A millennium into the future, two advancements have altered the course of human history: the colonization of the galaxy and the creation of the positronic brain. Isaac Asimov's Robot novels chronicle the unlikely partnership between a New York City detective and a humanoid robot who must learn to work together. Like most people left behind on an over-populated Earth, New York City police detective Elijah Baley had little love for either the arrogant Spacers or their robotic companions. But when a prominent Spacer is murdered under mysterious circumstances, Baley is ordered to the Outer Worlds to help track down the killer. The relationship between Baley and his Spacer superiors, who mistrusted all Earthmen, was strained from the start. Then he learned that they had assigned him a partner: R. Daneel Olivaw. Worst of all was that the "R" stood for robot---and his positronic partner was made in the image and likeness of the murder victim!

This book is the fourth of six that describe mysteries solved by the Black Widowers, based on a literary dining club he belonged to known as the Trap Door Spiders. It collects twelve stories by Asimov, together with a general introduction and an afterword following each story by the author. Nine of the stories were previously published; "The Driver," "The Wrong House" and "The Intrusion" are new to this collection. Each story involves the club members' knowledge of trivia. Nearly every story here is about decoding a riddle, each of which provides a clue based on dying or last words, misunderstood words, forgotten words, or withheld words. A few are based on facts that are, perhaps, not generally known to the public Asimov was a frequent writer of popular science and his inclination to explain anything and everything for the general public carried over into other fields, such as history and sociology but all the mysteries play fair with the reader, who is given either enough information to figure out the solution or a satisfying conclusion that is based on previously given facts and personality qualities.

A unique collaboration between David Milch, the co-creator of the Emmy-winning NYPD Blue, and Bill Clark, a former New York homicide detective and now the show's creative consultant, True Blue tells the stories on which NYPD Blue is based, as well as those considered too controversial even for this groundbreaking series. of photos.

On September 23, 1926, and Austrian experimental biologist named Dr. Paul Kammerer blew his brains out on a footpath in the Austrian mountains. His suicide was the climax of a great evolutionary controversy which his experiments had aroused. The battle was between the followers of Lamarck, who maintained that acquired characteristics could be inherited, and the neo-Darwinists, who upheld the theory of chance mutations preserved by natural selection. Dr. Kammerer's experiments with various amphibians, including salamanders and the midwife toad (Alytes obstetricans), lent much weight to the Lamarckian argument and drew upon him the full fury of the orthodox neo-Darwinists. Arthur Koestler had known about Dr. Kammerer's work when he himself was a student in Vienna, and he has always been interested in this tragic story. He gives a fascinating description of the venomous atmosphere in which the battle was fought and of the lengths to which apparently respectable scholars would go to discredit their opponents. Heading the attack on Kammerer was a British scientist, William Bateson, who hinted that the Viennese's experiments were fakes, but who failed to examine the evidence, including the so-called nuptial pads of Kammerer's last remaining specimen of the midwife toad. It was a young American scientist who delivered the coup de grace; on a visit to Vienna, he discovered that the discoloration of the nuptial pads was due not to natural causes but to the injection Indian ink. When his findings were published, Kammerer shot himself. Mr. Koestler, whose recent writings, in books such as The Act of Creation and The Ghost in the Machine, have been in part concerned with evolutionary theory, decided to investigate this old mystery. When he started on his researches, he expected to relate the tragedy of a man who had betrayed his calling, for Kammerer's suicide was accepted as a confession of guilt and his work was discredited from that day to this. Instead, as Mr. Koestler read the contemporary papers, corresponded with Kammerer's daughter, Bateson's son, and the surviving scientists who attended Kammerer's lecture in Cambridge, he found himself writing a vindication of a man who in all probability was himself betrayed. The story that emerges is, on one level, fascinating piece of scientific detection; on another, it is a moving and human narrative about a much abused, brilliant and lovable figure. Though no Lamarckian himself, Mr. Koestler ends the book with an appeal to biologists to repeat Kammerer's experiments with an open mind in order to verify or refute them. If Kammerer's claims were posthumously confirmed our outlook on evolution would be significantly changed. A superb intellectual thriller whose implications still reverberate today, The Case of the Midwife Toad is an entirely new kind of book for Mr. Koestler, and perhaps only he could have written it, for it required expert knowledge and familiarity with the academic world of science, combined with the creativity and imaginative insight of an outstanding novelist.

