The second of a funny, fast-paced, Regency-set duet from Julia Quinn, the bestselling author of the global phenomenon Bridgerton When Elizabeth Hotchkiss stumbles upon a copy of How to Marry a Marquis in her employer's library, she's convinced someone is playing a cruel joke. With three younger siblings to support, she knows she has to marry for money, but who might have guessed how desperate she's become? Although . . . a guidebook to seduction might be just the thing she needs - and what harm could there be in taking a little peek? James Sidwell, the Marquis of Riverdale, has been summoned to rescue his aunt from a blackmailer, a task that requires him to pose as the new estate manager, and his primary suspect is his aunt's companion, Elizabeth. Intrigued by the alluring young woman with the curious little rulebook, he gallantly offers to help her find a husband . . . by practicing her wiles on him. But when practise becomes all too perfect, James decides that there is only one rule worth following - that Elizabeth marry her marquis. Find out why readers love Julia Quinn . . . 'A veritable treat' Daily Mail ' Light, pacy and full of feisty heroines ' Guardian on the Bridgerton series 'Julia Quinn's Bridgerton books take all of the classic tropes we know and love . . . and gives them a thoroughly modern twist . I can't focus on anything else' Stylist 'Quinn is a master of historical romance' Entertainment Weekly 'A smart, funny touch' Time Magazine 'Like an episode of Downton Abbey mixed with a great rom-com' iBooks Best Books of March 'Powered by a surfeit of dazzling wit and graced with a cast of unforgettable characters' Booklist ' A romance readers will not want to put down . . . Hooray Julia! ' Romance Reviews Today 'Quinn writes delightfully fast-paced, funny, sparkling and bright romance' Romantic Times 'The next best thing to Georgette Heyer' Gloss 'Julia Quinn is one of the best historical romance novelists of our time' Heroes and Heartbreakers 'Quinn excels in writing stories full of joy and delight , where laughter trembles on the edges' Happy Ever After 'Full of wit, charm and smouldering attraction . . . an unputdownable story that I think romance fans will treasure' Harlequin Junkie 'Quinn is incomparable! The latest addition to her beloved Bridgerton series is funny, charming, witty and wildly romantic' RT Book Reviews

The second in a scandalous duet of Dukes by Julia Quinn, the bestselling author of Bridgerton , now a series created for Netflix by Shondaland Engaged to the future Duke of Wyndham since she was just six months old, Amelia Willoughby is beginning to get tired of waiting for Thomas Cavendish, the oh-so-lofty duke, to decide it's finally time to get married. But as she watches him from afar, sharing the occasional dance and making polite conversation, she has a sneaking suspicion that he never thinks about her at all . . . Thomas rather likes having a fiancée - all the better to keep the husband-hunters at bay - and he does intend to marry her eventually. But just when he begins to realise that his bride might be something more than convenient, Thomas's world is rocked by the arrival of his long-lost cousin, who may or may not be the true Duke of Wyndham. And if Thomas is not the duke, then he's not engaged to Amelia. Which is the cruelest joke of all, because this arrogant duke has made the mistake of falling in love . . . with his own fiancée! 'A veritable treat' Daily Mail 'Quinn is a master of Historical romance' Entertainment Weekly

The final book in the Blydon Family Saga - the first ever Regency romance trilogy written by Julia Quinn, author of the global phenomenon Bridgerton It takes a minx to tempt a rogue . . . Henrietta Barrett has never followed the dictates of society. She manages her elderly guardian's remote Cornwall estate, wears breeches instead of frocks, and answers to the unlikely name of Henry. But when her guardian passes away, her beloved home falls into the hands of a distant cousin. . . . And it takes a rogue to match her. William Dunford, London's most elusive bachelor, is stunned to learn that he's inherited property, a title - and a ward bent on making his first visit his last. Henry is determined to continue running Stannage Park without help from the handsome new lord, but Dunford is just as sure he can change things . . . starting with his wild young ward. But turning Henry into a lady makes her not only the darling of the ton , but an irresistible attraction to the man who thought he could never be tempted. 'A veritable treat' Daily Mail ' Light, pacy and full of feisty heroines ' Guardian on the Bridgerton series 'Julia Quinn's Bridgerton books take all of the classic tropes we know and love . . . and gives them a thoroughly modern twist . I can't focus on anything else' Stylist 'Quinn is a master of historical romance' Entertainment Weekly

