"Much revived, most recently in a 2010 production transferred to Broadway from London's Menier Chocolate Factory, La Cage Aux Folles remains one of the all time biggest hits, adding new dimension to the boulevard comedy. After twenty years of un-wedded bliss Georges and Albin, two men partnered for better-or-worse get a bit of both when Geroges' son (fathered during a one-night fling) announces his impending marriage to the daughter of a bigoted, right-wing politician. Further complicating the situation is the 'family business': Albin and Georges run a transvestite nightclub in St. Tropez, where Albin is the "star" performer 'Zaza.' Georges reluctantly agrees to masquerade as "normal" when he meets the family of the bride-to-be. But Albin has other plans, with hilarious results." -- From back cover.

"Show Boat" stands as one of the most significant and influential works in the history of American musical theater. Born from the collaboration between legendary composer Jerome Kern, lyricist Oscar Hammerstein II, and novelist Edna Ferber, this masterpiece revolutionized the stage by integrating a serious, complex narrative with a sophisticated musical score. Set against the sweeping backdrop of the Mississippi River from the 1880s through the 1920s, the story follows the lives of the performers, stagehands, and dockworkers aboard the 'Cotton Blossom' floating palace. This powerful drama explores enduring themes of racial prejudice, tragic romance, and the evolving landscape of American society. Through iconic compositions such as "Ol' Man River," "Can't Help Lovin' Dat Man," and "Make Believe," "Show Boat" captures the soul of a nation in transition. The work broke new ground by addressing social injustice and systemic inequality with a depth previously unseen in musical comedy, forever changing the trajectory of the Broadway stage. As a cornerstone of the American canon, "Show Boat" remains a poignant and musically rich exploration of love and hardship along the Great River. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Jewtopia, written by Bryan Fogel and Sam Wolfson, tells the story of two 30 year-old single men, Chris O'Connell and Adam Lipschitz. Chris, a gentile, wants to marry a Jewish girl so he'll never have to make another decision. Adam Lipschitz, a Jew, wants to marry a Jewish girl to please his family, but can't get a date to save his life. After meeting at a Jewish singles mixer, Adam and Chris form a secret pact. Chris promises that he will help Adam find the Jewish girl of his dreams and show him "Jewtopia", but only if Adam will help Chris shed his gentile-ness and bring him undercover into the Jewish world. Stereotypes collide, cultures clash and chaos ensues!

Musical comedy Book and Lyrics by Adolph Green and Betty Comden Music by Cy Coleman Based on a play by Ben Hecht and Charles McArthur and also a play by Bruce Milholland Characters: 17 Principal roles plus chorus (doubling possible) Whether performed with elaborate scenery or on a simple scale this brilliantly comic musical appeals to audiences everywhere. As in the classic original the story concerns the efforts of a flamboyant theatrical impresario Oscar Jaffe to per

The memoirs of Mary Rodgers—writer, composer, Broadway royalty, and “a woman who tried everything.” “What am I, bologna?” Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent’s overwhelming gift, to become not just a theater figure in her own right but also a renowned author of books for young readers (including the classic Freaky Friday ) and, in a final grand turn, a doyenne of philanthropy and the chairman of the Juilliard School. But in telling these stories—with copious annotations, contradictions, and interruptions from Jesse Green, the chief theater critic of The New York Times — Shy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Whether writing for Judy Holliday or Rin Tin Tin, dating Hal Prince or falling for Stephen Sondheim over a game of chess at thirteen, Rodgers grabbed every chance possible—and then some. Both an eyewitness report from the golden age of American musical theater and a tale of a woman striving for a meaningful life, Shy is, above all, a chance to sit at the feet of the kind of woman they don’t make anymore—and never did. They make themselves.

"A classic memoir of self-invention in a strange land : Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970's When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn't so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible"--

Comedy / Characters: 8 male 12 female Scenery: Interior A Broadway hit about a liberal Congresswoman who returns to her old school as an honorary visitor. Since her wartime experiences in Europe she has devoted herself to the task of acquainting people with the horrors of war. That is why she has brought a documentary with her to be shown to the young graduates. The movie is considered harsh and improper by the trustees so she has a fight on her hands. The conflict exposes the president a

Satirical comedy / 24 m. 14 f. (doubling possible.) / 5 ints. or unit set. Recently revived on Broadway to great acclaim this is the rollicking tale of three down and out troupers who decide to head for Hollywood and try their luck with the newly invented talkies. Due to a series of consistent blunders the most stupid of the three is carried to pinnacles of fame and fortune until he's literally made a god of the industry. It's a fast paced and wild romp and a marvelous spoof of tinsel land.

In a fashionable restaurant two gangsterish brothers formerly from the East End but now 'strategy consultants who enforce the peace' are celebrating a wedding anniversary with their wives who are sisters. At the next table a banker is dining with his wife formerly his secretary. Violent wildly funny this play displays a vivid zest for life. Diners and the staff at an elegant restaurant treat audiences to some unusually entertaining fare in this recent London hit by one of the major voices of modern theatre.

From David Adjmi the virtuosic playwright dubbed one of the "best and most original theatre artists of a generation" by Vogue come a wholly original one-woman show. Elective Affinities takes the audience into the apartment of Alice a witty octogenarian offering a funny and savage portrait of cultured life promising to initiate a vital discourse about what it means to be civilized.

Genre: Comedy Characters: 2 males 2 females Scenery: Interior In this play Mr. Levy gives us the blundering and silly ass character ofHenry Dewlip a wealthy young English bachelor. Henry leads a life ofease until he is taken in hand by his apparently prim young secretary who tries to persuade him to forego all his pleasant vices. "Few things on Broadway are so funny. Not for many a night have Iheard such spontaneous laughter in a theater. The audience got up togo with tears in its eyes. Tears that came from laughter." - New York World Telegram