When notorious rake Anthony Bridgerton announces that he has chosen a prospective bride, he faces unexpected opposition when his intended's meddlesome sister Kate decides to protect her innocent sister from the wicked aristocrat.

"While you were sleeping ... With her brother Thomas injured on the battlefront in the Colonies, orphaned Cecilia Harcourt has two unbearable choices: move in with a maiden aunt or marry a scheming cousin. Instead, she chooses option three and travels across the Atlantic, determined to nurse her brother back to health. But after a week of searching, she finds not her brother but his best friend, the handsome officer Edward Rokesby. He's unconscious and in desperate need of her care, and Cecilia vows that she will save this soldier's life, even if staying by his side means telling one little lie ... I told everyone I was your wife When Edward comes to, he's more than a little confused. The blow to his head knocked out three months of his memory, but surely he would recall getting married. He knows who Cecilia Harcourt is--even if he does not recall her face--and with everyone calling her his wife, he decides it must be true, even though he'd always assumed he'd marry his neighbor back in England. If only it were true ... Cecilia risks her entire future by giving herself--completely--to the man she loves. But when the truth comes out, Edward may have a few surprises of his own for the new Mrs. Rokesby."--Provided by publisher.

The second in a scandalous duet of Dukes by Julia Quinn, the bestselling author of Bridgerton , now a series created for Netflix by Shondaland Engaged to the future Duke of Wyndham since she was just six months old, Amelia Willoughby is beginning to get tired of waiting for Thomas Cavendish, the oh-so-lofty duke, to decide it's finally time to get married. But as she watches him from afar, sharing the occasional dance and making polite conversation, she has a sneaking suspicion that he never thinks about her at all . . . Thomas rather likes having a fiancée - all the better to keep the husband-hunters at bay - and he does intend to marry her eventually. But just when he begins to realise that his bride might be something more than convenient, Thomas's world is rocked by the arrival of his long-lost cousin, who may or may not be the true Duke of Wyndham. And if Thomas is not the duke, then he's not engaged to Amelia. Which is the cruelest joke of all, because this arrogant duke has made the mistake of falling in love . . . with his own fiancée! 'A veritable treat' Daily Mail 'Quinn is a master of Historical romance' Entertainment Weekly

"A classic memoir of self-invention in a strange land : Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970's When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn't so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible"--

Set in the early 1900s, Viennese Romance tells the story of Michael Rost, an eighteen-year-old Jewish youth who travels to Vienna, hungry for experience. There, he forms passing relationships with everyone who crosses his path - prostitutes, revolutionaries, paupers, army officers, and rich men alike. With a foreword that explains how this lost novel came to light, Viennese Romance is a seminal work that explores the conflicts faced by many Jewish intellectuals in early-twentieth-century Europe. A compelling portrait of a decadent society, it also lays bare the obsessive-destructive nature of love.

Jewish Stories of Love and Marriage offers a treasury of tales that speak to the tenderness and passion, difficulties and blessings of love. Jewish tradition overflows with love stories from the Bible, Talmud, and Midrash. Folktales continue the tradition, and contemporary writers highlight the way their faith and love interweave and enrich each other. From Adam and Eve to Song of Songs, from legends of Solomon to the letters of Alfred and Lucie Dreyfus, these are stories of heartbreak, devotion, and celebration. They tell of how people fall in love and how they grow in love. The narratives are as old as the Bible and as new as the twenty-first century. They come from places as far-ranging as Yemen and New York. The relationships are heterosexual and homosexual, arranged and spontaneous, young and mature. Though the stories reflect the times and places in which they were told, they have a universal message about longing and romance, relationship, respect, and commitment. Noted storyteller Peninnah Schram and Rabbi Sandy Eisenberg Sasso collect these narratives and letters for the first time, inviting readers to delve into these stories for entertainment and inspiration, at engagements, weddings, and anniversaries, to recall what once brought people close and what continues to hold them in love.

"This groundbreaking collection brings together 28 stunning stories by literary talents never before assembled in a single volume. With contributions from both established and bright new voices in lesbian fiction, 'Women on Women' ranges from the subtlety and restraint of Willa Cather's 'Tommy, the Unsentimental' to Sapphire's daring and highly erotic 'Eat' and Valerie Miner's suspenseful 'Trespassing.' Some of the stories are universal in theme - the joy and excitement of new romance, the ageless problems of family life, and the pain of lost love and of death. And many are written by or about members of racial, ethnic, and other minorities within the gay community. These are stories that offer stirring, eloquent, often passionate insights into the lesbian experience in a long-overdue collection that represents the best of lesbian short fiction from past to present"--Amazon.com