When Hazel becomes the personal physician to Princess Charlotte, the sickly granddaughter of King George III, she is dragged into the glamor and romance of the British court, but she soon realizes malicious forces are at work in the monarchy, and she may be the only one capable of setting things right.

After a childhood spent on Hollywood film sets, Meghan Markle fought hard for stardom. But even when she landed her breakthrough role on Suits, her dream of worldwide celebrity remained elusive until she met the man who would change her life--Prince Harry. Their whirlwind romance culminated with Meghan's ultimate fairy tale ending: their 2018 wedding at Windsor Castle. Finally, the world was her stage. It seemed that the dizzying success of the wedding between the new Duke and Duchess of Sussex marked the beginning of a fresh era for the British Royal Family. Yet, within one tumultuous year, the dream became a nightmare. Now, with extensive research and exclusive insider interviews, Britain's leading investigative biographer unravels the tangled web of courtroom drama, courtier politics, and thwarted childhood dreams to reveal this story of love, betrayal, secrets, deceit, and revenge.

Linda McCartney died of breast cancer in April 1998. This biography by a friend of over 30 years offers to bring the whole Linda McCartney into view. In 1969, when Linda Eastman married the world's most eligible bachelor, The Beatles' Paul McCartney people said it wouldn't last. Yet it lasted nearly 30 years. How did they do it? What was the nature of their commitment, and what made it so strong? Was it indeed as idyllic as the press has defined it. In their own words, Linda and Paul reveal to Danny Fields how a romance given a poor chance of survival, flourished until Linda's death. Interviews with the couple, with friends, family and stars of the world they lived in, and the perspective of a 30-year intense friendship have gone into the writing of the book, intended to both inform and inspire.

Strange Devices of the Sun and Moon is set in an imaginative recreation of Elizabethan London, a rich, intense city overflowing with life and action, a city of spies and booksellers, alchemists and playwrights, poets, witches, plague and salvation. A series of strange events links the lives of an ordinary woman, a bookseller in St. Paul's, and the great writer Christopher Marlowe, as the Faerie Queen and her court invade London in search of the Queen's son, the reborn King Arthur. Marlowe must become in effect a detective, and Alice, strangely favored by the fairies, must become a heroine in a struggle against evil forces. The culmination of this extraordinary fantasy, a battle between the opposing dragons of good and evil, is certainly one of the most weird and enchanting events in all contemporary fantasy. Strange Devices of the Sun and Moon is a big, delicious fantasy adventure filled with strange creatures and ordinary people, famous characters, and mysterious historical doings. It is a triumph of entertainment and one of the finest fantasy novels of the decade.

This dual biography reveals, as never before, the secret life and the extraordinary relationship of Hollywood's legendary pair: Greta Garbo and Cecil Beaton, the celebrated Hollywood photographer who immortalized her image. With provocative details about their personal lives and a subtle focus on their work, Diana Souhami divulges the secrets of Greta and Cecil's unconventional loves and obsessions. It is a compelling tale of a strange romance where boundaries merge between image and reality, fact and fantasy, male and female, and art and life. Their ardent affair, Garbo's discreet liaisons with the women she loved, and Beaton's charismatic yet emotionally distraught personality are brought to life in Diana Souhami's hallmark style. Photographs, letters, and a wealth of new research reveal the obsessions, true desires, and secrets of Hollywood behind closed doors.

