This is a compelling, often hilarious, and unfailingly compassionate portrait of life inside a women's prison. With a career, a boyfriend, and a loving family, the author barely resembles the reckless young woman who delivered a suitcase of drug money ten years before. But that past has caught up with her. Convicted and sentenced to fifteen months at the infamous federal correctional facility in Danbury, Connecticut, the well-heeled Smith College alumna is now inmate #11187-424, one of the millions of people who disappear "down the rabbit hole" of the American penal system. From her first strip search to her final release, she learns to navigate this strange world with its strictly enforced codes of behavior and arbitrary rules. She meets women from all walks of life, who surprise her with small tokens of generosity, hard words of wisdom, and simple acts of acceptance.

The New York Times Bestseller From one of the country’s most recognizable journalists, Lesley Stahl of CBS's 60 Minutes : How becoming a grandmother transforms a woman’s life. After four decades as a reporter, Lesley Stahl’s most vivid and transformative experience of her life was not covering the White House, interviewing heads of state, or researching stories at 60 Minutes . It was becoming a grandmother. She was hit with a jolt of joy so intense and unexpected, she wanted to “investigate” it—as though it were a news flash. And so, using her 60 Minutes skills, she explored how grandmothering changes a woman’s life, interviewing friends like Whoopi Goldberg, colleagues like Diane Sawyer (and grandfathers, including Tom Brokaw), as well as the proverbial woman next door. Along with these personal accounts, Stahl speaks with scientists and doctors about physiological changes that occur in women when they have grandchildren; anthropologists about why there are grandmothers, in evolutionary terms; and psychiatrists about the therapeutic effects of grandchildren on both grandmothers and grandfathers. Throughout Becoming Grandma , Stahl shares stories about her own life with granddaughters Jordan and Chloe, about how her relationship with her daughter, Taylor, has changed, and about how being a grandfather has affected her husband, Aaron. In an era when baby boomers are becoming grandparents in droves and when young parents need all the help they can get raising their children, Stahl’s book is a timely and affecting read that redefines a cherished relationship.

NEW YORK TIMES BESTSELLER • A deeply candid and refreshingly spirited memoir of identity lost and found from the star of the iconic film Dirty Dancing “A funny, dishy, occasionally heartbreaking coming-of-age story.”— The New York Times “Savage and engaging . . . Grey’s memoir is interesting not only for her journey out of darkness but also for what her story reveals about what women encounter in the entertainment business, and the fortitude required to make it.”— The Washington Post In this beautiful, close-to-the bone account, Jennifer Grey takes readers on a vivid tour of the experiences that have shaped her, from her childhood as the daughter of Broadway and film legend Joel Grey, to the surprise hit with Patrick Swayze that made her America’s sweetheart, to her inspiring season eleven win on ABC’s Dancing with the Stars . Throughout this intimate narrative, Grey richly evokes places and times that were defining for a generation—from her preteen days in 1970s Malibu and wild child nights in New York’s club scene, to her roles in quintessential movies of the 1980s, including The Cotton Club, Red Dawn, and her breakout performance in Ferris Bueller’s Day Off . With self-deprecating humor and frankness, she looks back on her unbridled, romantic adventures in Hollywood. And with enormous bravery, she shares the devastating fallout from a plastic surgery procedure that caused the sudden and stunning loss of her professional identity and career. Grey inspires with her hard-won battle back, reclaiming her sense of self from a culture and business that can impose a narrow and unforgiving definition of female worth. She finds, at last, her own true north and starts a family of her own, just in the nick of time. Distinctive, moving, and powerful, told with generosity and pluck, Out of the Corner is a memoir about a never-ending personal evolution, a coming-of-age story for women of every age.

