In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to better the family's social position. What begins as simple amusement for the bored nobility takes a perilous turn when Luzia garners the notice of Antonio Pérez, the disgraced secretary to Spain's king. Still reeling from the defeat of his armada, the king is desperate for any advantage in the war against England's heretic queen--and Pérez will stop at nothing to regain the king's favor. Determined to seize this one chance to better her fortunes, Luzia plunges into a world of seers and alchemists, holy men and hucksters, where the lines between magic, science, and fraud are never certain. But as her notoriety grows, so does the danger that her Jewish blood will doom her to the Inquisition's wrath. She will have to use every bit of her wit and will to survive--even if that means enlisting the help of Guillén Santangel, an embittered immortal familiar whose own secrets could prove deadly for them both.

Americans like to believe that they live in a classless society. Most Americans defiantly identify themselves as middle class, although economic inequality is greater in the United States than in most advanced Western nations. Offering an important revision of conventional wisdom, Stanley Aronowitz demonstrates that class remains a potent force in the United States. Aronowitz shows that class need not be understood simply in terms of socioeconomic stratification, but rather as the power of social groups to make a difference. Aronowitz explains that social groups from different economic and political positions become ruling classes when they make demands that change the course of history. For instance, labor movements, environmental activists, and feminists have engaged in class struggles as their demands for power reconfigured the social order. The emerging global justice movements--comprised of activists from heterogeneous social and political backgrounds--also show potential for class formation. Written by a prominent scholar and social activist, this book offers a stunning reconceptualization of the meaning and significance of class in modern America.

""One of the most brilliant, articulate, and courageous critics of white privilege in the nation."--Michael Eric DysonTim Wise is one of America's most prolific public intellectuals. His critically acclaimed books, high-profile media interviews, and year-round speaking schedule have established him as a leading voice for racial equity. In Under the Affluence, Wise builds on his fierce critique of racial privilege to discuss a related issue: class disparity and a culture of cruelty that demonizes those in need.As Wise demonstrates, there was a time when the hardship of fellow Americans stirred feelings of sympathy, civic responsibility, and direct support for policies meant to alleviate poverty. But today, mainstream discourse increasingly blames low-income folks for their own situation, and the notion of an intractable "culture of poverty" has pushed our country in an especially ugly direction. Wise shows how the wealthy elite have commandeered discussions about class, moving the nation toward scorn and disengagement from the marginalized.With clarity and precision, Wise not only documents growing contempt for the nation's have-nots, but also explores the underlying forces that perpetuate it. In doing so, he demonstrates how classism, racism, and sexism are inextricably linked, and how popular culture contributes to a deepening indifference to those who are struggling. Finally, Wise shows that far from a culture of poverty, it is the culture of affluence and power that deserves the blame for America's simmering economic and social crises.Tim Wise is the author of many books, including Dear White America and Colorblind"--

"What are the causes of inequality in capitalist society? In Understanding Class, leading left sociologist Erik Olin Wright returns to the fundamental concept underlying this question, and interrogates the different theories and paradigms that have arisen for understanding it. Beginning with class analysis in Marx and Weber, proceeding through the writings of Charles Tilly and others, and finally examining how class struggle and class compromise play out in contemporary society, Understanding Class provides a complex but compelling view of how to think through inequality"--

"Change is no stranger to us in the twenty-first century. All of us must constantly adjust to an evolving world, to transformation and innovation. But for many thousands of creative artists, a torrent of recent changes has made it all but impossible to earn a living. A persistent economic recession, social shifts, and technological change have combined to put our artists-from graphic designers to indie-rock musicians, from architects to booksellers-out of work. This important book looks deeply and broadly into the roots of the crisis of the creative class in America and tells us why it matters. Scott Timberg considers the human cost as well as the unintended consequences of shuttered record stores, decimated newspapers, music piracy, and a general attitude of indifference. He identifies social tensions and contradictions-most concerning the artist's place in society-that have plunged the creative class into a fight for survival. Timberg shows how America's now-collapsing middlebrow culture-a culture once derided by intellectuals like Dwight Macdonald-appears, from today's vantage point, to have been at least a Silver Age. Timberg's reporting is essential reading for anyone who works in the world of culture, knows someone who does, or cares about the work creative artists produce"--