New York City in the 1970s was the setting for Taxi Driver , Annie Hall , and Saturday Night Fever , the nightmare playground for Son of Sam and The Warriors , the proving grounds for graffiti, punk, hip-hop, and all manner of other public spectacle. Musicians, artists, and writers could subsist even in Manhattan, while immigrants from the world over were reinventing the city in their own image. Others, fed up with crime, filth and frustration, simply split. Fast-forward three decades and today New York can appear a glamorous metropolis, with real estate prices soaring higher than its skyscrapers. But is this fresh-scrubbed, affluent city really an improvement on its grittier--and more affordable--predecessor? Taking us back to the streets where eccentricity and anomie were pervasive, New York Calling unlocks life in the unpolished Apple, where, it seemed, anything could happen. All five boroughs­­--the Bronx, Brooklyn, Manhattan, Queens, and Staten Island--comprising hundreds of neighborhoods and the interlaced worlds of politics, crime, drugs, sex, and mischief, are explored with a love of the city unclouded by romance yet undimmed by cynicism. Acclaimed historian Marshall Berman and journalist Brian Berger gather here a stellar group of writers and photographers who combine their energies to weave a rich tale of struggle, excitement, and wonder. John Strausbaugh explains how Uptown has taken over Downtown, as Tom Robbins examines the mayors and would-be mayors who have presided over the transformation. Margaret Morton chronicles the homeless, while Robert Atkins offers a personal view of the city's gay culture and the devastating impact of aids. Anthony Haden-Guest and John Yau offer insiders' views of the New York art world, while Brandon Stosuy and Allen Lowe recount their discoveries of the local rock and jazz scenes. Armond White and Leonard Greene approach African-American culture and civil rights from perspectives often marginalized in so-called polite conversation. Daily life in New York has its dramatic moments too. Luc Sante gives us glimpses of a city perpetually on the grift, Jean Thilmany and Philip Dray share secrets of Gotham's ethnic enclaves, Richard Meltzer walks, Jim Knipfel rides the subways, and Robert Sietsema criss-crosses the city, indefatigably tasting everything from giant Nigerian tree snails to Fujianese turtles. It's a long way from old Brooklyn to the new Times Square. But New York Calling reminds us of what has changed--and what's been lost --along the way.

James and Katherine are at a wedding in London. They spend a while watching and waiting. Speak. Exchange phone numbers. Meet up the following week... From then on not everything goes to plan. It is the 1990s, the end of the money-for-nothing years. James is a man with a varied past - entrepreneur, gambler, film producer, former dot com millionaire - now living alone in Bloomsbury. Katherine is married, but separated, working at an interim job in a city hotel. The relationship is beset with difficulties from the beginning, both external and of their own making. They are distracted- James with the latest in a long line of schemes, drawing him into the world of gambling and horse racing, Katherine by her husband, a photographer and paparazzo, who has suddenly reappeared. Narrated from different perspectives and at different times by both James and Katherine, and by a series of peripheral characters, March is a kaleidoscopic and complex portrait of a relationship, of contemporary England, and of the ebb and flow of money.Instantly recognisable and unbearably real, it is a love story unlike any you will have read.

In July 1947, fresh out of college and long before he would win the Pulitzer Prize and become known as one of America's finest historians, Stanley Karnow boarded a freighter bound for France, planning to stay for the summer. He stayed for ten years, first as a student and later as a correspondent for Time magazine. By the time he left, Karnow knew Paris so intimately that his French colleagues dubbed him "le plus parisien des Américains" --the most Parisian American. Now, Karnow returns to the France of his youth, perceptively and wittily illuminating a time and place like none other. Karnow came to France at a time when the French were striving to return to the life they had enjoyed before the devastation of World War II. Yet even during food shortages, political upheavals, and the struggle to come to terms with a world in which France was no longer the mighty power it had been, Paris remained a city of style, passion, and romance. Paris in the Fifties transports us to Latin Quarter cafés and basement jazz clubs, to unheated apartments and glorious ballrooms. We meet such prominent political figures as Charles de Gaulle and Pierre Mendès-France, as well as Communist hacks and the demagogic tax rebel Pierre Poujade. We get to know illustrious intellectuals, among them Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and André Malraux, and visit the glittering salons where aristocrats with exquisite manners mingled with trendy novelists, poets, critics, artists, composers, playwrights, and actors. We meet Christian Dior, who taught Karnow the secrets of haute couture, and Prince Curnonsky, France's leading gourmet, who taught the young reporter to appreciate the complexities of haute cuisine. Karnow takes us to marathon murder trials in musty courtrooms, accompanies a group of tipsy wine connoisseurs on a tour of the Beaujolais vineyards, and recalls the famous automobile race at Le Mans when a catastrophic accident killed more than eighty spectators. Back in Paris, Karnow hung out with visiting celebrities like Ernest Hemingway, Orson Welles, and Audrey Hepburn, and in Paris in the Fifties we meet them too. A veteran reporter and historian, Karnow has written a vivid and delightful history of a charmed decade in the greatest city in the world.

"In Banquet at Brabazan, Patricia Schonstein takes us to the heart of Cape Town's violent inner city, creating a cornucopia of baroque magic realism featuring an angel, drug-money, a muti murder, superb food, romance, a cappella, a miracle or two, librettos, reflections on South Africa's war in Angola, visions of the Afterlife, poetry, Shakespearean drama and various works of fine art, with flashbacks to her wondrous A Time of Angels."--P. [4] of cover.

"First published in 1920 and never before translated into English, this work brings together the impassioned writing of one of Weimar Germany's most celebrated authors, Arnold Zweig, and the equally poignant illustrations by renowned graphic artist and lithographer Hermann Struck. As members of the German wartime press division at Ober-Ost, both Zweig and Struck spent the final years of the First World War on the eastern front, on the outskirts of the Lithuanian city of Kovno (Kaunas). There they observed the life of the so-called Ostjuden, or East European Jews. The material that Zweig and Struck produced in the summer of 1918 stands out today not only for its novelty - as the first of several like-minded works published during the Weimar years - but also for its singular expression of a growing sentiment felt among otherwise assimilated, secular German Jews. Reflecting the rise of Zionism and the experience of the war, The Face of East European Jewry offers a dramatic and moving perspective on the short-lived romance of disenchanted Western Jews with the idea of a more authentic, more meaningful lifestyle in the East. One of the earliest interventions in the vexed relationship between German Jews and their Eastern neighbors, this book brings to life the world of the shtetl that did not survive the twentieth century."--