A memoir in bite-size chunks from the author of the viral Modern Love column “You May Want to Marry My Husband.” “[Rosenthal] shines her generous light of humanity on the seemingly humdrum moments of life and shows how delightfully precious they actually are.” — The Chicago Sun-Times How do you conjure a life? Give the truest account of what you saw, felt, learned, loved, strived for? For Amy Krouse Rosenthal, the surprising answer came in the form of an encyclopedia. In Encyclopedia of an Ordinary Life she has ingeniously adapted this centuries-old format for conveying knowledge into a poignant, wise, often funny, fully realized memoir. Using mostly short entries organized from A to Z, many of which are cross-referenced, Rosenthal captures in wonderful and episodic detail the moments, observations, and emotions that comprise a contemporary life. Start anywhere—preferably at the beginning—and see how one young woman’s alphabetized existence can open up and define the world in new and unexpected ways. An ordinary life, perhaps, but an extraordinary book.

"This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America. Duke Ellington [...], Louis Daniel Armstrong [...], William James Basie [...]. What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement. Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early- to mid-1900s through the singular lens of the country's most gifted, engaging, and enduring African American musicians." -Från bokens baksida.

The book that inspired the award-winning documentary, Janis Ian: Breaking Silence. Grammy Award-winning songwriter, singer and author, Janis Ian took the stage at age fifteen with a revolutionary song about interracial relationships, "Society's Child." It was 1966 and the country responded with both hostility and accolades. The song went to #1, and Janis was caught in the maelstrom of a divided country. Terrified by the hatred directed at her, she left the music industry, only to return a few years later with the worldwide hit "At Seventeen." The story never ends-her songs are currently used by artists as diverse as Bette Midler, John Mellencamp, and Celine Dion; and she is considered one of the pre-eminent acoustic guitarists of our era by such notables as Chet Atkins. In "Society's Child," you'll journey with Janis as she spends time with luminaries of the century-Bob Dylan, Jimi Hendrix, Aretha Franklin-singers and songwriters who both influenced and befriended her. Her book takes an unblinking look at the music business, her own remarkable path through it, and what was really happening backstage-with honesty and integrity. Connect with Janis on her website, janisian.com, and read this inspiring autobiography of one woman's unbreakable spirit.

In an era when too many heroes have been toppled from too many pedestals, Sandy Koufax stands apart and alone, a legend who declined his own celebrity. As a pitcher, he was sublime, the ace of baseball lore. As a human being, he aspired to be the one thing his talent and his fame wouldn't allow: a regular guy. A Brooklyn kid, he was the product of the sedate and modest fifties who came to define and dominate baseball in the sixties. In Sandy Koufax: A Lefty's Legacy, former award-winning Washington Post sportswriter Jane Leavy delivers an uncommon baseball book, vividly re-creating the Koufax era, when presidents were believed and pitchers aspired to go the distance. He was only a teenager when Dodgers owner Walter O'Malley proclaimed him "the Great Jewish Hope" of the franchise. But it wasn't until long after the team had abandoned Brooklyn that the man became the myth. Old-fashioned in his willingness to play when he was injured and in his acute sense of responsibility to his team, Koutax answered to an authority higher than manager Walter Alston. When he refused to pitch the opening game of the 1965 World Series because it fell on Yom Kippur, the holiest day of the Jewish calendar, he inadvertently made himself a religious icon and an irrevocably public figure. A year later, he was gone -- done with baseball at age thirty. No other sports hero had retired so young, so well, or so completely. Despite Sandy Koufax's best efforts to protect his privacy, his legend has grown larger ever since. Part biography, part cultural history, Sandy Koufax: A Lefty's Legacy gets as close to that legend as he will allow. Through meticulous reporting and interviews with five hundred of his friends, teammates, and opponents, Leavy penetrates the mythology to discover a man more than worthy of myth.