New York Times Bestseller Now in paperback, the dishy, rollicking, and deeply personal story of what really happened in the 2016 election and since, as seen through the eyes of the New York Times reporter who gave eight years of her life to covering the First Woman President who wasn’t. “The Devil Wears Prada meets The Boys on the Bus.”—New York Times For nearly a decade, award-winning New York Times journalist Amy Chozick chronicled Hillary Clinton’s pursuit of the presidency. Chozick’s assignments, covering Clinton’s imploding 2008 campaign and then her front-row seat to the 2016 election on “The Hillary Beat,” set off a years-long journey in which the author’s formative twenties and thirties became, both personally and professionally, intrinsically intertwined with Clinton’s presidential ambitions. As Mrs. Clinton tried, and twice failed, to shatter “that highest, hardest glass ceiling,” Chozick was herself trying, with various fits and starts, to scale the highest echelons of American journalism. In this rollicking, hilarious narrative, Chozick takes us through the high- (and low-) lights of the most noxious and dramatic presidential race in American history. Chozick’s candor and clear-eyed perspective—from her seat on the Hillary bus and reporting from inside the campaign’s Brooklyn headquarters to her run-ins with Donald J. Trump—provide fresh intrigue and insights into the story we thought we all knew. This is the real story of what happened, with the kind of dishy, inside details that repeatedly surprise and enlighten. But Chasing Hillary is also the unusually personal and moving memoir of how Chozick came to understand Clinton not as an unknowable enigma and political animal, but as a complete, complex person full of contradictions and forged in the crucible of political battles that had long predated Chozick’s years covering her. And as Chozick gets engaged, married, buys an apartment, climbs the professional ladder, and inquires about freezing her eggs so she can have children after the 2016 campaign, she dives deeper into decisions Mrs. Clinton had made at similar points in her early career. In the process, Chozick develops an intimate understanding of what drives Clinton, how she accomplished what no woman had before, and why she ultimately failed. Clinton’s shocking defeat would mark the end of the almost imperial hold she’d had on Chozick for most of her professional life. But the results also make Chozick question everything she’d worked so hard for in the first place. Illuminating, poignant, laugh-out-loud funny, Chasing Hillary is a campaign book unlike any other that reads like a fast-moving political novel.

NEW YORK TIMES BESTSELLER • From the acclaimed author of Signal Fires and host of the hit podcast Family Secrets : a memoir about the staggering family secret uncovered by a genealogy test, an exploration of the urgent ethical questions surrounding fertility treatments and DNA testing, and a profound inquiry of paternity, identity, and love. “Memoir gold: a profound and exquisitely rendered exploration of identity and the true meaning of family.” — People In the spring of 2016, through a genealogy website to which she had casually submitted her DNA for analysis, Dani Shapiro received the stunning news that her beloved deceased father was not her biological father. Over the course of a single day, her entire history—the life she had lived—crumbled beneath her. Inheritance is a book about secrets. It is the story of a woman's urgent quest to unlock the story of her own identity, a story that had been scrupulously hidden from her for more than fifty years. It is a book about the extraordinary moment we live in, a moment in which science and technology have outpaced not only medical ethics but also the capacities of the human heart to contend with the consequences of what we discover. Dani Shapiro’s memoir unfolds at a breakneck pace—part mystery, part real-time investigation, part rumination on the ineffable combination of memory, history, biology, and experience that makes us who we are. Inheritance is a devastating and haunting interrogation of the meaning of kinship and identity, written with stunning intensity and precision.

Step into Jenny Slate's wild imagination in this "magical" (Mindy Kaling), "delicious" (Amy Sedaris), and "poignant" (John Mulaney) New York Times bestseller about love, heartbreak, and being alive -- "this book is something new and wonderful" (George Saunders). You may "know" Jenny Slate from her Netflix special, Stage Fright , as the creator of Marcel the Shell, or as the star of "Obvious Child." But you don't really know Jenny Slate until you get bonked on the head by her absolutely singular writing style. To see the world through Jenny's eyes is to see it as though for the first time, shimmering with strangeness and possibility. As she will remind you, we live on an ancient ball that rotates around a bigger ball made up of lights and gasses that are science gasses, not farts (don't be immature). Heartbreak, confusion, and misogyny stalk this blue-green sphere, yes, but it is also a place of wild delight and unconstrained vitality, a place where we can start living as soon as we are born, and we can be born at any time. In her dazzling, impossible-to-categorize debut, Jenny channels the pain and beauty of life in writing so fresh, so new, and so burstingly alive, we catch her vision like a fever and bring it back out into the bright day with us, where everything has changed. One of Vanity Fair' s Great Quarantine Reads.