Endore's classic werewolf novel--now back in print for the first time in over forty years--helped define a genre and set a new standard in horror fiction. The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley's Frankenstein, Bram Stoker's Dracula, and Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. Endore's classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature. In this gripping work of historical fiction, Endore's werewolf, an outcast named Bertrand Caillet, travels across revolutionary Paris in the 1870s seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this novel was decidedly influential for the generations of horror and science fiction authors who came afterward.

Best known as the author of "Psycho", Robert Bloch is world-renowned for his stories of horror, mystery, fantasy, and science fiction. Many of the 25 stories in this first volume of "The Complete Stories of Robert Bloch" have been unavailable for decades. The stories are in his classic style of gripping suspense, science fiction and fantasy. As Bloch writes, "These stories in this collection have a common theme; they deal with monsters. Some of the monsters are human, some are not-- but all of them embody, in one way or another, the fears common to us in our dreams. We call these monsters by many names-- ghosts, vampires, extraterrestrials, changelings. But we recognize them for what they are; manifestations of the secret dreads and desires which lurk beneath the surface of consciousness." "Bloch has become a virtual fixture on the popular culture landscape." --Publishers Weekly "If you're not familiar with Bloch's short fiction, find someone to borrow this from; if you already are familiar, you know that you want to own these volumes." --Locus

Howard Engel, an internationally published and award-winning mystery writer, takes dead aim, so to speak, at this fascination we all share, and produces a wonderfully wise and witty social history of the men and women who represent our agents of death, and have done our dirty work over the centuries. 60 photos and line drawings.

"Make Mine Mars" (Science Fiction Adventures 1952) "The Meddlers" (Science Fiction Adventures 1953) "The Events Leading Down to the Tragedy" (F&SF 1958) "The Little Black Bag" (Astounding 1950) "Everybody Knows Joe" (Fantastic Universe 1953) "Time Bum" (Fantastic Stories 1953) "Passion Pills" (original) "Virginia" (Venture 1958) "The Slave" (Science Fiction Adventures 1957) "Kazam Collects" (Stirring Science Stories 1941) "The Last Man Left in the Bar" (Infinity 1947) "The Adventurer" (Space Science Fiction 1953) "The Words of Guru" (Stirring Science Stories 1941) "Shark Ship" (Vanguard 1958) "Two Dooms" (Venture 1958)

Alfred Bester's first science fiction novel since The Stars My Destination was a major event -- a fast-moving adventure story set in Earth's future. A band of immortals -- as charming a bunch of eccentrics as you'll ever come across -- recruit a new member, the brilliant Cherokee physicist Sequoya Guess. Dr. Guess, with the group's help, gains control of Extro, the super-computer that controls all mechanical activity on Earth. They plan to rid Earth of political repression and to further Guess's researches -- which may lead to a great leap in human evolution to produce a race of supermen. But Extro takes over Guess instead and turns malevolent. The task of the merry band suddenly becomes a fight in deadly earnest for the future of Earth. Sequoya Guess, whom they love, must be killed. And how do you kill an immortal? THE COMPUTER CONNECTION is a jam-packed extraordinary science fiction novel -- what Alfred Bester's readers have been experiencing for over five decades.