"An expedition into the troubled soul of one of the world's greatest songwriters."-- Haaretz "A fascinating and intense account of Leonard Cohen's time in Israel during the 19-day Yom Kippur War of 1973. A must for any Leonard Cohen completist."--Suzanne Vega A Vanity Fair Best Book of 2022 * Mosaic Magazine Best Book of 2022 The untold story of Leonard Cohen's concert tour to the front lines of the Yom Kippur War, including never-before-seen selections from an unfinished manuscript by Cohen and rare photographs In October 1973, the poet and singer Leonard Cohen--thirty-nine years old, famous, unhappy, and at a creative dead end--traveled to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a group of local musicians, Cohen sang for hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen, reigniting his creativity and inspiring him to compose some of his most memorable songs. Who by Fire provides a riveting account of those weeks in the Sinai, drawing on Cohen's previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, existential moment for both a young country at war and a singer at a crossroads.

"In lyric essays, a story, poems, and photographs, Smith illuminates the whirl of chance and choice that stokes a writer's imagination, recounting her fascination on the eve of a trip to Paris with Simone Weil and an evocative, accidentally discovered film about Stalin's mass deportation of Estonians. In France, a gravestone, a televised figure-skating competition, a meal, and a garden all converge in what becomes Devotion, [a] ... fairy tale about a young, displaced Estonian skater and a solitary dealer in rare objects and arms. This ... fable about creativity and obsession, possession and freedom is followed by a meditation on how a work of art is, for other artists, a call to action"--Booklist, 08/01/2017.

Robert Bloch, grand master of horror, recounts his tales in this hilarious autobiography, Once Around the Bloch. Once Around the Bloch takes the reader from Bloch's early years in an up-and-coming Chicago suburb to his first fateful encounter with the cult fiction magazine Weird Tales. Bloch's Hollywood adventures are also chronicled, including his encounters and friendships with such famous superstars as Vincent Price, Boris Karloff, Buster Keaton, and Joan Crawford. Bloch also recounts the inspiration for and the birth of one of the most famous villains of all time, Norman Bates.

"Growing up in Beverly Hills, Diller was neglected by his parents, abused by his brother, and overwhelmed by insecurity. Diller began his career in the mailroom of the William Morris Agency and had one of the most extraordinary ascents in show business history, inventing the TV Movie of the Week for ABC at age twenty-seven, becoming CEO of Paramount Pictures at age thirty-two, and launching the Fox TV network at age forty-four. . . . Diller shares his provocative and at times counterintuitive insights about advancing in a company; becoming a manager and a leader; and the value of confrontation. He describes his relentless quest for good ideas along with what he learned from the bad ones. For the first time, Diller also tells the story of his unconventional and very private personal life, describing relationships with men and the woman he calls his 'unique and complete love,' designer Diane von Furstenberg. Diller writes, 'I would have secrets, but I would tell no lies'"--

When FBI Director J. Edgar Hoover reported to the Nixon White House in 1972 about the Bureau's surveillance of John Lennon, he began by explaining that Lennon was a "former member of the Beatles singing group." When a copy of this letter arrived in response to Jon Wiener's 1981 Freedom of Information request, the entire text was withheld—along with almost 200 other pages—on the grounds that releasing it would endanger national security. This book tells the story of the author's remarkable fourteen-year court battle to win release of the Lennon files under the Freedom of Information Act in a case that went all the way to the Supreme Court. With the publication of Gimme Some Truth , 100 key pages of the Lennon FBI file are available—complete and unexpurgated, fully annotated and presented in a "before and after" format. Lennon's file was compiled in 1972, when the war in Vietnam was at its peak, when Nixon was facing reelection, and when the "clever Beatle" was living in New York and joining up with the New Left and the anti-war movement. The Nixon administration's efforts to "neutralize" Lennon are the subject of Lennon's file. The documents are reproduced in facsimile so that readers can see all the classification stamps, marginal notes, blacked out passages and—in some cases—the initials of J. Edgar Hoover. The file includes lengthy reports by confidential informants detailing the daily lives of anti-war activists, memos to the White House, transcripts of TV shows on which Lennon appeared, and a proposal that Lennon be arrested by local police on drug charges. Fascinating, engrossing, at points hilarious and absurd, Gimme Some Truth documents an era when rock music seemed to have real political force and when youth culture challenged the status quo in Washington. It also delineates the ways the Reagan, Bush, and Clinton administrations fought to preserve government secrecy, and highlights the legal strategies adopted by those who have challenged it.