NATIONAL BESTSELLER “Magnificent.” — The New York Times * “Beguiling, observant, and howlingly funny.” — San Francisco Chronicle * “Spectacular.” — Star Tribune (Minneapolis) * “Full of astonishments.” — The Boston Globe Susan Orlean—the beloved New Yorker staff writer hailed as “a national treasure” by The Washington Post and the author of the New York Times bestseller The Library Book —gathers a lifetime of musings, meditations, and in-depth profiles about animals. “How we interact with animals has preoccupied philosophers, poets, and naturalists for ages,” writes Susan Orlean. Since the age of six, when Orlean wrote and illustrated a book called Herbert the Near-Sighted Pigeon , she’s been drawn to stories about how we live with animals, and how they abide by us. Now, in On Animals , she examines animal-human relationships through the compelling tales she has written over the course of her celebrated career. These stories consider a range of creatures—the household pets we dote on, the animals we raise to end up as meat on our plates, the creatures who could eat us for dinner, the various tamed and untamed animals we share our planet with who are central to human life. In her own backyard, Orlean discovers the delights of keeping chickens. In a different backyard, in New Jersey, she meets a woman who has twenty-three pet tigers—something none of her neighbors knew about until one of the tigers escapes. In Iceland, the world’s most famous whale resists the efforts to set him free; in Morocco, the world’s hardest-working donkeys find respite at a special clinic. We meet a show dog and a lost dog and a pigeon who knows exactly how to get home. Equal parts delightful and profound, enriched by Orlean’s stylish prose and precise research, these stories celebrate the meaningful cross-species connections that grace our collective existence.

A dazzling and devastating memoir -- Girl Interrupted for the Juno generation. Talented, prolific and charming, Emma Forrest was settled in Manhattan at twenty-two and on contract to the Guardian when she realized that her quirks had gone beyond eccentricity, past the warm waters of weird and into those cold, deep patches of the sea where people lose their lives. Lonely, in a dangerous cycle of cutting and bulimia, and drawn inexplicably to damaging and cruel relationships, she found herself in the chair of a slim, balding and effortlessly optimistic psychiatrist -- a man whose wisdom and humanity would wrench her from the vibrant and dangerous tide of herself, and who would help her to recover when she tried to end her life. Emma's loving and supportive family and friends circled around her in panic. Like Ophelia, Emma was on the brink of drowning. But she was also still working, still exploring, still writing. And then she fell in love. One day, when Emma called to make an appointment with her psychiatrist, she found no one there. He had died, shockingly, at the age of fifty-three, leaving behind a young family for whom he had fought to survive. Processing the premature doorstep, a failed suicide, she was adrift. And when her significant and all-consuming relationship also fell apart, she was forced to cling to the page for survival. Your Voice in My Head is spiked with wit, humour and unique perception. It not only explores the crashing weight of depression, mania and suffering, but also the beauty of love and the heartbreak of loss. It is also, fundamentally, about our relationship with ourselves.