Deep in debt to Tough City's biggest boss, DeCameron Wichita takes a missing persons job that he oughtn't've and makes the biggest rookie mistake a guy like him could make: he falls in love. With a stone-cold killer. But because he never does anything half-way, he also interferes with a blood feud, challenges Da Cherch, butts heads with pornographers, goes on the lam from the FTCP, saves a damsel in distress, jumps out of a flying machine, puts on a dress, goes to the movies, and visits his mom. Oh yeah, and punches a whole lotta people. Just like any other day in Tough City. Only it wasn't any other day. It was Tuesday.

"Star Trek" 's Captain Kirk is back, with another fast-paced adventure for the future's greatest private detective, Jake Cardigan. Best known for his role as Captain James T. Kirk of the Starship "Enterprise," William Shatner has created a whole new career for himself as a suspense novelist--and his bestselling Tek series has been hailed by "The Wall Street Journal" for novels "as tough and scrappy as Captain Kirk." Walt Bascom is head of the Cosmos Detective Agency, and therefore is Jake Cardigan's boss. As Tek Kill opens, Walt is having a bad morning: five police officers broke into his house, threw him out of bed, and arrested him for murder. The video security system at the home of wealthy entrepreneur Dwight Grossman clearly shows Bascom shooting Grossman in the back. And telephone records show that Grossman had been making threatening phone calls to a former girlfriend--a woman now involved with Bascom. Despite what looks like an open-and-shut case against Bascom, Jake and his partner Sid Gomez must find a way to clear the boss's good name--and find the real killer. They have allies: Jake's son, Dan, is friendly with Grossman's sister, Susan. And Susan Grossman has been having flashes of telepathy, including visions of her brother's murder that does not feature Walt Bascom. She's frightened, but she's prepared to testify in court about what she believes. Unfortunately, Susan Grossman is a user of the deadly drug Tek. The choice facing the police is obvious: they can believe what they see with their own eyes on videotape, or they can believe a known drug user who claims to have telepathic visions. Jake and Sid can see that they have a lot of work ahead if they're going toget the boss out of jail and back to the office. And the person who went to such trouble to make Walt Bascom look like a murderer is hardly likely to sit back and let them do their jobs without making an effort to put them off the trail--a deadly effort.

Young Jim Endicott has but one dream-- to attend the Solis Space Academy, the gateway to the stars and the far-flung civilization known as the Confederation. But unbeknownst to Jim, he has a secret encoded in his DNA. A secret that threatens an empire.

Meet Edinburgh Detective Inspector Liz Kavanaugh, head of the Innovative Crimes Investigation Unit, otherwise known as the Rule 34 Squad. They monitor the Internet for potential criminal activity, analyzing trends in the extreme fringes of explicit content. And occasionally, even more disturbing patterns arise… Three ex-cons have been murdered in Germany, Italy, and Scotland. The only things they had in common were arrests for spamming—and a taste for unorthodox entertainment. As the first officer on the scene of the most recent death, Liz finds herself sucked into an international investigation that isn’t so much asking who the killer is, but what—and if she doesn't find the answer soon, the homicides could go viral.

From the Introduction by Ed Gorman: If there's one thing Dick Lupoff understands (with perverse glee) it's the sorry state of the human condition. In this collection you'll find a wide variety of humans whose conditions leave much to be desired. A pit bull owner who's just as nasty as his dog A thief who believes his father-in-law was a real Nazi A dead-end boxer who has come back in a boxing movie A detective named Caligula Foxx who might be Nero Wolfe in drag A crooked corporal whose payoff is death Not only are the storylines original, the writing is indelibly stamped with Dick's vision and voice. Dick's writing talents really can't be defined by the usual means. Yes, he writes science fiction. Yes, he writes fantasy. Yes, he writes mystery. But what he really writes are Lupoffs. Long, short, hilarious, whimsical, dark, mysterious-they're all Lupoffs. Richard A. Lupoff is the author of many books including the popular Lindsey-and-Plum mysteries. The next of these, The Emerald Cat Killer, will be published by St. Martin's Press in October, 2010. His most recent collection of mysteries is Quintet: The Cases of Chase and Delacroix, published by Crippen & Landru.