Set in 18th century Naples, based on the lives of Sir William Hamilton, his celebrated wife Emma, and Lord Nelson, and peopled with many of the great figures of the day, this unconventional, bestselling historical romance from the National Book Award-winning author of In America touches on themes of sex and revolution, the fate of nature, art and the collector's obsessions, and, above all, love.

Who knows you better than your best friend? Who knows your secrets, your fears, your desires, your strange imperfect self? Edi and Ash have been best friends for over forty years. Since childhood they have seen each other through life's milestones: stealing vodka from their parents, the Madonna phase, REM concerts, unexpected wakes, marriages, infertility, children. As Ash notes,[Bokinfo]

The seven stories collected here showcase McCarthy's formidable powers of observation, her deliciously witty writing style, and her celebrated talent for dissecting characters with biting acuity. A young woman looks for subtle (and not-so-subtle) ways to escape her unsatisfying marriage; an innocuous single man's friends realize his companionship has an enormous price; and an Italian guide puzzles a traveling pair of Americans.

This is the author's first novel, which relates the experiences of a young bohemian intellectual. The six episodes create a fascinating portrait of a New York social circle of the 1930s. McCarthy's bold insight and virtuoso style won her immediate recognition as one of the most accomplished, versatile, and penetrating writers in americanca.

From the author of The New York Times #1 bestselling novel The Carpetbaggers comes the gutwrenching story of one woman's battle to break free of the male-dominated, sexual pay-to-play culture of Hollywood.... THE LONELY LADY JeriLee Randall is a young girl with dreams of being a writer. While she is discovering her own sexuality, she meets Walter Thornton, Jr., son of the world-famous playwright, Walter Thornton, Sr., whom she idolizes. After a humiliating "near" sexual encounter with JeriLee, Walt, Jr. participates in a brutal assault that traumatizes her and triggers unfettered chaos in their small, gossipy town. Trying to make amends for the deplorable behavior of his son, Walt's father befriends JeriLee. Despite their age difference the two become close and eventually marry. Inevitably, their union unravels, and JeriLee embarks on a path of sexual liberation in her pursuit of success-from stints in sleazy strip clubs to rendezvous on the casting couches of Hollywood moguls and eventually to the twilight world of drugs-moving restlessly from man to man and woman to woman. Can she find success in a brutal world while retaining her dignity, honesty, and the self-respect developed in her youth? As she struggles to retain her dreams of stardom, can her strength and cunning save her from Hollywood's death grip, allowing her to beat the smooth talking power players at their own game? When it was originally published in 1976, The Lonely Lady spent 24 weeks on the bestseller list, turning Hollywood on its ear. Could anyone have predicted then that JeriLee's story would still be so shockingly relevant over forty years later?

Tolstoy famously wrote, "Happy families are all alike; every unhappy family is unhappy in its own way." To Tracy Farber, thirty-three, happily single, headed for tenure at a major university, and content to build a life around friends and work, this celebrated maxim is questionable at best. Because if Tolstoy is to be taken at his word, only unhappiness is interesting; happiness must be as placid and unmemorable as a daisy in a field of a thousand daisies. Having decided to reject the petty indignities of dating, Tracy focuses instead on her secret project: to determine whether happiness can be interesting, in literature and in life, or whether it can be--must be--a plant with thorns and gnarled roots. It's an unfashionable proposition, and a potential threat to her job security. But Tracy is her own best example of a happy and interesting life. Little does she know, however, that her best proof will come when she falls for George, who will challenge all of her old assumptions, as love proves to be even more complicated than she had imagined. Can this young feminist scholar, who posits that "a woman's independence is a hothouse flower--improbable, rare, requiring vigilance," find happiness in a way that fulfills both her head and her heart? Love may be the ultimate cliché, but in Rachel Kadish's hands, it is also a morally serious question, deserving of our sober attention as well as our delighted laughter.