When the Beatles touched down in New York on February 7, 1964 for their first visit to America, they brought with them a sound that hadn't been heard before. By the time they returned to England two weeks later, major changes in music, fashion, the record industry, and the image of an entire generation had been set into motion. Coming less than three months after the assassination of President Kennedy, the Beatles' visit helped rouse the country out of mourning. A breathless and condescending media concentrated on the band's hairstyles and their adoring fans, but their enduring importance lay in their music, their wit, and style, a disconnect that signaled the beginning of the generation gap. In this intriguing cultural history, Martin Goldsmith examines how and why the Beatles struck such a lasting chord.

Drawing on more than 200 interviews with such consorts and courtiers as Marianne Faithfull, Anita Pallenberg, Andrew Oldham, Chris Jagger, and Ian Stewart, this spellbinding tour of the dark underside of the 1960s brings to life the Stones' world of wealth, power, and privilege. Enhanced with 16 pages of photographs, this fast-moving, revelatory look at the rock group is also a fascinating portrait of an era.

It was 1994: post-Liz Phair, mid-Courtney Love, just shy of Alanis Morissette. After seven years of slogging it out in the Boston music scene, Jen Trynin took a hard look at herself and gave "making it" one last shot. It worked. Suddenly Trynin became the spark that set off one of the most heated bidding wars of the year. Major labels vied for her, to the tune of millions of dollars in deals. Lawyers, managers, and booking agents clamored for her attention. Billboard put her on the cover. Everyone knew she was the Next Big Thing. But then she wasn't. In a series of dizzying, hilarious, heartbreaking snapshots, Trynin captures what it's like to be catapulted to the edge of rock stardom, only to plummet back down to earth. Everything I'm Cracked Up to Be is the story of a girl who got what she wished for--and lived happily ever after anyway.

Two companion pieces released in one volume, containing selected writing and tour journal entries from 1988-1992.

With his dynamic on-air personality and his trademark cry of "Burn, baby! BURN!" when spinning the hottest new records, Magnificent Montague was the charismatic voice of soul music in Chicago, New York, and Los Angeles from the mid-1950s to the mid-1960s. In this memoir Montague recounts the events of his momentous radio career, which ran from the era of segregation to that of the civil rights movement; as he does so, he also tells the broader story of a life spent in the passionate pursuit of knowledge, historical and musical. Like many black disc jockeys of his day, Montague played a role in his community beyond simply spreading the music of James Brown, Otis Redding, Aretha Franklin, and other prominent artists. Montague served as an unofficial spokesman for his black listeners, reflecting their beliefs and acting as a sounding board for their concerns. Montague was based in Los Angeles in 1965 when the Watts rioters seized on his incendiary slogan, turning the shout of musical appreciation into a rallying cry for racial violence. In Burn, Baby! BURN! Montague recalls these tumultuous times, including the personal struggle he faced over whether to remain true to his listeners or bend to political pressure and stop shouting his suddenly controversial slogan. Since the mid-1950s Montague had also expressed his passion for African American culture by becoming a zealous collector of artifacts of black history. He has built a monumental collection, taking time out from his collecting to become only the second African American to build his own radio station literally from the ground up. A compelling account of a rich and varied life, Burn, Baby! BURN! gives an insider's view of half a century of black history, told with on-the-air zest by the DJ/historian who was there to see it unfold.