NEW YORK TIMES BESTSELLER • “This Year’s Must-Read Memoir” ( W magazine) about the choices a young woman makes in her search for adventure, meaning, and love NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Vogue • Time • Esquire • Entertainment Weekly • The Guardian • Harper’s Bazaar • Library Journal • NPR All her life, Ariel Levy was told that she was too fervent, too forceful, too much. As a young woman, she decided that becoming a writer would perfectly channel her strength and desire. She would be a professional explorer—“the kind of woman who is free to do whatever she chooses.” Levy moved to Manhattan to pursue her dream, and spent years of adventure, traveling all over the world writing stories about unconventional heroines, following their fearless examples in her own life. But when she experiences unthinkable heartbreak, Levy is forced to surrender her illusion of control. In telling her story, Levy has captured a portrait of our time, of the shifting forces in American culture, of what has changed and what has remained. And of how to begin again. Praise for The Rules Do Not Apply “Unflinching and intimate, wrenching and revelatory, Ariel Levy’s powerful memoir about love, loss, and finding one’s way shimmers with truth and heart on every page.” —Cheryl Strayed “Every deep feeling a human is capable of will be shaken loose by this profound book. Ariel Levy has taken grief and made art out of it.” —David Sedaris “Beautifully crafted . . . This book is haunting; it is smart and engaging. It was so engrossing that I read it in a day.” — The New York Times Book Review “Levy’s wise and poignant memoir is the voice of a new generation of women, full of grit, pathos, truth, and inspiration. Being in her presence is energizing and ennobling. Reading her deep little book is inspiring.” — San Francisco Book Review “Levy has the rare gift of seeing herself with fierce, unforgiving clarity. And she deploys prose to match, raw and agile. She plumbs the commotion deep within and takes the measure of her have-it-all generation.” — The Atlantic “Cheryl Strayed meets a Nora Ephron movie. You’ll laugh, ugly cry, and finish it before the weekend’s over.” — theSkimm

A Recommended Read from: The Los Angeles Times * Town and Country * The Seattle Times * Publishers Weekly * Lit Hub * Crime Reads * Alma From the author of The Real Lolita and editor of Unspeakable Acts, the astonishing story of a murderer who conned the people around him—including conservative thinker William F. Buckley—into helping set him free In the 1960s, Edgar Smith, in priso[Bokinfo]

Shortlisted for the James Tait Black Prize for Biography Longlisted for The Orwell Prize for Political Writing An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses In Recollections of My Nonexistence , Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.

"Mitch Albom has done it again with this moving memoir of love and loss. You can't help but fall for Chika. A page-turner that will no doubt become a classic." --Mary Karr, author of The Liars' Club and The Art of Memoir From the #1 New York Times bestselling author of Tuesdays With Morrie comes Mitch Albom's most personal story to date: an intimate and heartwarming memoir about what it means to be a family and the young Haitian orphan whose short life would forever change his heart. Chika Jeune was born three days before the devastating earthquake that decimated Haiti in 2010. She spent her infancy in a landscape of extreme poverty, and when her mother died giving birth to a baby brother, Chika was brought to The Have Faith Haiti Orphanage that Albom operates in Port Au Prince. With no children of their own, the forty-plus children who live, play, and go to school at the orphanage have become family to Mitch and his wife, Janine. Chika's arrival makes a quick impression. Brave and self-assured, even as a three-year-old, she delights the other kids and teachers. But at age five, Chika is suddenly diagnosed with something a doctor there says, "No one in Haiti can help you with." Mitch and Janine bring Chika to Detroit, hopeful that American medical care can soon return her to her homeland. Instead, Chika becomes a permanent part of their household, and their lives, as they embark on a two-year, around-the-world journey to find a cure. As Chika's boundless optimism and humor teach Mitch the joys of caring for a child, he learns that a relationship built on love, no matter what blows it takes, can never be lost. Told in hindsight, and through illuminating conversations with Chika herself, this is Albom at his most poignant and vulnerable. Finding Chika is a celebration of a girl, her adoptive guardians, and the incredible bond they formed--a devastatingly beautiful portrait of what it means to be a family, regardless of how it is made.

