From #1 New York Times bestselling author Neil Gaiman, an ingenious and captivating reimagining of Rudyard Kipling's adventure The Jungle Book that is a glorious meditation on love, loss, survival, sacrifice, and what it means to truly be alive―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee. Nobody Owens, known to his friends as Bod, is a normal boy. He would have been completely normal if he didn't live in a sprawling graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor of the dead. There are dangers and adventures in the graveyard for a boy--an ancient Indigo Man beneath the hill, a gateway to a desert leading to an abandoned city of ghouls, the strange and terrible menace of the Sleer. But if Bod leaves the graveyard, then he will come under attack from the man Jack--who has already killed Bod's family. . . By turns macabre, uplifting, sinister, and heartwarming, Neil Gaiman's #1 national bestseller―winner of the Carnegie and Newbury Medals and the Hugo Award―is a "novel of wonder . . . a tale of unforgettable enchantment" (New York Times Book Review).

For Bob Howard, a working day tends to alternate between desperately trying not to fall asleep in committee meetings and being menaced by tentacular horrors from beyond spacetime. That's because Bob works for the Laundry, the secret British government agency tasked with protecting the realm from occult nightmares. So when his manager Iris sends him off to the countryside to liaise with a veterinary inspector from the Department of the Environment, Fisheries, and rural Affairs, at first he takes it as a pleasant vacation. But why is Edgebaston Farm's livery stable buying a hundred kilos of raw meat per day? Why does his briefing file contain the death-bed confession of that old fraud, H. P. Lovecraft? And why is his contact from DEFRA so deathly afraid of unicorns

A Library Journal Horror Best Seller From Nebula Award winner Sam J. Miller comes a frightening and uncanny ghost story about a rapidly changing city in upstate New York and the mysterious forces that threaten it. Ronan Szepessy promised himself he'd never return to Hudson. The sleepy upstate town was no place for a restless gay photographer. But his father is ill and New York City's distractions have become too much for him. He hopes that a quick visit will help him recharge. Ronan reconnects with two friends from high school: Dom, his first love, and Dom's wife, Attalah. The three former misfits mourn what their town has become--overrun by gentrifiers and corporate interests. With friends and neighbors getting evicted en masse and a mayoral election coming up, Ronan and Attalah craft a plan to rattle the newcomers and expose their true motives. But in doing so, they unleash something far more mysterious and uncontainable. Hudson has a rich, proud history and, it turns out, the real-state developers aren't the only forces threatening its well-being: the spirits undergirding this once-thriving industrial town are enraged. Ronan's hijinks have overlapped with a bubbling up of hate and violence among friends and neighbors, and everything is spiraling out of control. Ronan must summon the very best of himself to shed his own demons and save the city he once loathed.

From Hugo and Nebula Award-winning author, Robert Silverberg comes the classic: The Book of Skulls. Four friends embark on a cross-country trip in search of a legendary monastery. There, they hope to find the secrets of immortality promised in an ancient manuscript, the Book of Skulls There, they will present themselves-and pay the horrific price demanded. For immortality requires sacrifice. Two victims to balance two survivors. One by suicide, one by murder. Beneath the gaze of grinning skulls, the terror begins. . . .

In the past hundred years, since the publication of Bram Stoker's infamous book, no literary figure has enjoyed a more horrific resiliency than Count Dracula. In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange—the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst: One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt—male and female, human and non-human, humorous and heroic—all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories—The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire—which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd, Blood Thirst gives us all something to sink our teeth into.

In the classic noir tradition of "Have Gun, Will Travel," Rachel Pollack--one of the world's foremost authorities on the Tarot--gives us the tale of Jack Shade, an occult shaman for hire. Jack Shade has a secret, and this hidden part of his past sends him on a journey through time and space and a great number of metaphysical doorways. From the cosy poker table in the eleventh floor apartment of the Hotel de Reve Noire to the ethereal Forest of Souls to the faded houses along the Gold River, Jack flows in and out of this world. Even when his own duplicate hires him to kill himself, Jack is mercury in motion. Jack the Nimble. Jack the Quick. The Fissure King: A Novel in Fire Stories collects the four existing Jack Shades novellas and shows us Jack's final trick--one last story that finally reveals Jack's true nature. Only Rachel Pollack, one of the world's greatest authorities of tarot and an award-winning novelist and comic book writer, could dream of someone as mischievous and mythopoeic as Jack Shade. The King is dead. Long live the King.