Includes "Aladdin and the Enchanted Lamp," "The Ebony Horse," "The Tale of Khalifah the Fisherman," and other stories

A total of 30 stories are retold through the voice of Shahrazad, master storyteller.

Stories about a clever man who lived by his wits as his pockets were always empty.

I Thought My Father was God [paperback] Paul Auster [Jan 01, 2001]

The spirit of good luck outwits the spirit of bad luck and helps a poor but honest peasant lad marry the king's daughter.

Worlds in Collision by Immanuel Velikovsky.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A landmark account of the Great Mother as a primordial image of the human psyche In this book, renowned analytical psychologist Erich Neumann draws on ritual, mythology, art, and records of dreams and fantasies to examine how the archetype of the Great Mother has been outwardly expressed in many cultures and periods since prehistory. He shows how the feminine has been represented as goddess, monster, gate, pillar, tree, moon, sun, vessel, and every animal from snakes to birds. Neumann discerns a universal experience of the maternal as both nurturing and fearsome, an experience rooted in the dialectical relation of growing consciousness, symbolized by the child, to the unconscious and the unknown, symbolized by the Great Mother. With a foreword by Martin Liebscher, The Great Mother is a profound and enduring work by one of the most brilliant thinkers of the twentieth century.

A Psychological Interpretation of Mythology. Translated from the German by Drs. F. Robbins and Smith Ely Jelliffe; Nervous and Mental Disease Monograph Series No. 18.

2024 Reprint of the 1956 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. The trickster myth, which is the basis of this scientific study, is one of the most imaginative narratives known to man. It concerns the exploits of a grotesque individual whose main physical features are enormous digestive and sexual organs and who unites in himself some of the traits of a god, an animal, and a human being. Primarily his activities, over which he has no conscious control, represent attempts to dupe others, yet actually always recoil upon himself. He is cruel, obscene and possessed of a voracious appetite which he is never permitted to satisfy. Creator and destroyer, affirmer and negator at one and the same time, his activities finally result in the transformation of himself into a being approximating to that of man. The figure of Trickster is of tremendous historical and psychological importance for an understanding of ourselves. As Dr Jung suggests in his Foreword, Trickster is the symbol of the unconscious and undifferentiated in man. That is why he is represented as being everything to every man-god, animal, human being, hero, buffoon, he who antedates all values, good and evil.

Two volume combined to produce one large volume of Celtic fairy tales.

Contents include: The Style of the Mythical Age: An Introduction by Hermann Broch ON THE ILIAD Hector Thetis and Achilles Helen The Comedy of the Gods Troy and Moscow Priam and Achilles Break Bread Poets and Prophets Originally published in 1947. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

One of England's most beloved writers for children--and winner of the Carnegie Medal, the Regina Medal, and the Hans Christian Andersen Award--retells one of the best-loved fairy tales of all time.

"If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives."--Jacket.

These are a collection of 20 stories, dictated in 1941 to Bloomfield's linguistics class, edited from manuscripts now in the National Anthropological Archives at the Smithsonian Institution, and published for the first time. In Ojibwe, with English translations by Bloomfield. Ojibwe-English glossary and other linguistic study aids.

Tales of magic and wonder can be found in every phase of Jewish literature, from the sacred to the secular. The fairy tale in particular--set in enchanted lands and populated with a variety of human and supernatural beings, both good and evil--holds a very special place in the Jewish tradition. For in the fairy tale, where good and evil engage in a timeless struggle, we have a clear reflection of the Jewish world view, where faith in God can defeat the evil impulse. In Elijah's Violin, Howard Schwartz offers a sumptuous collection of thirty-six Jewish fairy tales from virtually every corner of the world. At once otherworldy and earthy, pious and playful, these celebrated tales from Morocco and India, Spain and Eastern Europe, Babylon and Egypt, illustrate not only their Jewish character but also their universality of themes. Invoking the biblical tale of David and Goliath, we read as King David defeats the giant by hovering above its spear in King David and the Giant. In the romantic tale of The Princess in the Tower, a variant of Rapunzel, we watch as the cautious King Solomon recognizes the vanity in trying to prevent Providence from taking place. And we see the religious nature of the quest for Elijah's violin in the title story. The successful completion of the king's quest enables the violin's imprisoned melodies, emblematic of the Jewish spirit, to be set free. Throughout this richly illustrated collection, one can find the quests and riddles of the traditional fairy tale along with the divine intervention that characterizes the Jewish fairy tale. Skillfully translated, these stories will captivate children and adults alike in which romance and magic become enchantingly entwined with faith, duty, and wisdom.

The story of the mother-and-daughter goddesses Demeter and Persephone has seized the imagination of people in every age, from ancient times to the present. Considered today by many to be the archetypal myth for women, it touches on timeless themes in every life, such as the male-female relationship, love between women, initiations into puberty and old age, the mother-daughter bond, death, and ecological renewal. Christine Downing has combined essays, prose, poetry, and even performance art with her own insightful commentary to shed new light on the myth's ancient meanings and to offer new insights in its implications for contemporary men and women.