The electrifying, often harrowing memoir of a highly decorated DEA agent who targeted the world's most notorious narco-terrorists through the "dark art" of undercover operations. Edward Follis bought eightballs of coke in a red Corvette. He negotiated multimillion-dollar deals onboard private King Airs. He developed covert relationships with men who were not only international drug traffickers but--in some cases--operatives for Al Qaeda, Hezbollah, Hamas, the Shan United Army, or the Mexican Federation of cartels. He was a master at the dark art of going undercover. And this is his story... Spanning five continents and filled with harrowing stories about the world's most ruthless drug lords and terrorist networks, The Dark Art is an incredible first hand account of Edward Follis's twenty-seven-year undercover career in the DEA--from doing street-level busts evocative of Miami Vice to using high-resolution-optics surveillance and classified cutting-edge technology to bring down narco-terror kingpins. It also closely examines how, from the early 1990s to today, the DEA underwent its own radical transformation, shifting its focus from local dealers of coke and weed to the billionaire financiers of worldwide terrorism. Every word is true, and every story is documented. A globe-hopping nonfiction thriller, The Dark Art is a page-turning memoir that will electrify you from page one.

Cat behaviorist and star of Animal Planet's hit television show My Cat from Hell , Jackson Galaxy, a.k.a. "Cat Daddy," isn't what you might expect for a cat expert (as The New York Times noted, with his goatee and tattoos, he "looks like a Hells Angel"). Yet Galaxy's ability to connect with even the most troubled felines -- not to mention the stressed-out humans living in their wake -- is awe-inspiring. In this book, Galaxy tells the poignant story of his thirteen-year relationship with a petite gray-and-white short-haired cat named Benny, and gives singular advice for living with, caring for, and loving the feline in your home. When Benny arrived in his life, Galaxy was a down-and-out rock musician with not too much more going on than a part-time job at an animal shelter and a drug problem. Benny's previous owner brought the cat to the shelter in a cardboard box to give him up. Benny had seen better days --- his pelvis had just been shattered by the wheels of a car -- and his owner insisted he'd been "unbondable" from day one. Nothing could have been further from the truth. An inspiring account of two broken beings who fixed each other, Cat Daddy is laced throughout with Galaxy's amazing "Cat Mojo" advice for understanding what cats need most from us humans in order to live happier, healthier lives.

Finalist for the 1997 National Book Award for Nonfiction Jamaica Kincaid’s brother Devon Drew died of AIDS on January 19, 1996, at the age of thirty-three. Kincaid’s incantatory, poetic, and often shockingly frank recounting of her brother’s life and death is also a story of her family on the island of Antigua, a constellation centered on the powerful, sometimes threatening figure of the writer’s mother. My Brother is an unblinking record of a life that ended too early, and it speaks volumes about the difficult truths at the heart of all families.

A "stunning" (Hanif Abdurraqib), "unputdownable" (Mary Karr) meditation on queerness, family, and desire. How do you know if you are transgender? How do you know if what you want and feel is real? How do you know whether to believe yourself? Cyrus Dunham's life always felt like a series of imitations--lovable little girl, daughter, sister, young gay woman. But in a culture of relentless self-branding, and in a family subject to the intrusions and objectifications that attend fame, dissociation can come to feel normal. A Lambda Literary Award finalist, Dunham's fearless, searching debut brings us inside the chrysalis of a transition inflected as much by whiteness and proximity to wealth as by gender, asking us to bear witness to an uncertain and exhilarating process that troubles our most basic assumptions about identity. Written with disarming emotional intensity in a voice uniquely his , A Year Without a Name is a potent, thrillingly unresolved meditation on queerness, family, and selfhood. Named a Most Anticipated Book of the season by: Time NYLON Vogue ELLE Buzzfeed Bustle O Magazine Harper's Bazaar

Bestselling author Ruth Reichl embarks on a clear-eyed and openhearted investigation of her mother's life, piecing together the journey of a woman she comes to realize she never really knew. Looking to her mother's letters and diaries, Reichl confronts the painful transition her mother made from a hopeful young woman to an increasingly unhappy older one and realizes the tremendous sacrifices she made to make sure her daughter's life would not be as disappointing as her own. Book jacket.