Here, for the first time, is an all-embracing account of the loves of that royal womaniser, Edward VII, as Prince of Wales and King. It is also a study of the three women with whom the King was most deeply in love - his `official' mistresses, Lillie Langtry, Daisy Warwick and Alice Keppel. In their different ways, all three were exceptional personalities; Lillie Langtry, the socially ambitious girl from the vicarage, became a famous actress; Daisy Warwick, an immensely wealthy heiress and social butterfly, was converted to socialism; Alice Keppel, probably the King's greatest love, developed into an astute and fascinating figure in her own right. Spanning three decades and packed with incident, scandal and high romance, the story is set in the extravagant and hypocritical world of late Victorian and Edwardian society. It is full of colourful characters: Edward's beautiful and betrayed wife Alexandra; the three cuckolded husbands - Edward Langtry, the Earl of Warwick and the Hon. George Keppel; the flamboyant Oscar Wilde; the sensuous Sarah Bernhardt; the dissipated Prince Albert Victor; and the sexually complex W.E. Gladstone. The King in Love challenges long-established myths and reveals much that was hitherto unknown: not least the extraordinary scene that took place at the deathbed of King Edward VII. The result is a brilliant evocation of a world, and a way of life that has gone forever.

From the author of The Last Testament comes the true love of Bonnie Prince Charlie, her adventures in America and her lasting legacy. In the page-turning popular genre trail-blazed by Antonia Fraser and Phillippa Gregory, The Pretender’s Lady , Alan Gold’s meticulously researched novel, accurately opens history’s pages on a peerless woman who helped change the course of history and whose legend lives on in Scotland today—Flora MacDonald. She was the most famous Scotswoman of her day, single handedly saving Bonnie Prince Charlie. This is her fictionalized life story—her relations with the Prince, her flight to America, Ben Franklin’s influence, and her return to Britain to lobby for peace But what’s hidden from history, revealed now for the first time in Gold’s dazzling new work of fiction, is the result of Flora’s and Charlie’s love: a beautiful and talented boy raised on an American farm. But only she knows his true heritage and his claim to the world’s greatest throne. And only the genius of Ben Franklin understands how to use this naïve boy to change the history of America. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

"Seeking Love in Modern Britain charts the emergence of the modern British single through an account of the dating industry that sprang up to serve men and women. It shows how - amid a period of unprecedented sexual and social change - 'the single' became a key unisex identity and lifestyle. From around 1970, a growing, cottage-style matchmaking industry in Britain was offering the romantically solo a choice between computer dating firms, such as Dateline or Compudate, introduction agencies and the lonely hearts pages of Private Eye , Time Out and others. Zoe Strimpel reveals how this rapidly expanding landscape of services was catering to a new breed of single people, and how - by the late 1990s - singleness had become the culturally mainstream, wholly expected part of the romantic life cycle that it is today. Refuting the widespread idea that the Internet invented modern dating, this book uses an eclectic and engaging range of first-person accounts and snapshots from the time to show that the story of contemporary romance, mediated courtship and singleness began in a time long before Tinder."--

How much did Aunt Addie know? How much did she feel? Aunt Addie better known to the world at large as Adelaide Granby, the fabulously successful author of 49 volumes of gushing, melodramatic Victorian romance. Upon her death in 1912, flowers and cards pour in, including one particularly lavish set "From Stanislaw", whom her independent-minded, suffragette niece Pamela decides was "darling Aunt Addie's Grande Passion." Pamela also inherits a stack of Aunt Addie's secret papers, including youthful diaries and her unintentionally hilarious unpublished first novel, written when she was only 16, entitled The Bastard of Pinsk (a "bastard", 16-year-old Adelaide was sure, being "A very noble Hero of Royal Blood.") As Pamela explores these documents and talks with those who knew her aunt when, seeking the real-life source of her romantic sensibility, the reader is drawn irresistibly into the intrigue. In a novel both sentimental and brutally honest, nostalgic for and horrified by the sentiments of the past, hilarious and poignant, all at once, the brilliant Eleanor Farjeon poses surprisingly powerful questions about what makes a love "real" and how much one really needs to know to experience it... This new edition features a superb introduction by twentieth-century women's historian Elizabeth Crawford. "Naughtiness of a definitely mauve tint." Beatrice Sherman, New York Times

