A journey into the glittering, surreal heart of 21st century Russia: into the lives of Hells Angels convinced they are messiahs, professional killers with the souls of artists, bohemian theatre directors turned Kremlin puppet-masters, supermodel sects, post-modern dictators and oligarch revolutionaries. This is a world erupting with new money and new power, changing so fast it breaks all sense of reality, where life is seen as a whirling, glamorous masquerade where identities can be switched and all values are changeable. It is home to a new form of authoritarianism, far subtler than 20th century strains, and which is rapidly expanding to challenge the global order. An extraordinary book - one which is as powerful and entertaining as it is troubling - Nothing is True and Everything is Possible offers a wild ride into this political and ethical vacuum

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Addressing volatile social issues such as gender, pornography, race, welfare, immigration, and schooling, Alan Wolfe examines the ills of American society in the 1990s. He shows that it is possible to be critical and fair at the same time, and concludes that social criticism does not lie within the boundaries of either left-wing or right-wing ideas, but rather is connected to a broad understanding of liberalism. This immensely readable book illustrates the power of social criticism to enlarge discussion of issues at the heart of democracy today. "In applying a realist approach to controversies over immigration, pornography, race relations, and the apparent communications gap between the genders, Wolfe seeks to demonstrate the advantages of combining the insights of criticism and the tools of social science."— Library Journal "A plea for a return to liberal thinking, an insistence on the value of 'social criticism beyond politics.' "— Washington Post Book World "[Wolfe] surveys contemporary public discourse on racial and sexual relations, welfare policy, immigration, pornography, education and cultural politics . . . he manages to bring some fresh thinking to most of these stale debates."—T. J. Jackson Lears, New York Times Book Review