Romanticism is a worldview that finds expression over a whole range of cultural fields—not only in literature and art but in philosophy, theology, political theory, and social movements. In Romanticism Against the Tide of Modernity Michael Löwy and Robert Sayre formulate a theory that defines romanticism as a cultural protest against modern bourgeois industrial civilization and work to reveal the unity that underlies the extraordinary diversity of romanticism from the eighteenth to the twenty-first century. After critiquing previous conceptions of romanticism and discussing its first European manifestations, Löwy and Sayre propose a typology of the sociopolitical positions held by romantic writers-from “restitutionist” to various revolutionary/utopian forms. In subsequent chapters, they give extended treatment to writers as diverse as Coleridge and Ruskin, Charles Peguy, Ernst Bloch and Christa Wolf. Among other topics, they discuss the complex relationship between Marxism and romanticism before closing with a reflection on more contemporary manifestations of romanticism (for example, surrealism, the events of May 1968, and the ecological movement) as well as its future. Students and scholars of literature, humanities, social sciences, and cultural studies will be interested in this elegant and thoroughly original book.

The main literary and artistic currents of Romanticism are well known. This volume aims uniquely to set them in their wider contexts. Thirteen distinguished contributors examine the particular configurations of the Romantic movement within individual national contexts. Parallels, influences and differences are explored between the course of Romanticism in England, France, Germany and ten other European nations, and special emphasis is placed upon the interplay between Romantic culture and social, political and economic change. Narrow definitions of Romanticism are avoided: the contributors emphasize the Romantic strands within science, philosophy and political thinking as well as within art and literature. The book also forms part of a sequence of collections of essays which started with The Enlightenment in National Context (1981). In preparation are Fin-de-Siècle and its Legacy and the Renaissance in National Context. The purpose of these and other envisaged collections is to bring together comparative, national and inter-disciplinary approaches to the history of great movements in the development of human thought and action.

The main literary and artistic currents of Romanticism are well known. This volume aims uniquely to set them in their wider contexts. Thirteen distinguished contributors examine the particular configurations of the Romantic movement within individual national contexts. Parallels, influences and differences are explored between the course of Romanticism in England, France, Germany and ten other European nations, and special emphasis is placed upon the interplay between Romantic culture and social, political and economic change. Narrow definitions of Romanticism are avoided: the contributors emphasize the Romantic strands within science, philosophy and political thinking as well as within art and literature. The book also forms part of a sequence of collections of essays which started with The Enlightenment in National Context (1981). In preparation are Fin-de-Siècle and its Legacy and the Renaissance in National Context. The purpose of these and other envisaged collections is to bring together comparative, national and inter-disciplinary approaches to the history of great movements in the development of human thought and action.