Jonquil Mathews had lived a sheltered life with her parents in their luxurious home, until the day her fianc? Simon, an RAF pilot, was killed at Dunkirk. Prompted by Simon's best friend, Adrian Hepworth, Jonquil was determined to do her bit for the war effort, and joined the WAAF. Adrian had fallen in love with Jonquil, and as she went through her training, made new friends and learned her trade, he kept a watchful eye on her, always hoping that despite the dangers of wartime, they would eventually be together...

The essays in this collection investigate the ways in which the past was exploited to meet the concerns of the present in early modern England. The understanding of the past in this period was characterized by a deepening and more fully articulated conception of time and history, with its roots in impassioned religious and political controversies. The discourses that arose from this dialogue informed and drew together a daunting range of genres and activities: prose accounts, polemical tracts, poems, plays, romances, secret histories, novels. Although many of these genres are no longer recognized as history, early modern writers and readers treated them as such. In assessing the uses of the past, therefore, these essays consider “literary” and “factual” writings side by side, avoiding traditional chronological and disciplinary divisions and the artificial separation of secular from ecclesiastical history. Cumulatively, they supply the context and provide a vast array of evidence for the way in which the deployment of history for political, religious, moral, aesthetic, or commercial purposes shifted between the mid-sixteenth century and the late eighteenth. Contributors include Ian W. Archer, Eve Tavor Bannet, David Cressy, Richard Dutton, Martin Dzelzainis, Felicity Heal, Christopher Highley, John N. King, Mark Knights, Karen O’Brien, Paul Seaward, John Spurr, Andrew Starkie, Arthur H. Williamson, David Womersley, Daniel R. Woolf, and Blair Worden. Paulina Kewes is a fellow and tutor in English literature at Jesus College, Oxford, and a fellow of the Royal Historical Society. Her publications include Authorship and Appropriation: Writing for the Stage in England, 1660–1710 (1998), and a number of articles on Renaissance, Restoration, and eighteenth-century drama and politics. She has also edited a volume of essays, Plagiarism in Early Modern England (2003), and is completing a book on the staging of history in Elizabethan England.

Selected writings from one of the most important commentators of our generation covering the wreckage of Labour's 10 year love affair with the Right BY THE SUMMER of 2007, Britain was close to crashing. A few onlookers realised the danger, but Britain's political leaders were not among them. Politicians and civil servants boasted that the City's economy was booming because of their 'light-touch regulation' of workers in financial services whose number included potential frauds. Curiously, they never argued that the inner-city economy might boom if there was 'light touch regulation' of workers in the ghettos whose number included potential drug dealers. And artists produced works to match the times. On the same day that Lehman Brothers went bankrupt, the genial Damien Hirst auctioned at Sotheby's pieces he admitted had been mass produced in his studios and buyers still gave him £100 million. Even the critics did not pretend to be interested in what message, if any, Hirst had for his audience, but reported the sale like business reporters covering a soaring stock. For 10 years New Labour stood cross-eyed in admiration as London was turned into the centre of the financial universe. From the sand bags Nick Cohen has watched as they turned their back on the working class, once the object of Utopian hopes on the Left and unreasonable fears on the Right, and lovingly embraced the upper class, once the object of surly contempt on the Left. In Waiting for the Etonians are gathered his selected writings that cover the span of Labour's love affair with the Right and the moral hazard that it has culminated in. It is a romance which has not only broken its traditional bond with the working classes and undermined the very values on which the party was founded, but has now left it with little more to do than warm the seat for the next Conservative Prime Minister.