On the surface, David Baddiel's childhood was fairly standard: a lower-middle-class Jewish family living in an ordinary house in Dollis Hill, north-west London. But David came to realise that his mother was in fact not ordinary at all. Having escaped extermination by fleeing Nazi Germany as a child, she was desperate to make her life count, which took the form of a passionate, decades-long affair with a golfing memorabilia salesman. Meanwhile, as Baddiel investigates his family's past, his father's memories are fading; dementia is making him moodier and more disinhibited, with an even greater penchant for obscenity. As with his mother's affair, there is both comedy and poignancy to be found: laughter is a constant presence, capable of transforming the darkest of experiences into something redemptive.

SPANNING SIX GENERATIONS and three continents, My Name, a Living Memory is a fictionalized saga of author Giorgio van Straten’s family from the Napoleonic era through World War II. The story begins in Rotterdam in 1811, when Hartog son of Alexander — father, cucumber salesman, and Dutch Jew — is forced by Napoleonic edict to choose a last name. He chooses Straaten, the Dutch word for “street.” The name presages a journey through history that flings Hartog’s descendants as far afield as San Francisco, London, Odessa, Sao Paolo, and Tbilisi. They witness the Gold Rush, the Russian Revolution, the Stalinist purges, and, finally, the Holocaust. Some are uprooted by business interests, including the author’s grandfather, who lost one of the A’s in his surname en route. As the political climate grows increasingly perilous for Jews throughout Europe, several are forced to flee for their lives, and many fail to return from Auschwitz, Sobibor, and Bergen-Belsen. Historical fiction of a very personal sort, van Straten weaves his relatives’ stories together, much as an art restorer reconstructs the missing portions of a fresco, guided by the evidence that remains. A gold watch, a few photographs, crumpled documents and letters, family lore; these are the artifacts from which lives are re-created. In the end, the story of van Straten’s family can be read as a testament to the rich and varied history and culture of Jews in Europe and the Americas.