The beginning of the 21st century is a watershed in modern science, a time that will forever change our understanding of the universe, Susskind contends. Several decades ago, he introduced the revolutionary concept of string theory to the world of physical science. In doing so, he inspired a generation of physicists who believed that the theory would uniquely predict the properties of our universe. Now, in his first book, Susskind argues that the very idea of such an "elegant theory" no longer suits our understanding of the universe, and that our narrow 20th-century view of a unique universe will have to give way to the much broader concept of a gigantic cosmic landscape--a megaverse, pregnant with new possibilities.--[Résumé de l'éditeur].

The Integral Urban House: Self Reliant Living in the City is a comprehensive guide to achieving a completely sustainable urban lifestyle by creating a mini-ecosystem where residents grow their own fruits and vegetables, raise chickens, rabbits, and fish, recycle 90% of their waste, solar heat their hot water, and use a variety of other alternative technologies-all on a 1/8-acre city lot. Long considered the bible of urban homesteading, this book is the result of four years of living with and refining the systems of the Integral Urban House in Berkeley, California-a collaborative project which combined the collective skills of the members of the Farallones Institute to develop a center for creating and testing experimental, ecologically stable and resource-conserving living systems. With its vision of an intimate connection between the urban habitat and ecological principles The Integral Urban House will inspire and empower people to act within their own communities to create places where they can live more sustainably. The Integral Urban House: Self-Reliant Living in the City is a magnificent, inspiring record of eco-technically effective intelligent human cooperation... This is magnificent news for humanity. We are on our way. -- R. Buckminster Fuller Civilized cities, nourishing food, renewable energy, closed nutrient cycles, -- these form the vision of this pioneering guidebook. With it we can start to build a new urban culture that is practical, sustainable, inviting and exciting. -- Amory Lovins

""This is the most brilliant epitome of Manhattan ever written." --Mike Davis Every morning, the architect and writer Michael Sorkin walks from his apartment in Greenwich Village to his office in Tribeca. Unlike most commuters, Sorkin isn't in a hurry, and he doesn't try to drown out his surroundings. Instead, he's always paying attention. As he descends the narrow stairs of his town house, Sorkin explains why New York doesn't have the grand stairwells so common in European apartment buildings. Stepping out onto his block, he imagines a better, more efficient, far less dirty way to dispose of garbage. As he crosses Canal Street, he remembers the mad proposals for tunnels, elevated highways, and mega-structures that threatened lower Manhattan and could have destroyed its urban fabric. Fifty years after Jane Jacobs's groundbreaking The Death and Life of Great American Cities, Sorkin's vision of city life is every bit as perceptive and fine-grained as that of Jacobs's classic. With important insights into history, architecture, and public policy, Twenty Minutes in Manhattan is an extraordinary, deeply personal look at a city undergoing--always undergoing--dramatic transformations"--

Trachtenberg's book exmines the urban transformation of Florence in the fourteenth century. Focusing on the creation of the Piazza della Signoria and the Piazza del Duomo, he documents in engaging detail how and why urban planners, in league with the civic government, enlarged these urban spaces. Articulating the design principles that served as the foundation for these urban renewal projects, Trachtenberg's book fundamentally revises our understanding of urban planning in the early modern period, countering the received claim that rational planning begins only in the Renaissance. His book also brings a new depth of understanding to the entire visual culture of Trecento Florence, demonstrating how many of the developments in painting, sculpture and architecture of this period form the basis of the achievements of the Quattrocento, particularly the discovery of perspective. Combining both empirical and post-structuralist methods, Trachtenberg's book is among the first, if not the first, to question critically many of the assumptions that have formed the basis of scholarship of Renaissance art since the sixteenth century.

Juxtaposes black-and-white photographs of houses in Hatfield, Massachusetts taken between 1882 and 1907 with color photographs of the same houses taken in the late 1990s, and features text that offers comparisons of life in the different eras.

"The author summarizes in this book his studies on Renaissance architecture. By combining a searching interpretation of contemporary sources with a detailed analysis of the monuments, he disposes once and for all of the old, purely aesthetic of Renaissance architecture with other manifestiations of the human mind, such as music, philosophy and science, opens up entirely new vistas. The religious symbolism of the Renaissance church and Renaissance conceptions of proportion are discussed, framing sections on Alberti and Palladio, the two principal representative if humanist architecture" - Publisher.

The brilliant, largely forgotten maverick Robert Hooke was an engineer, surveyor, architect, and inventor who worked tirelessly with his intimate friend Christopher Wren to rebuild London after the Great Fire of 1666.He was the first Curator of Experiments at the Royal Society, and his engravings of natural phenomena seen under the new microscope appeared in his masterpiece, the acclaimed Micrographia, one of the most influential volumes of the day. But Hooke's irascible temper and his passionate idealism provedfatal for his relationships with important political figures, most notably Sir Isaac Newton: their quarrel is legendary. As a result, historical greatness eluded Robert Hooke. Now, eminent historian Lisa Jardine does this original thinker of indefatigable curiosity and imagination justice and allows him to take his place as a major figure in the seventeenth century intellectual and scientific revolution.

This scholarly account of the various ways in which space is configured by power, and in which space becomes a resource for power, combines insights from social theory, politics, history and geography.

First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.