World War, where in society love and money predominate, Bertha and Nigel had been inseparable. But then Nigel felt he had to focus on the economics of life, and after all Bertha's family were quite modestly off. Whereas the heiress Mary, also interested in him but not anywhere near so charming, was very well set up. His decision was made. Though initially heartbroken, Bertha realises quickly that she has escaped from a delusion. Equanimity returns, and she finds in Percy Kellynch a devoted lover, though one a little more sober and less racy. They marry, as do Nigel and Mary, and over time the two become friends again, though now with wise awareness on Bertha's side. Nigel begins to see his error, as Mary's jealousy and her wish to supervise his life take their toll. He finds comfort in simply seeing Bertha initially, but inevitably begins to wish for more. Bertha is not interested, having moved on, but, if noticed, Nigel's attentions could be misconstrued... In the meantime, Bertha is also looking out for the future of a young friend, Madeline Irwin, who is smitten with Rupert Denison, a young man with rather too much of a penchant for patronising and "educating" young women. Madeline is impulsive, a little inexperienced and quite needy. Her headlong qualities precipitate problems very readily. As Bertha negotiates several crises arising from Nigel's reviving attachment, she also tries to assist Madeline in avoiding her own self-created disasters. Much depends on Bertha's talent for good management and wise counsel in the perils of both their lives. She is determined to win over adversity, but it will be a strong test of her skills.... Bird of Paradise, Leverson's fifth novel, as radiant with wit and wisdom as those which preceded it, was first published in 1914.