Jerusalem is more than a holy city built of stone. Domain of Muslims, Jews, and Christians, Jerusalem is a perpetual contest, and its shrines, housing projects, and bulldozers compete in a scramble for possession. Now one of Jerusalem's most respected authorities presents a history of the city that does not fall prey to any one version of its past. Meron Benvenisti begins with a reflection on the 1996 celebration of Jerusalem's 3000-year anniversary as the capital of the Kingdom of Israel. He then juxtaposes eras, dynasties, and rulers in ways that provide grand comparative insights. But unlike recent politically motivated histories written to justify the claims of Jews and Arabs now living in Jerusalem, Benvenisti has no such agenda. His history is a polyphonic story that lacks victors as well as vanquished. He describes the triumphs and defeats of all the city's residents, from those who walk its streets today to the meddlesome ghosts who linger in its shadows. Benvenisti focuses primarily on the twentieth century, but ancient hatreds are constantly discovered just below the surface. These hostilities have created intense social, cultural, and political interactions that Benvenisti weaves into a compelling human story. For him, any claim to the city means recognizing its historical diversity and multiple populations. A native son of Jerusalem, Benvenisti knows the city well, and his integrated history makes clear that all of Jerusalem's citizens have enriched the Holy City in the past. It is his belief that they can also do so in the future.

Trachtenberg's book exmines the urban transformation of Florence in the fourteenth century. Focusing on the creation of the Piazza della Signoria and the Piazza del Duomo, he documents in engaging detail how and why urban planners, in league with the civic government, enlarged these urban spaces. Articulating the design principles that served as the foundation for these urban renewal projects, Trachtenberg's book fundamentally revises our understanding of urban planning in the early modern period, countering the received claim that rational planning begins only in the Renaissance. His book also brings a new depth of understanding to the entire visual culture of Trecento Florence, demonstrating how many of the developments in painting, sculpture and architecture of this period form the basis of the achievements of the Quattrocento, particularly the discovery of perspective. Combining both empirical and post-structuralist methods, Trachtenberg's book is among the first, if not the first, to question critically many of the assumptions that have formed the basis of scholarship of Renaissance art since the sixteenth century.

Centre and Periphery consists of ten essays in political geography by such distinguished contributors as Owen Lattimore, Paul Claval, Stein Rokkan and Jean Laponce. They apply the centre/periphery model to such topics as America′s place in the global system, regionalism in Italy, and the periphery as source of change. A substantial introduction and conclusion by Jean Gottmann provide a framework for these essays demonstrating the potential of the centre/periphery model for more fully integrating the political and geographical perspectives. ′The choice of centre and periphery as a theme around which to organize the papers is a happy one...All of these essays are preceded and followed by two thoughtful contributions by Professor Gottmann, who offers some challenging ideas concerning the nature of political geography and its relationship to politics.′ -- The Geographical Journal, Vol 148 (1982), Pt 1