A quick search on the net reveals some 2,400,000 sites about the 23-year-old socialite who is famous for doing little and baring little. But what is it about Paris Hilton that continues to fascinate everyone worldwide and why do or should we care? (oh, but we do). Paris has teamed up with entertainment/fashion/beauty/celebrity writer Merle Ginsberg and Jeff Vespa, Paris's fave photographer, to write her autobiography CONFESSIONS OF AN HEIRESS: A TONGUE-IN-CHIC PEEK AT LIFE BEHIND THE POSE. There are chapters on sister Nicky, the jet/set life, and Paris's cavalcade of paramours including Rick Salomon and the notorious sex tape that "has made me change my life. I used to have fun and dress up and that was my life. But now I'm moving on, I've grown up a lot." Wow. CONFESSIONS OF AN HEIRESS also include a section on how to tell if a guy is only interested in your money. "If they offer to pay for dinner, that's a good sign," Paris advises. "But if they talk about how 'you're so rich,' if they do stuff like that, I can tell they like money more than they like me. But I think girls are more gold-diggers than guys." Ouch. CONFESSIONS OF AN HEIRESS doesn't just include Paris's thoughts on men and money. She also weighs in on nutrition ("Never drink Diet Coke. Diet Coke is for fat people.") and the hardships of travel ("Having a stewardess spill something on you can totally ruin your flight. I hate rude stewardesses. It's like, 'Hello, I'm paying, be nice to me.'"). Like, hello, we think they're called flight attendants now.

A frank, witty, and dazzlingly written memoir of one woman trying to keep it together while her body falls apart—from the “brilliant mind” (Michaela Coel, creator of I May Destroy You ) behind Shutterbabe “The most laugh-out-loud story of resilience you’ll ever read and an essential road map for the importance of narrative as a tool of healing.”—Lori Gottlieb, bestselling author of Maybe You Should Talk to Someone NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE I’m crawling around on the bathroom floor, picking up pieces of myself. These pieces are not a metaphor. They are actual pieces. Twenty years after her iconic memoir Shutterbabe, Deborah Copaken is at her darkly comedic nadir: battered, broke, divorcing, dissected, and dying—literally—on sexism’s battlefield as she scoops up what she believes to be her internal organs into a glass container before heading off to the hospital . . . in an UberPool. Ladyparts is Copaken’s irreverent inventory of both the female body and the body politic of womanhood in America, the story of one woman brought to her knees by the one-two-twelve punch of divorce, solo motherhood, healthcare Frogger, unaffordable childcare, shady landlords, her father’s death, college tuitions, sexual harassment, corporate indifference, ageism, sexism, and plain old bad luck. Plus seven serious illnesses, one atop the other, which provide the book’s narrative skeleton: vagina, uterus, breast, heart, cervix, brain, and lungs. Copaken bounces back from each bum body part, finds workarounds for every setback—she transforms her home into a commune to pay rent, sells her soul for health insurance, turns FBI informant when her sexual harasser gets a presidential appointment—but in her slippery struggle to survive a steep plunge off the middle-class ladder, she is suddenly awoken to what it means to have no safety net. Side-splittingly funny one minute, a freak horror show the next, quintessentially American throughout, Ladyparts is an era-defining memoir.

Since its inception in 1915, the Best American series has become the premier annual showcase for the country's finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. The Best American Science and Nature Writing 2004, edited by Steven Pinker, is another "provocative and thoroughly enjoyable [collection] from start to finish" (Publishers Weekly). Here is the best and newest on science and nature: the psychology of suicide terrorism, desperate measures in surgery, the weird world of octopuses, Sex Week at Yale, the linguistics of click languages, the worst news about cloning, and much more.